Skip to content
MovieCove
Charles Gordon

Charles Gordon

Producer, also actor · Born May 13, 1947 (79) · Mississippi, USA

Oscar nominee

Charles Gordon was a film and television producer that was born and the family went to Mississippi. He moved to Los Angeles when he started his entertainment career. He worked as a talent agent, and then he was intern for brother Lawrence Gordon. He worked for screenwriting and television producing credits at Lawrence Gordon Productions, such as The Renegades (1983), Just Our Luck (1983) and Our Family Honor (1985), while two other series concepts at Largo Productions went unsold. He then worked as an independent producer via Tri-Star Pictures for Night of the Creeps (1986), before starting up The Gordon Company with his brother Lawrence Gordon at 20th Century Fox. There, the duo produced Die Hard (1988) and Die Hard 2 (1990), and earned him a joint Oscar nomination with his brother for Field of Dreams (1989). In 1989, the Gordons founded Largo Entertainment, in partnership with JVC. There he produced The Super (1991) and Unlawful Entry (1992). When the Gordons left Largo Entertainment, he started Daybreak Productions at Universal Pictures. The first project Daybreak produced was Waterworld (1995), on behalf of Lawrence Gordon, which served as executive producer. Daybreak Productions then subsequently produced Trojan War (1997) for Warner Bros. and the critically-acclaimed successful feature film October Sky (1999) for Universal Pictures. He then produced The Girl Next Door (2004) for Regency Enterprises and Hitman (2007) for 20th Century Fox, as well as reboot Hitman: Agent 47 (2015). He was subsequently died on October 31, 2020 in Los Angeles and he was 73 years old.

Read more

Biography from IMDb.

Born
May 13, 1947 (79)
From
Mississippi, USA
Works as
Producer, also actor
Titles
17 on MovieCove · 19 credits in all
TMDB popularity, last 155 days to Oct 26Up 5% in 30 days

What are Charles Gordon's films like?

Across their 18 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 18 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 10 · Serious 5 · Dark 3

A split, not a type: Grounded 10 · Stylized 5 · Heightened 3

A split, not a type: Gentle 5 · Charged 4 · Intense 9

Steady 5 · Shifting 10 · Whiplash 3

A split, not a type: Straight-faced 9 · Some laughs 3 · Funny 6

Slow burn 2 · Even-paced 9 · Relentless 7

Casual 9 · Engaged 9 · Full focus 0

Resolved 15 · Open-ended 3 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
11
Thrilling
7
Hopeful
5
Absurd
4
Warm
5
Other
21

How their films end · 4 with a twist

  • Happy10
  • Bittersweet7
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Charles Gordon's films?

As of October 24, 2026, 13 of their 17 MovieCove titles stream on a subscription or free service, most on Tubi (5).

Subscription and free streaming for Charles Gordon's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

19 credits, 17 with a MovieCove page; 2 appearances as themselves are hidden until asked for.

  • Hitman: Agent 47(2015)

    Producer

    Midcredits score: 24th percentile of all films
  • Hitman(2007)

    Producer

    Midcredits score: 44th percentile of all films
  • The Girl Next Door(2004)

    Producer

    Midcredits score: 68th percentile of all films
  • October Sky(1999)

    Producer

    Midcredits score: 97th percentile of all films
  • Trojan War(1997)

    Producer

    Midcredits score: 35th percentile of all films
  • Waterworld(1995)

    Producer

    Midcredits score: 52nd percentile of all films
  • Unlawful Entry(1992)

    Producer

    Midcredits score: 59th percentile of all films
  • The Super(1991)

    Producer

    Midcredits score: 32nd percentile of all films
  • The Rocketeer(1991)

    Producer

    Midcredits score: 67th percentile of all films
  • Die Hard 2(1990)

    Producer

    Midcredits score: 85th percentile of all films
  • Lock Up(1989)

    Producer

    Midcredits score: 60th percentile of all films
  • K-9(1989)

    Producer

    Midcredits score: 41st percentile of all films
  • Field of Dreams(1989)

    Producer

    Midcredits score: 89th percentile of all films
  • Leviathan(1989)

    Executive Producer

    Midcredits score: 32nd percentile of all films
  • Die Hard(1988)

    Executive Producer

    Midcredits score: 99th percentile of all films
  • The Wrong Guys(1988)

    Producer

    Midcredits score: 27th percentile of all films
  • Night of the Creeps(1986)

    Producer

    Midcredits score: 73rd percentile of all films
  • The Streets (not in the MovieCove catalog yet)(1984)

    Executive Producer

  • The Renegades (not in the MovieCove catalog yet)(1982)

    Producer

Career shape

A full career of 19 titles from 1982 to 2015.

By role

only this rolewith another role
Producing19 of 19: 19 only producing, 0 with another role · typical Midcredits score59th

By decade

1980s9 · crew1990s7 · crew2000s2 · crew2010s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

Nominated for an Oscar in 1990, Best Picture.

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do Charles Gordon's films land?

Their typical MovieCove film has a Midcredits score in the 59th percentile, the median of all 17; across their 18 films with reception data, the typical film sits in the 63rd percentile for acclaim.

Acclaim · how much people like their films

63rdpercentile
Typical film, the median of 18

Approval · how many liked their films

55thpercentile
Typical film, the median of 18

Reach · how many have seen their films

94thpercentile
Typical film, the median of 18

Midcredits score across 17 titles, by percentile

  • 75th and up4
  • 50th to 74th6
  • 25th to 49th6
  • Below 25th1

Shape of the crowd

7 of their 17 titles are Crowd Pleasers.

  • Universally Loved3
  • Crowd Pleaser7
  • Broadly Agreed3
  • Mixed4

Reviewers score the acting 67/100 in their films, across 17 reviewed titles; fans 76, detractors 44. The element that speaks to their work as an actor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Charles Gordon's work okay for kids?

Across up to 14 MovieCove titles with content scores, violence & gore, profanity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore14 titles32–91 · median 74 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity14 titles18–66 · median 39 · moderatenear the median of all filmsMedian of all films: 32
Profanity14 titles39–86 · median 64 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs13 titles17–55 · median 36 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense13 titles16–67 · median 58 · moderateheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Charles Gordon work with?

People who share at least 2 of Charles Gordon's MovieCove titles, grouped by what they did on them; Lawrence Gordon shares the most, 9.

Directors

Writers

Actors

Composers and cinematographers

Producers

Mixed roles