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Bert Granet

Bert Granet

Writer and producer · Died November 15, 2002, aged 92 · New York City, New York, USA

New York-born television pioneer Bert Granet graduated with a B.A. from Yale University. He began in the film industry in 1934, and, a decade later, was working as writer-producer under contract at RKO (1944-48). He set up his own short-lived production company, Kaladore Corporation, under which banner he released just one feature film (a rather obscure item, entitled The Torch (1950), set in revolutionary Mexico, with an all-Mexican cast -- the single exception being star Paulette Goddard). In the mid-50's, Granet joined Desilu Productions to produce light, unpretentious entertainment like The Lucy-Desi Comedy Hour (1957) and the weekly anthology series Westinghouse Desilu Playhouse (1958). Reputedly 'a hard-nosed realist', Granet's success in the medium stemmed from vowing audiences through signing top movie actors and acquiring scripts from well-established and respected writers. One of these turned out to be the genial Rod Serling -- introduced to Granet via a mutual friend, the director Robert Parrish. At considerable cost and having to overcome strong objections by the sponsor's ad agency, McCann-Erickson (who had script approval and hated 'ambiguous endings'), Granet purchased a story from CBS ("The Time Element"). This was aired with great success as an episode of 'Playhouse' and ultimately persuaded CBS to take on The Twilight Zone (1959), the show which -- according to Serling himself -- "no one wanted to buy". The rest is history. Granet later served as producer of 'Twilight Zone' during seasons four and five.

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Biography from TMDB.

Born
July 10, 1910
Died
November 15, 2002 (aged 92)
From
New York City, New York, USA
Works as
Writer and producer
Titles
14 on MovieCove · 43 credits in all
TMDB popularity, last 37 days to Oct 26Down 20% in 30 days

What are Bert Granet's films like?

Across their 13 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

What they feel like to watch

their average across 13 films
ToneFeelDemandtheir average · filled zone: the category

Light 9 · Serious 2 · Dark 2

Grounded 5 · Stylized 7 · Heightened 1

A split, not a type: Gentle 8 · Charged 4 · Intense 1

Steady 8 · Shifting 4 · Whiplash 1

Straight-faced 3 · Some laughs 5 · Funny 5

A split, not a type: Slow burn 7 · Even-paced 6 · Relentless 0

Casual 10 · Engaged 3 · Full focus 0

Resolved 12 · Open-ended 0 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Joyful
7
Romantic
6
Tense
5
Warm
4
Absurd
3
Other
6

How their films end · 1 with a twist

  • Happy10
  • Bittersweet2
  • Tragic1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Bert Granet's films?

As of October 24, 2026, 1 of their 14 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Bert Granet's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

43 credits, 14 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • The Intruders(1970)

    Executive Producer

    Midcredits score: 25th percentile of all films
  • The Great Adventure (not in the MovieCove catalog yet)(1963)

    Show 26 episodes · Producer

  • The Man in the Funny Suit (not in the MovieCove catalog yet)(1960)

    Executive Producer

  • The Twilight Zone(1959)

    Show 20 episodes · Producer

    Midcredits score: 97th percentile of all shows
  • Westinghouse Desilu Playhouse (not in the MovieCove catalog yet)(1958)

    Show 47 episodes · Executive Producer · Producer

  • The Lucy–Desi Comedy Hour (not in the MovieCove catalog yet)(1957)

    Show 13 episodes · Producer

  • The Walter Winchell File (not in the MovieCove catalog yet)(1957)

    Show 38 episodes · Producer

  • The Marrying Kind (not in the MovieCove catalog yet)(1952)

    Producer

  • The Torch (not in the MovieCove catalog yet)(1950)

    Adaptation · Producer

  • Berlin Express(1948)

    Producer

    Midcredits score: 72nd percentile of all films
  • The Locket(1946)

    Producer

    Midcredits score: 83rd percentile of all films
  • Do You Love Me(1946)

    Story

    Midcredits score: 55th percentile of all films
  • Sing Your Way Home(1945)

    Producer

    Midcredits score: 10th percentile of all films
  • Midcredits score: 40th percentile of all films
  • Bride by Mistake (not in the MovieCove catalog yet)(1944)

    Producer

  • Show Business(1944)

    Story

    Midcredits score: 50th percentile of all films
  • Obliging Young Lady (not in the MovieCove catalog yet)(1942)

    Screenplay

  • Time Out for Rhythm (not in the MovieCove catalog yet)(1941)

    Story

  • Footlight Fever (not in the MovieCove catalog yet)(1941)

    Screenplay · Story

  • A Girl, a Guy, and a Gob(1941)

    Screenplay

    Midcredits score: 60th percentile of all films
  • Midcredits score: 80th percentile of all films
  • Cross-Country Romance (not in the MovieCove catalog yet)(1940)

    Screenplay

  • Millionaire Playboy(1940)

    Screenplay · Story

    Midcredits score: 9th percentile of all films
  • The Day the Bookies Wept(1939)

    Screenplay

    Midcredits score: 16th percentile of all films
  • Career (not in the MovieCove catalog yet)(1939)

    Writer

  • Fixer Dugan (not in the MovieCove catalog yet)(1939)

    Screenplay

  • Annabel Takes a Tour(1938)

    Screenplay · Story

    Midcredits score: 21st percentile of all films
  • Mr. Doodle Kicks Off (not in the MovieCove catalog yet)(1938)

    Story · Writer

  • The Affairs of Annabel (not in the MovieCove catalog yet)(1938)

    Screenplay

  • Law of the Underworld (not in the MovieCove catalog yet)(1938)

    Screenplay

  • Go Chase Yourself (not in the MovieCove catalog yet)(1938)

    Screenplay

  • Maid's Night Out(1938)

    Screenplay

    Midcredits score: 39th percentile of all films
  • Quick Money (not in the MovieCove catalog yet)(1937)

    Screenplay

  • High Flyers (not in the MovieCove catalog yet)(1937)

    Screenplay

  • The Big Shot (not in the MovieCove catalog yet)(1937)

    Screenplay

  • Meet the Missus (not in the MovieCove catalog yet)(1937)

    Screenplay

  • Speed to Spare (not in the MovieCove catalog yet)(1937)

    Screenplay

  • Legion of Terror (not in the MovieCove catalog yet)(1936)

    Screenplay · Story

  • The Gentleman from Louisiana (not in the MovieCove catalog yet)(1936)

    Story

  • The House Where I Was Born (not in the MovieCove catalog yet)(1934)

    Writer

  • She's My Lilly, I'm Her Willie (not in the MovieCove catalog yet)(1934)

    Screenplay

  • Soup for Nuts (not in the MovieCove catalog yet)(1934)

    Writer

  • Hello, Sailors (not in the MovieCove catalog yet)(1934)

    Writer

Career shape

A full career of 42 titles from 1934 to 1970.

By role

only this rolewith another role
Writing29 of 42: 28 only writing, 1 with another role · typical Midcredits score39thProducing14 of 42: 13 only producing, 1 with another role · typical Midcredits score56th

By decade

1930s20 · crew1940s13 · crew1950s6 · crew1960s2 · crew1970s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Bert Granet's films land?

Their typical MovieCove film has a Midcredits score in the 40th percentile, the median of all 13; across their 13 films with reception data, the typical film sits in the 48th percentile for acclaim.

Acclaim · how much people like their films

48thpercentile
Typical film, the median of 13

Approval · how many liked their films

38thpercentile
Typical film, the median of 13

Reach · how many have seen their films

31stpercentile
Typical film, the median of 13

Midcredits score across 14 titles, by percentile

  • 75th and up3
  • 50th to 74th4
  • 25th to 49th3
  • Below 25th4

Reviewers score the dialogue 46/100 and the plot and story 36/100 in their films, across 13 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Bert Granet work with?

People who share at least 2 of Bert Granet's MovieCove titles, grouped by what they did on them; Roy Webb shares the most, 4.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers