Augustus Goetz
- Writer
- 3 on MovieCove · 7 credits in all
Known for
What are Augustus Goetz's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 0 · Serious 1 · Dark 2
Grounded 1 · Stylized 1 · Heightened 1
Gentle 0 · Charged 3 · Intense 0
Steady 2 · Shifting 1 · Whiplash 0
Straight-faced 3 · Some laughs 0 · Funny 0
Slow burn 3 · Even-paced 0 · Relentless 0
Casual 2 · Engaged 1 · Full focus 0
A split, not a type: Easy watch 1 · Affecting 0 · Heavy 2
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Augustus Goetz's films?
As of October 24, 2026, none of Augustus Goetz's 3 MovieCove titles is streaming on a subscription or free service.
Subscription and free streaming for Augustus Goetz's titles on MovieCove; rent and buy are not counted.
Filmography
7 credits, 3 with a MovieCove page.
LA HEREDERA (not in the MovieCove catalog yet)(1994)
BBC Play of the Month (not in the MovieCove catalog yet)(1965)
Stage Struck (not in the MovieCove catalog yet)(1958)
Armchair Theatre (not in the MovieCove catalog yet)(1956)
Rhapsody(1954)
Midcredits score: 53rd percentile of all films
Carrie(1952)
Midcredits score: 86th percentile of all films
The Heiress(1949)
Midcredits score: 98th percentile of all films
Career shape
A full career of 7 titles from 1949 to 1994.
How do Augustus Goetz's films land?
Their typical MovieCove film has a Midcredits score in the 86th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 81st percentile for acclaim.
- 75th and up2
- 50th to 74th1
Shape of the crowd
None of their 3 titles divides audiences: 2 are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser2
Reviewers score the dialogue 60/100 and the plot and story 55/100 in their films, across 3 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Augustus Goetz work with?
People who share at least 2 of Augustus Goetz's MovieCove titles, grouped by what they did on them; Ruth Goetz shares the most, 3.
Directors
- William WylerShared titles: Carrie (1952), The Heiress (1949)See all 2 shared titles with William Wyler
Writers
- Ruth GoetzShared titles: Rhapsody (1954), Carrie (1952), The Heiress (1949)See all 3 shared titles with Ruth Goetz
Actors
- Miriam HopkinsShared titles: Carrie (1952), The Heiress (1949)See all 2 shared titles with Miriam Hopkins
Producers
- Lester KoenigShared titles: Carrie (1952), The Heiress (1949)See all 2 shared titles with Lester Koenig