Ken Goldsmith
- Producer
- 7 on MovieCove · 22 credits in all
What are Ken Goldsmith's films like?
Across their 7 MovieCove titles with a thematic analysis, their films lean Morality and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 7
Light 5 · Serious 0 · Dark 2
Grounded 6 · Stylized 1 · Heightened 0
Gentle 5 · Charged 2 · Intense 0
Steady 4 · Shifting 3 · Whiplash 0
A split, not a type: Straight-faced 4 · Some laughs 1 · Funny 2
Slow burn 5 · Even-paced 2 · Relentless 0
Casual 6 · Engaged 1 · Full focus 0
Easy watch 5 · Affecting 1 · Heavy 1
Resolved 6 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy3
- Bittersweet3
- Tragic1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Ken Goldsmith's films?
As of October 24, 2026, 5 of their 7 MovieCove titles stream on a subscription or free service, most on MGM+ (5).
Subscription and free streaming for Ken Goldsmith's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
22 credits, 7 with a MovieCove page.
Mister Big (not in the MovieCove catalog yet)(1943)
It Comes Up Love (not in the MovieCove catalog yet)(1943)
Mug Town (not in the MovieCove catalog yet)(1942)
Midcredits score: 39th percentile of all films
Private Buckaroo(1942)
Midcredits score: 35th percentile of all films
Tough as They Come (not in the MovieCove catalog yet)(1942)
Moonlight in Hawaii (not in the MovieCove catalog yet)(1941)
Mob Town (not in the MovieCove catalog yet)(1941)
Hit the Road (not in the MovieCove catalog yet)(1941)
La Conga Nights (not in the MovieCove catalog yet)(1940)
Midcredits score: 55th percentile of all films
Call a Messenger (not in the MovieCove catalog yet)(1939)
Hero for a Day (not in the MovieCove catalog yet)(1939)
Society Smugglers (not in the MovieCove catalog yet)(1939)
Saleslady(1938)
Midcredits score: 24th percentile of all films
Little Tough Guy(1938)
Midcredits score: 45th percentile of all films
Sinners in Paradise(1938)
Midcredits score: 27th percentile of all films
Hoosier Schoolboy (not in the MovieCove catalog yet)(1937)
Blazing Barriers(1937)
Midcredits score: 28th percentile of all films (provisional, few ratings)
The Leathernecks Have Landed (not in the MovieCove catalog yet)(1936)
I Hate Women (not in the MovieCove catalog yet)(1934)
Woman Unafraid (not in the MovieCove catalog yet)(1934)
Career shape
A full career of 20 titles from 1934 to 1943.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Ken Goldsmith's films land?
Their typical MovieCove film has a Midcredits score in the 35th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 49th percentile for acclaim.
- 50th to 74th1
- 25th to 49th5
- Below 25th1
Shape of the crowd
3 of their 7 titles are Mixed.
- Cult Classic1
- Crowd Pleaser1
- Broadly Agreed2
- Mixed3
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Ken Goldsmith work with?
People who share at least 2 of Ken Goldsmith's MovieCove titles, grouped by what they did on them; Frank Skinner shares the most, 3.
Directors
- Harold YoungShared titles: There's One Born Every Minute (1942), Little Tough Guy (1938)See all 2 shared titles with Harold Young
Writers
- Brenda WeisbergShared titles: There's One Born Every Minute (1942), Little Tough Guy (1938)See all 2 shared titles with Brenda Weisberg
- Lester ColeShared titles: The Invisible Man Returns (1940), Sinners in Paradise (1938)See all 2 shared titles with Lester Cole
Actors
- Don 'Red' BarryShared titles: Saleslady (1938), Sinners in Paradise (1938)See all 2 shared titles with Don 'Red' Barry
- Milburn StoneShared titles: Sinners in Paradise (1938), Blazing Barriers (1937)See all 2 shared titles with Milburn Stone
Composers, cinematographers and editors
- Frank SkinnerShared titles: There's One Born Every Minute (1942), The Invisible Man Returns (1940), Little Tough Guy (1938)See all 3 shared titles with Frank Skinner
- Elwood BredellShared titles: Private Buckaroo (1942), Little Tough Guy (1938)See all 2 shared titles with Elwood Bredell
- Maurice WrightShared titles: There's One Born Every Minute (1942), Sinners in Paradise (1938)See all 2 shared titles with Maurice Wright
- Hans J. SalterShared titles: The Invisible Man Returns (1940), Little Tough Guy (1938)See all 2 shared titles with Hans J. Salter