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Mario González

Editor

Works as
Editor
Titles
4 on MovieCove · 43 credits in all
TMDB popularity, last 38 days to Oct 27Up 30% in 30 days

What are Mario González's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Power.

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Light 3 · Serious 1 · Dark 0

Grounded 2 · Stylized 2 · Heightened 0

Gentle 3 · Charged 1 · Intense 0

Steady 4 · Shifting 0 · Whiplash 0

Straight-faced 1 · Some laughs 0 · Funny 3

Slow burn 4 · Even-paced 0 · Relentless 0

Casual 4 · Engaged 0 · Full focus 0

Resolved 4 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Joyful
3
Warm
2
Romantic
1
Tense
1
Absurd
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Mario González's films?

As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Mario González's titles on MovieCove; rent and buy are not counted.

Filmography

43 credits, 4 with a MovieCove page.

  • Colombia Connection (not in the MovieCove catalog yet)(1979)

    Cinematographer

  • Death of a Bureaucrat (not in the MovieCove catalog yet)(1966)

    Editor

  • Cyclone (not in the MovieCove catalog yet)(1964)

    Editor

  • Cumbite (not in the MovieCove catalog yet)(1964)

    Editor

  • The Twelve Chairs (not in the MovieCove catalog yet)(1962)

    Editor

  • El joven rebelde (not in the MovieCove catalog yet)(1961)

    Editor

  • Stories of the Revolution (not in the MovieCove catalog yet)(1960)

    Editor

  • Sandra, the Woman of Fire (not in the MovieCove catalog yet)(1954)

    Editor

  • Dos pesos dejada (not in the MovieCove catalog yet)(1949)

    Editor

  • Perez Family (not in the MovieCove catalog yet)(1949)

    Editor

  • Midnight (not in the MovieCove catalog yet)(1949)

    Editor

  • Ojos de juventud (not in the MovieCove catalog yet)(1948)

    Editor

  • May God Forgive Me (not in the MovieCove catalog yet)(1948)

    Editor

  • La barca de oro (not in the MovieCove catalog yet)(1947)

    Editor

  • Yo fui una usurpadora (not in the MovieCove catalog yet)(1946)

    Editor

  • El barchante Neguib (not in the MovieCove catalog yet)(1946)

    Editor

  • Los nietos de Don Venancio (not in the MovieCove catalog yet)(1946)

    Editor

  • El Buen Mozo (not in the MovieCove catalog yet)(1946)

    Editor

  • Everybody's Woman (not in the MovieCove catalog yet)(1946)

    Editor

  • La reina de la opereta (not in the MovieCove catalog yet)(1946)

    Editor

  • He Who Died of Love (not in the MovieCove catalog yet)(1945)

    Editor

  • La pícara Susana (not in the MovieCove catalog yet)(1945)

    Editor

  • La mujer que engañamos (not in the MovieCove catalog yet)(1945)

    Editor

  • Los Hijos De Don Venancio (not in the MovieCove catalog yet)(1944)

    Editor

  • El sombrero de tres picos (not in the MovieCove catalog yet)(1944)

    Editor

  • San Francisco de Asís (not in the MovieCove catalog yet)(1944)

    Editor

  • Adiós juventud (not in the MovieCove catalog yet)(1943)

    Editor

  • Dark Angel (not in the MovieCove catalog yet)(1942)

    Editor

  • El que tenga un amor (not in the MovieCove catalog yet)(1942)

    Editor

  • Mil estudiantes y una muchacha (not in the MovieCove catalog yet)(1942)

    Editor

  • Midcredits score: 35th percentile of all films (provisional, few ratings)
  • Love in Jalisco(1942)

    Editor

    Midcredits score: 86th percentile of all films (provisional, few ratings)
  • When the Children are Gone (not in the MovieCove catalog yet)(1941)

    Editor

  • Con su amable permiso (not in the MovieCove catalog yet)(1940)

    Editor · Writer

  • You're Missing the Point(1940)

    Editor · Editorial Manager

    Midcredits score: 96th percentile of all films
  • Cantinflas y su prima (not in the MovieCove catalog yet)(1940)

    Editor

  • Pobre diablo (not in the MovieCove catalog yet)(1940)

    Editor

  • Midcredits score: 91st percentile of all films
  • In the Times of Don Porfirio (not in the MovieCove catalog yet)(1940)

    Editor

  • Cantinflas boxeador (not in the MovieCove catalog yet)(1940)

    Editor

  • Cantinflas Ruletero (not in the MovieCove catalog yet)(1940)

    Editor

  • Caballo a caballo (not in the MovieCove catalog yet)(1939)

    Editor

  • The Girls Aunt (not in the MovieCove catalog yet)(1938)

    Editor

Career shape

A full career of 41 titles from 1938 to 1979.

By role

only this rolewith another role
Writing1 of 41: 0 only writing, 1 with another roleCinematography1 of 41: 1 only cinematography, 0 with another roleEditing39 of 41: 38 only editing, 1 with another roleOther crew1 of 41: 1 only other crew, 0 with another role

By decade

1930s2 · crew1940s31 · crew1950s1 · crew1960s6 · crew1970s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Mario González's films land?

Their typical MovieCove film has a Midcredits score in the 89th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 90th percentile for acclaim.

Acclaim · how much people like their films

90thpercentile
Typical film, the median of 4

Approval · how many liked their films

84thpercentile
Typical film, the median of 4

Reach · how many have seen their films

6thpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • 75th and up3
  • 25th to 49th1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Mario González work with?

People who share at least 2 of Mario González's MovieCove titles, grouped by what they did on them; Dolores Camarillo shares the most, 3.

Directors

Writers

Actors

Cinematographers

Producers