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Arturo González

Producer

Works as
Producer
Titles
4 on MovieCove · 33 credits in all
TMDB popularity, last 38 days to Oct 27Down 14% in 30 days

What are Arturo González's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Power and Morality.

Themes

share of theme weight
Power
29%
Morality
27%
Self
23%
Bonds
13%
Survival
9%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 1 · Dark 3

Grounded 1 · Stylized 2 · Heightened 1

Gentle 0 · Charged 1 · Intense 3

Steady 0 · Shifting 4 · Whiplash 0

Straight-faced 4 · Some laughs 0 · Funny 0

Slow burn 1 · Even-paced 3 · Relentless 0

Casual 2 · Engaged 2 · Full focus 0

Easy watch 0 · Affecting 1 · Heavy 3

Resolved 4 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
4
Dread
2
Melancholic
3
Thrilling
1
Contemplative
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Arturo González's films?

As of October 24, 2026, 2 of their 4 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Arturo González's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

33 credits, 4 with a MovieCove page.

  • Hotel Paradise (not in the MovieCove catalog yet)(1980)

    Producer

  • Escape from Hell(1980)

    Producer

    Midcredits score: 15th percentile of all films
  • Alejandra, mon amour (not in the MovieCove catalog yet)(1979)

    Producer

  • Préstamela esta noche (not in the MovieCove catalog yet)(1978)

    Producer

  • Donde hay patrón... (not in the MovieCove catalog yet)(1978)

    Producer

  • Cuando los maridos se iban a la guerra (not in the MovieCove catalog yet)(1976)

    Producer

  • Cuando los niños vienen de Marsella (not in the MovieCove catalog yet)(1974)

    Producer

  • Celos, amor y Mercado Común (not in the MovieCove catalog yet)(1973)

    Producer

  • Me has hecho perder el juicio (not in the MovieCove catalog yet)(1973)

    Producer

  • Dr. Jekyll and the Werewolf (not in the MovieCove catalog yet)(1972)

    Producer

  • Ligue Story (not in the MovieCove catalog yet)(1972)

    Producer

  • En un lugar de la Manga (not in the MovieCove catalog yet)(1970)

    Producer

  • Después de los nueve meses (not in the MovieCove catalog yet)(1970)

    Producer

  • Juicio de faldas (not in the MovieCove catalog yet)(1969)

    Producer

  • El taxi de los conflictos (not in the MovieCove catalog yet)(1969)

    Producer

  • Midcredits score: 73rd percentile of all films
  • Relaciones casi públicas (not in the MovieCove catalog yet)(1968)

    Producer

  • Face to Face(1967)

    Producer

    Midcredits score: 85th percentile of all films
  • Pero… ¡en qué país vivimos! (not in the MovieCove catalog yet)(1967)

    Producer

  • Aquí mando yo (not in the MovieCove catalog yet)(1967)

    Production Supervisor

  • El padre Manolo (not in the MovieCove catalog yet)(1967)

    Producer

  • Un beso en el puerto (not in the MovieCove catalog yet)(1966)

    Producer

  • For a Few Dollars More(1965)

    Presenter · Producer

    Midcredits score: 99th percentile of all films
  • Texas Jim (not in the MovieCove catalog yet)(1965)

    Executive Producer

  • Life Goes On (not in the MovieCove catalog yet)(1965)

    Assistant Director

  • The Palomos (not in the MovieCove catalog yet)(1964)

    Assistant Director

  • Relevo para un pistolero (not in the MovieCove catalog yet)(1964)

    Executive Producer

  • Chica para todo (not in the MovieCove catalog yet)(1963)

    Assistant Director

  • Cristo Negro (not in the MovieCove catalog yet)(1963)

    Executive Producer

  • Historia de una noche (not in the MovieCove catalog yet)(1962)

    Assistant Director

  • Der Löwe von Babylon (not in the MovieCove catalog yet)(1959)

    Script Supervisor

  • María de la O (not in the MovieCove catalog yet)(1959)

    Assistant Director

  • Héroes del aire (not in the MovieCove catalog yet)(1958)

    Producer · Second Assistant Director

Career shape

A full career of 32 titles from 1958 to 1980.

By role

only this rolewith another role
Producing25 of 32: 23 only producing, 2 with another roleOther crew9 of 32: 7 only other crew, 2 with another role

By decade

1950s3 · crew1960s16 · crew1970s11 · crew1980s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Arturo González's films land?

Their typical MovieCove film has a Midcredits score in the 79th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 78th percentile for acclaim.

Acclaim · how much people like their films

78thpercentile
Typical film, the median of 4

Approval · how many liked their films

77thpercentile
Typical film, the median of 4

Reach · how many have seen their films

77thpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • 75th and up2
  • 50th to 74th1
  • Below 25th1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Arturo González work with?

People who share at least 2 of Arturo González's MovieCove titles, grouped by what they did on them; Eugenio Alabiso shares the most, 3.

Writers

Actors

Composers and editors

Producers