Skip to content
MovieCove
James Edward Grant

James Edward Grant

Writer, also director · Died February 19, 1966, aged 60 · Chicago, Illinois, USA

From Wikipedia, the free encyclopedia James Edward Grant (July 2, 1905 - February 19, 1966) was an American short story writer and screenwriter who contributed to more than fifty films between 1935 and 1971. Born in Chicago, Grant began his career in the mid-1930s developing stories or writing scripts for mostly B movies. He collaborated with John Wayne on twelve projects, starting with Angel and the Badman (which he also directed) in 1947 through Circus World in 1964. Support Your Local Gunfighter was released in 1971, five years after his death. Grant won the Bronze Wrangler, an annual award presented by the National Cowboy & Western Heritage Museum, twice, for The Alamo in 1961 and The Comancheros the following year. He and William Bowers were nominated for the Academy Award for Best Original Screenplay for The Sheepman in 1959. Grant wrote numerous short stories that were published in Argosy, The Saturday Evening Post, Cosmopolitan, and Liberty, among others. Grant died from cancer in Burbank, California. He owned a cattle ranch in Winton in Merced County from the 1940s until his death. Description above from the Wikipedia article James Edward Grant, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Read more

Biography from TMDB.

Born
July 2, 1905
Died
February 19, 1966 (aged 60)
From
Chicago, Illinois, USA
Works as
Writer, also director
Titles
34 on MovieCove · 55 credits in all
TMDB popularity, last 39 days to Oct 28Down 4% in 30 days

What are James Edward Grant's films like?

Across their 33 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

What they feel like to watch

their average across 33 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 18 · Serious 11 · Dark 4

Grounded 14 · Stylized 19 · Heightened 0

Gentle 9 · Charged 20 · Intense 4

A split, not a type: Steady 16 · Shifting 13 · Whiplash 4

A split, not a type: Straight-faced 16 · Some laughs 11 · Funny 6

Slow burn 10 · Even-paced 20 · Relentless 3

Casual 23 · Engaged 10 · Full focus 0

Resolved 32 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
20
Joyful
8
Warm
10
Romantic
10
Thrilling
7
Other
30

How their films end · 1 with a twist

  • Happy17
  • Bittersweet16

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch James Edward Grant's films?

As of October 24, 2026, 13 of their 34 MovieCove titles stream on a subscription or free service, most on Tubi (8).

Subscription and free streaming for James Edward Grant's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

55 credits, 34 with a MovieCove page.

  • Midcredits score: 66th percentile of all films
  • Midcredits score: 16th percentile of all films
  • Special Delivery(1976)

    Writer

    Midcredits score: 37th percentile of all films
  • Midcredits score: 70th percentile of all films
  • Hostile Guns (not in the MovieCove catalog yet)(1967)

    Story

  • Midcredits score: 32nd percentile of all films
  • Circus World(1964)

    Screenplay

    Midcredits score: 48th percentile of all films
  • McLintock!(1963)

    Screenplay

    Midcredits score: 80th percentile of all films
  • Donovan's Reef(1963)

    Screenplay

    Midcredits score: 74th percentile of all films
  • The Comancheros(1961)

    Screenplay

    Midcredits score: 74th percentile of all films
  • The Alamo(1960)

    Associate Producer · Screenplay

    Midcredits score: 73rd percentile of all films
  • The Proud Rebel(1958)

    Story

    Midcredits score: 74th percentile of all films
  • The Sheepman(1958)

    Screenplay · Story

    Midcredits score: 76th percentile of all films
  • Midcredits score: 32nd percentile of all films
  • Three Violent People(1956)

    Screenplay

    Midcredits score: 54th percentile of all films
  • The Last Wagon(1956)

    Screenplay

    Midcredits score: 81st percentile of all films
  • Ring of Fear(1954)

    Director · Screenplay

    Midcredits score: 9th percentile of all films
  • Hondo(1953)

    Screenplay

    Midcredits score: 80th percentile of all films
  • Midcredits score: 71st percentile of all films
  • Big Jim McLain(1952)

    Writer

    Midcredits score: 23rd percentile of all films
  • Flying Leathernecks(1951)

    Screenplay

    Midcredits score: 56th percentile of all films
  • Two of a Kind(1951)

    Story

    Midcredits score: 64th percentile of all films
  • Bullfighter and the Lady(1951)

    Screenplay

    Midcredits score: 70th percentile of all films
  • California Passage (not in the MovieCove catalog yet)(1950)

    Writer

  • Surrender (not in the MovieCove catalog yet)(1950)

    Screenplay · Story

  • Rock Island Trail(1950)

    Screenplay

    Midcredits score: 42nd percentile of all films
  • Father Is a Bachelor (not in the MovieCove catalog yet)(1950)

    Story

  • Sands of Iwo Jima(1949)

    Screenplay

    Midcredits score: 78th percentile of all films
  • Johnny Allegro (not in the MovieCove catalog yet)(1949)

    Story

  • The Plunderers(1948)

    Story

    Midcredits score: 37th percentile of all films
  • Angel and the Badman(1947)

    Director · Screenplay

    Midcredits score: 74th percentile of all films
  • The Great John L. (not in the MovieCove catalog yet)(1945)

    Producer · Writer

  • Belle of the Yukon(1944)

    Screenplay

    Midcredits score: 17th percentile of all films
  • Gambler's Choice(1944)

    Story

    Midcredits score: 26th percentile of all films
  • The Lady Is Willing(1942)

    Screenplay · Story

    Midcredits score: 56th percentile of all films
  • Johnny Eager (not in the MovieCove catalog yet)(1941)

    Screenplay · Story

  • Midcredits score: 40th percentile of all films
  • Boom Town(1940)

    Story

    Midcredits score: 80th percentile of all films
  • I Can't Give You Anything But Love, Baby (not in the MovieCove catalog yet)(1940)

    Story

  • Music in My Heart (not in the MovieCove catalog yet)(1940)

    Screenplay · Story

  • Hollywood Cavalcade (not in the MovieCove catalog yet)(1939)

    Dialogue

  • Miracles for Sale (not in the MovieCove catalog yet)(1939)

    Screenplay

  • There's That Woman Again (not in the MovieCove catalog yet)(1938)

    Writer

  • We're Going to Be Rich (not in the MovieCove catalog yet)(1938)

    Story

  • Josette (not in the MovieCove catalog yet)(1938)

    Screenplay

  • Danger - Love at Work(1937)

    Screenplay

    Midcredits score: 54th percentile of all films
  • The Women Men Marry (not in the MovieCove catalog yet)(1937)

    Screenplay

  • She's No Lady (not in the MovieCove catalog yet)(1937)

    Story

  • She Had to Eat(1937)

    Story

    Midcredits score: 55th percentile of all films (provisional, few ratings)
  • Great Guy (not in the MovieCove catalog yet)(1936)

    Story

  • Grand Jury (not in the MovieCove catalog yet)(1936)

    Screenplay

  • Midcredits score: 76th percentile of all films
  • Big Brown Eyes (not in the MovieCove catalog yet)(1936)

    Story

  • Muss 'em Up (not in the MovieCove catalog yet)(1936)

    Novel

  • Whipsaw (not in the MovieCove catalog yet)(1935)

    Story

Career shape

A full career of 52 titles from 1935 to 2026.

By role

only this rolewith another role
Directing2 of 52: 0 only directing, 2 with another roleWriting52 of 52: 48 only writing, 4 with another role · typical Midcredits score64thProducing2 of 52: 0 only producing, 2 with another role

52 titles, 4 with more than one role — writing and directing overlap on 2 of them.

By decade

1930s15 · crew1940s12 · crew1950s15 · crew1960s6 · crew1970s2 · crew2000s1 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do James Edward Grant's films land?

Their typical MovieCove film has a Midcredits score in the 60th percentile, the median of all 34; across their 33 films with reception data, the typical film sits in the 63rd percentile for acclaim.

Acclaim · how much people like their films

63rdpercentile
Typical film, the median of 33

Approval · how many liked their films

55thpercentile
Typical film, the median of 33

Reach · how many have seen their films

61stpercentile
Typical film, the median of 33

Midcredits score across 34 titles, by percentile

  • 75th and up7
  • 50th to 74th15
  • 25th to 49th8
  • Below 25th4

Reviewers score the dialogue 53/100 and the plot and story 45/100 in their films, across 32 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is James Edward Grant's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore3 titlesmedian 33 · mildMedian of all films: 44
Sex & Nudity4 titlesmedian 17 · mildMedian of all films: 32
Profanity3 titlesmedian 27 · mildMedian of all films: 36
Alcohol & Drugs3 titlesmedian 46 · moderateMedian of all films: 33

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does James Edward Grant work with?

People who share at least 2 of James Edward Grant's MovieCove titles, grouped by what they did on them; John Wayne shares the most, 15.

Directors

Writers

Actors

Composers and cinematographers

Producers

Mixed roles