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Isidor Goldsmith

Producer and writer

Works as
Producer and writer
Titles
3 on MovieCove · 11 credits in all
TMDB popularity, last 38 days to Oct 27Up 23% in 30 days

What are Isidor Goldsmith's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

Themes

share of theme weight
Morality
26%
Bonds
17%
Self
17%
Power
17%
Ideas
12%
Survival
10%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 1 · Serious 0 · Dark 2

Grounded 3 · Stylized 0 · Heightened 0

Gentle 1 · Charged 2 · Intense 0

Steady 2 · Shifting 1 · Whiplash 0

Straight-faced 2 · Some laughs 1 · Funny 0

Slow burn 2 · Even-paced 1 · Relentless 0

Casual 1 · Engaged 1 · Full focus 1

Resolved 1 · Open-ended 1 · Ambiguous 1

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
2
Melancholic
3
Warm
1
Contemplative
1
Absurd
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Isidor Goldsmith's films?

As of October 24, 2026, all 3 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Isidor Goldsmith's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

11 credits, 3 with a MovieCove page.

  • The Tell-Tale Heart (not in the MovieCove catalog yet)(1953)

    Producer

  • The Scarf(1951)

    Producer · Story

    Midcredits score: 64th percentile of all films
  • Three Husbands(1950)

    Producer

    Midcredits score: 21st percentile of all films
  • Out of the Blue (not in the MovieCove catalog yet)(1947)

    Producer

  • Bedelia (not in the MovieCove catalog yet)(1946)

    Producer · Screenplay

  • The Voice Within (not in the MovieCove catalog yet)(1946)

    Director · Producer

  • Hatter's Castle (not in the MovieCove catalog yet)(1942)

    Producer

  • The Stars Look Down(1940)

    Producer

    Midcredits score: 76th percentile of all films
  • I Killed the Count (not in the MovieCove catalog yet)(1939)

    Producer

  • Under Secret Orders (not in the MovieCove catalog yet)(1937)

    Associate Producer

  • Southern Roses (not in the MovieCove catalog yet)(1936)

    Producer

Career shape

A full career of 11 titles from 1936 to 1953.

By role

only this rolewith another role
Directing1 of 11: 0 only directing, 1 with another roleWriting2 of 11: 0 only writing, 2 with another roleProducing11 of 11: 8 only producing, 3 with another role

11 titles, 3 with more than one role — producing and writing overlap on 2 of them.

By decade

1930s3 · crew1940s5 · crew1950s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Isidor Goldsmith's films land?

Their typical MovieCove film has a Midcredits score in the 64th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 59th percentile for acclaim.

Acclaim · how much people like their films

59thpercentile
Typical film, the median of 3

Approval · how many liked their films

66thpercentile
Typical film, the median of 3

Reach · how many have seen their films

31stpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • 75th and up1
  • 50th to 74th1
  • Below 25th1

Shape of the crowd

None of their 3 titles divides audiences: 2 are Crowd Pleasers.

  • Crowd Pleaser2
  • Mixed1

Reviewers score the dialogue 58/100 and the plot and story 52/100 in their films, across 3 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Isidor Goldsmith work with?

People who share at least 2 of Isidor Goldsmith's MovieCove titles, grouped by what they did on them; Emlyn Williams shares the most, 3.

Actors

Composers and cinematographers

Producers