Skip to content
MovieCove

Charles Grayson

Writer · Died May 4, 1973, aged 69 · Los Angeles, California, USA

Born
August 15, 1903
Died
May 4, 1973 (aged 69)
From
Los Angeles, California, USA
Works as
Writer
Titles
14 on MovieCove · 40 credits in all
TMDB popularity, last 38 days to Oct 27Down 29% in 30 days

What are Charles Grayson's films like?

Across their 14 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

What they feel like to watch

their average across 14 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 7 · Serious 4 · Dark 3

Grounded 9 · Stylized 4 · Heightened 1

Gentle 3 · Charged 11 · Intense 0

Steady 8 · Shifting 6 · Whiplash 0

A split, not a type: Straight-faced 6 · Some laughs 5 · Funny 3

Slow burn 4 · Even-paced 8 · Relentless 2

Casual 10 · Engaged 4 · Full focus 0

Resolved 13 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
8
Joyful
5
Thrilling
5
Romantic
4
Melancholic
3
Other
10

How their films end

  • Happy6
  • Bittersweet6
  • Tragic1
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Charles Grayson's films?

As of October 24, 2026, 5 of their 14 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Charles Grayson's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

40 credits, 14 with a MovieCove page.

  • Midcredits score: 32nd percentile of all films
  • Battle Hymn(1957)

    Writer

    Midcredits score: 55th percentile of all films
  • Midcredits score: 30th percentile of all films
  • The Woman on Pier 13(1949)

    Screenplay

    Midcredits score: 38th percentile of all films
  • Red Light(1949)

    Additional Dialogue · Writer

    Midcredits score: 59th percentile of all films
  • Outpost in Morocco(1949)

    Screenplay

    Midcredits score: 14th percentile of all films
  • The Noose Hangs High(1948)

    Screenplay

    Midcredits score: 74th percentile of all films
  • Mug Town (not in the MovieCove catalog yet)(1942)

    Original Story

  • Wild Bill Hickok Rides(1942)

    Screenplay

    Midcredits score: 39th percentile of all films
  • Law of the Tropics(1941)

    Screenplay

    Midcredits score: 37th percentile of all films
  • Bad Men of Missouri(1941)

    Screenplay

    Midcredits score: 27th percentile of all films
  • Underground (not in the MovieCove catalog yet)(1941)

    Screenplay

  • Thieves Fall Out (not in the MovieCove catalog yet)(1941)

    Screenplay

  • She Couldn't Say No (not in the MovieCove catalog yet)(1940)

    Screenplay

  • One Night in the Tropics(1940)

    Screenplay

    Midcredits score: 58th percentile of all films
  • Private Affairs (not in the MovieCove catalog yet)(1940)

    Screenplay

  • Sandy Is a Lady (not in the MovieCove catalog yet)(1940)

    Writer

  • Alias the Deacon (not in the MovieCove catalog yet)(1940)

    Screenplay

  • Ma, He's Making Eyes at Me! (not in the MovieCove catalog yet)(1940)

    Screenplay

  • Double Alibi (not in the MovieCove catalog yet)(1940)

    Screenplay

  • Hawaiian Nights (not in the MovieCove catalog yet)(1939)

    Screenplay

  • Unexpected Father (not in the MovieCove catalog yet)(1939)

    Screenplay

  • For Love or Money (not in the MovieCove catalog yet)(1939)

    Screenplay

  • Risky Business (not in the MovieCove catalog yet)(1939)

    Screenplay

  • Newsboys' Home (not in the MovieCove catalog yet)(1938)

    Story

  • Swing, Sister, Swing (not in the MovieCove catalog yet)(1938)

    Writer

  • Strange Faces (not in the MovieCove catalog yet)(1938)

    Writer

  • Swing That Cheer (not in the MovieCove catalog yet)(1938)

    Writer

  • Personal Secretary (not in the MovieCove catalog yet)(1938)

    Screenplay

  • Freshman Year (not in the MovieCove catalog yet)(1938)

    Writer

  • Young Fugitives(1938)

    Screenplay

    Midcredits score: 20th percentile of all films (provisional, few ratings)
  • Reckless Living (not in the MovieCove catalog yet)(1938)

    Writer

  • The Devil's Party(1938)

    Writer

    Midcredits score: 19th percentile of all films
  • You're a Sweetheart (not in the MovieCove catalog yet)(1937)

    Screenplay

  • The Man Who Cried Wolf (not in the MovieCove catalog yet)(1937)

    Screenplay

  • Top of the Town(1937)

    Writer

    Midcredits score: 27th percentile of all films (provisional, few ratings)
  • We Have Our Moments (not in the MovieCove catalog yet)(1937)

    Screenplay

  • Breezing Home (not in the MovieCove catalog yet)(1937)

    Screenplay

  • The Mighty Treve (not in the MovieCove catalog yet)(1937)

    Screenplay

  • Crash Donovan (not in the MovieCove catalog yet)(1936)

    Screenplay

Career shape

A full career of 39 titles from 1936 to 1958.

By role

only this rolewith another role
Writing38 of 39: 38 only writing, 0 with another role · typical Midcredits score35thOther crew1 of 39: 1 only other crew, 0 with another role

By decade

1930s19 · crew1940s16 · crew1950s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Charles Grayson's films land?

Their typical MovieCove film has a Midcredits score in the 35th percentile, the median of all 14; across their 14 films with reception data, the typical film sits in the 39th percentile for acclaim.

Acclaim · how much people like their films

39thpercentile
Typical film, the median of 14

Approval · how many liked their films

31stpercentile
Typical film, the median of 14

Reach · how many have seen their films

32ndpercentile
Typical film, the median of 14

Midcredits score across 14 titles, by percentile

  • 50th to 74th4
  • 25th to 49th7
  • Below 25th3

Reviewers score the dialogue 45/100 and the plot and story 40/100 in their films, across 14 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Charles Grayson work with?

People who share at least 2 of Charles Grayson's MovieCove titles, grouped by what they did on them; Ray Enright shares the most, 3.

Directors

Writers

Actors

Composers and cinematographers