Susan Graef
- Editor
- 14 on MovieCove · 22 credits in all
What are Susan Graef's films like?
Across their 13 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 10
A split, not a type: Light 7 · Serious 2 · Dark 2
Grounded 9 · Stylized 1 · Heightened 1
Gentle 7 · Charged 3 · Intense 1
Steady 7 · Shifting 4 · Whiplash 0
Straight-faced 3 · Some laughs 7 · Funny 1
Slow burn 7 · Even-paced 4 · Relentless 0
Casual 6 · Engaged 5 · Full focus 0
A split, not a type: Easy watch 6 · Affecting 3 · Heavy 2
Resolved 7 · Open-ended 3 · Ambiguous 1
Moods and endings
- Happy6
- Bittersweet4
- Tragic1
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Susan Graef's films?
As of October 24, 2026, 7 of their 14 MovieCove titles stream on a subscription or free service, most on Tubi (5).
Subscription and free streaming for Susan Graef's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
22 credits, 14 with a MovieCove page.
Midcredits score: 27th percentile of all shows
Midcredits score: 44th percentile of all shows
Last Day of Summer(2009)
Midcredits score: 18th percentile of all films
Asylum Seekers (not in the MovieCove catalog yet)(2009)
Puccini for Beginners (not in the MovieCove catalog yet)(2006)
Sorry, Haters(2005)
Midcredits score: 49th percentile of all films
The Derby Stallion(2005)
Midcredits score: 38th percentile of all films
Saving Face(2004)
Midcredits score: 94th percentile of all films
A Hole in One(2004)
Midcredits score: 11th percentile of all films
The Breakup Artist(2004)
Midcredits score: 10th percentile of all films
In the Weeds (not in the MovieCove catalog yet)(2000)
Cherry(1999)
Midcredits score: 28th percentile of all films
No Looking Back(1998)
Midcredits score: 38th percentile of all films
Colin Fitz (not in the MovieCove catalog yet)(1997)
She's the One(1996)
Midcredits score: 36th percentile of all films
If Lucy Fell(1996)
Midcredits score: 16th percentile of all films
Drop Dead Rock (not in the MovieCove catalog yet)(1996)
Midcredits score: 75th percentile of all films
My Life's in Turnaround (not in the MovieCove catalog yet)(1994)
Scent of a Woman(1992)
Midcredits score: 98th percentile of all films
The Way It Is (not in the MovieCove catalog yet)(1986)
Days Are Numbered (not in the MovieCove catalog yet)(1986)
Career shape
A full career of 19 titles from 1986 to 2009.
Biggest box office
She's the One (1996)
Highest rated
Saving Face (2004)
Most popular right now
Cherry (1999)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Susan Graef's films land?
Their typical MovieCove film has a Midcredits score in the 37th percentile, the median of all 12; across their 11 films with reception data, the typical film sits in the 32nd percentile for acclaim.
- 75th and up3
- 25th to 49th7
- Below 25th4
Shape of the crowd
8 of their 14 titles are Mixed.
- Universally Loved2
- Cult Classic1
- Crowd Pleaser1
- Broadly Agreed2
- Mixed8
Reviewers score the pacing 43/100 in their films, across 10 reviewed titles; fans 53, detractors 27. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Susan Graef's work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Susan Graef work with?
People who share at least 2 of Susan Graef's MovieCove titles, grouped by what they did on them; John Sloss shares the most, 3.
Directors
- Edward BurnsShared titles: No Looking Back (1998), She's the One (1996)See all 2 shared titles with Edward Burns
Actors
- Laurel HollomanShared titles: Cherry (1999), The Incredibly True Adventure of Two Girls in Love (1995)See all 2 shared titles with Laurel Holloman
Cinematographers
- Frank PrinziShared titles: No Looking Back (1998), She's the One (1996)See all 2 shared titles with Frank Prinzi
Producers
- John SlossShared titles: Sorry, Haters (2005), No Looking Back (1998), She's the One (1996)See all 3 shared titles with John Sloss
- Alysse BezahlerShared titles: No Looking Back (1998), She's the One (1996)See all 2 shared titles with Alysse Bezahler
- Michael NozikShared titles: No Looking Back (1998), She's the One (1996)See all 2 shared titles with Michael Nozik
- Robert RedfordShared titles: No Looking Back (1998), She's the One (1996)See all 2 shared titles with Robert Redford
