Ken Greenblatt

What are Ken Greenblatt's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Morality and Survival.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Ken Greenblatt's films?

As of October 24, 2026, 5 of their 8 MovieCove titles stream on a subscription or free service, most on Tubi (5).

• Tubi5 titles, browse their movies on this service
  • Rockaway (2017) · producer · free
  • This Thing of Ours (2002) · producer · free
  • Back in the Day (2016) · producer · free
  • Old 37 (2015) · producer · free
  • Once Upon a Time in Brooklyn (2013) · producer · free
• Prime Video3 titles, browse their movies on this service
  • Rockaway (2017) · producer
  • Old 37 (2015) · producer
  • Once Upon a Time in Brooklyn (2013) · producer
• STARZ1 title, browse their movies on this service
  • Once Upon a Time in Brooklyn (2013) · producer
• The Roku Channel1 title, browse their movies on this service
  • Once Upon a Time in Brooklyn (2013) · producer · free

Subscription and free streaming for Ken Greenblatt's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

8 credits, 8 with a MovieCove page.

• 

  Rockaway(2017)

  Producer

  Midcredits score: 85th percentile of all films85^th
• 

  Back in the Day(2016)

  Producer

  Midcredits score: 7th percentile of all films7^th
• 

  Old 37(2015)

  Producer

  Midcredits score: 5th percentile of all films5^th
• 

  Once Upon a Time in Brooklyn(2013)

  Producer

  Midcredits score: 3rd percentile of all films3^rd
• 

  Desperate Endeavors(2012)

  Producer

  Midcredits score: 65th percentile of all films (provisional, few ratings)~65^th
• 

  Blood Night: The Legend of Mary Hatchet(2009)

  Producer

  Midcredits score: 10th percentile of all films10^th
• 

  This Thing of Ours(2002)

  Producer

  Midcredits score: 18th percentile of all films18^th
• 

  Somewhere in the City(1998)

  Producer

  Midcredits score: 6th percentile of all films6^th

Career shape

Across their 8 MovieCove titles from 1998 to 2017.

Biggest box office

This Thing of Ours (2002)

$37K worldwide

Highest rated

Rockaway (2017)

Midcredits 85^th

Most popular right now

Blood Night: The Legend of Mary Hatchet (2009)

How do Ken Greenblatt's films land?

Their typical MovieCove film has a Midcredits score in the 9^th percentile, the median of all 8; across their 8 films with reception data, the typical film sits in the 10^th percentile for acclaim.

Shape of the crowd

5 of their 8 titles are Mixed.

1115

• Universally Loved1
• Divisive1
• Cult Classic1
• Mixed5

Most divisive · producer

Desperate Endeavors (2012)

98^th percentile spread · 32% rated it 4 or lower

Most loved · producer

Rockaway (2017)

Midcredits 85^th · 95% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Ken Greenblatt work with?

People who share at least 2 of Ken Greenblatt's MovieCove titles, grouped by what they did on them; Paul Borghese shares the most, 2.