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Louis F. Gottschalk

Composer and producer

Works as
Composer and producer
Titles
7 on MovieCove · 18 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 39 days to Oct 28Down 20% in 30 days

What are Louis F. Gottschalk's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Themes

share of theme weight
Bonds
51%
Morality
19%
Power
8%
Self
8%
Survival
8%
Society
6%
Family bonds3 titles, browse their movies with this themeRomantic love3 titles, browse their movies with this theme

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 2 · Serious 2 · Dark 3

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 1 · Stylized 4 · Heightened 2

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 4 · Intense 2

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 3 · Shifting 3 · Whiplash 1

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 5 · Some laughs 2 · Funny 0

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 4 · Even-paced 3 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 0 · Engaged 6 · Full focus 1

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 3 · Affecting 1 · Heavy 3

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 6 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
4
Tense
4
Joyful
2
Hopeful
2
Romantic
2
Other
5

How their films linger

Bittersweet3 titles, browse their movies with this aftertasteHopeful3 titles, browse their movies with this aftertasteFun2 titles, browse their movies with this aftertasteFeel-good2 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy3
  • Bittersweet2
  • Tragic2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Louis F. Gottschalk's films?

As of October 24, 2026, all 7 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Louis F. Gottschalk's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

18 credits, 7 with a MovieCove page.

  • El Santo Salvaje (not in the MovieCove catalog yet)(2011)

    Sound

  • Romola(1924)

    Composer

    Midcredits score: 47th percentile of all films

  • Rosita (not in the MovieCove catalog yet)(1923)

    Composer

  • A Woman of Paris: A Drama of Fate(1923)

    Composer

    Midcredits score: 77th percentile of all films

  • Shadows(1922)

    Composer

    Midcredits score: 46th percentile of all films

  • Little Lord Fauntleroy (not in the MovieCove catalog yet)(1921)

    Composer

  • The Three Musketeers(1921)

    Composer

    Midcredits score: 73rd percentile of all films

  • Orphans of the Storm(1921)

    Composer

    Midcredits score: 86th percentile of all films

  • The Four Horsemen of the Apocalypse(1921)

    Composer

    Midcredits score: 80th percentile of all films

  • In the Heart of a Fool (not in the MovieCove catalog yet)(1920)

    Composer

  • The Shepherd of the Hills (not in the MovieCove catalog yet)(1919)

    Director

  • Old Wives for New (not in the MovieCove catalog yet)(1918)

    Composer

  • The Curse of Eve (not in the MovieCove catalog yet)(1917)

    Composer

  • Honor's Altar (not in the MovieCove catalog yet)(1916)

    Composer

  • Billy's Wager (not in the MovieCove catalog yet)(1915)

    Writer

  • His Majesty, the Scarecrow of Oz (not in the MovieCove catalog yet)(1914)

    Composer · Producer

  • The Magic Cloak of Oz (not in the MovieCove catalog yet)(1914)

    Composer · Producer

  • The Patchwork Girl of Oz(1914)

    Composer · Producer

    Midcredits score: 24th percentile of all films

Career shape

A full career of 14 titles from 1914 to 2011.

Biggest box office

The Four Horsemen of the Apocalypse (1921)

$9.2M worldwide

Highest rated

Orphans of the Storm (1921)

Midcredits 86th

Most popular right now

The Four Horsemen of the Apocalypse (1921)

By role

only this rolewith another role
Directing1 of 14: 1 only directing, 0 with another roleWriting1 of 14: 1 only writing, 0 with another roleProducing3 of 14: 1 only producing, 2 with another roleMusic10 of 14: 8 only music, 2 with another roleOther crew1 of 14: 1 only other crew, 0 with another role

By decade

1910s8 · crew1920s5 · crew2010s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Louis F. Gottschalk's films land?

Their typical MovieCove film has a Midcredits score in the 73rd percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 70th percentile for acclaim.

Acclaim · how much people like their films

70thpercentile
Typical film, the median of 7

Approval · how many liked their films

74thpercentile
Typical film, the median of 7

Reach · how many have seen their films

37thpercentile
Typical film, the median of 7

Midcredits score across 7 titles, by percentile

  • 75th and up3
  • 50th to 74th1
  • 25th to 49th2
  • Below 25th1

Shape of the crowd

None of their 7 titles divides audiences: 4 are Crowd Pleasers.

  • Universally Loved2
  • Crowd Pleaser4
  • Mixed1

Most loved · composer

Orphans of the Storm (1921)

Midcredits 86th · 77% liked

Reviewers score the sound and music 56/100 in their films, across 5 reviewed titles; fans 63, detractors 38. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Louis F. Gottschalk work with?

People who share at least 2 of Louis F. Gottschalk's MovieCove titles, grouped by what they did on them; Dorothy Gish shares the most, 2.

Actors