Eleanore Griffin
Writer · Died July 25, 1995, aged 91
- April 29, 1904
- July 25, 1995 (aged 91)
- Writer
- 12 on MovieCove · 21 credits in all
What are Eleanore Griffin's films like?
Across their 11 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 11
Light 5 · Serious 5 · Dark 1
Grounded 5 · Stylized 5 · Heightened 1
Gentle 4 · Charged 6 · Intense 1
Steady 6 · Shifting 5 · Whiplash 0
A split, not a type: Straight-faced 7 · Some laughs 4 · Funny 0
Slow burn 5 · Even-paced 6 · Relentless 0
Casual 6 · Engaged 5 · Full focus 0
Easy watch 5 · Affecting 5 · Heavy 1
Resolved 11 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy7
- Bittersweet4
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Eleanore Griffin's films?
As of October 24, 2026, 4 of their 12 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Eleanore Griffin's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
21 credits, 12 with a MovieCove page.
One Man's Way(1964)
Midcredits score: 41st percentile of all films
Back Street(1961)
Midcredits score: 65th percentile of all films
Midcredits score: 77th percentile of all films
Imitation of Life(1959)
Midcredits score: 97th percentile of all films
Good Morning, Miss Dove(1955)
Midcredits score: 77th percentile of all films
A Man Called Peter(1955)
Midcredits score: 78th percentile of all films
Tenth Avenue Angel (not in the MovieCove catalog yet)(1948)
The Harvey Girls(1946)
Midcredits score: 79th percentile of all films
Nob Hill (not in the MovieCove catalog yet)(1945)
Hi, Beautiful (not in the MovieCove catalog yet)(1944)
In Old Oklahoma(1943)
Midcredits score: 55th percentile of all films
Blondie in Society (not in the MovieCove catalog yet)(1941)
I Wanted Wings(1941)
Midcredits score: 47th percentile of all films
Street of Missing Men (not in the MovieCove catalog yet)(1939)
St. Louis Blues (not in the MovieCove catalog yet)(1939)
Only Angels Have Wings(1939)
Midcredits score: 95th percentile of all films
Boys Town(1938)
Midcredits score: 84th percentile of all films
Thoroughbreds Don't Cry (not in the MovieCove catalog yet)(1937)
Love in a Bungalow (not in the MovieCove catalog yet)(1937)
When Love Is Young (not in the MovieCove catalog yet)(1937)
Time Out for Romance(1937)
Midcredits score: 18th percentile of all films (provisional, few ratings)
Career shape
A full career of 20 titles from 1937 to 1964.
Biggest box office
Only Angels Have Wings (1939)
Highest rated
Imitation of Life (1959)
Most popular right now
In Old Oklahoma (1943)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Eleanore Griffin's films land?
Their typical MovieCove film has a Midcredits score in the 77th percentile, the median of all 12; across their 11 films with reception data, the typical film sits in the 71st percentile for acclaim.
- 75th and up7
- 50th to 74th2
- 25th to 49th2
- Below 25th1
Shape of the crowd
None of their 12 titles divides audiences: 9 are Crowd Pleasers.
- Universally Loved2
- Crowd Pleaser9
- Broadly Agreed1
Reviewers score the dialogue 56/100 and the plot and story 47/100 in their films, across 11 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Eleanore Griffin work with?
People who share at least 2 of Eleanore Griffin's MovieCove titles, grouped by what they did on them; Henry Koster shares the most, 2.
Directors
- Henry KosterShared titles: A Man Called Peter (1955), Good Morning, Miss Dove (1955)See all 2 shared titles with Henry Koster
Writers
- Fannie HurstShared titles: Back Street (1961), Imitation of Life (1959)See all 2 shared titles with Fannie Hurst
- William RankinShared titles: Only Angels Have Wings (1939), Time Out for Romance (1937)See all 2 shared titles with William Rankin
Actors
- John GavinShared titles: Back Street (1961), Imitation of Life (1959)See all 2 shared titles with John Gavin
- Marjorie RambeauShared titles: A Man Called Peter (1955), In Old Oklahoma (1943)See all 2 shared titles with Marjorie Rambeau
Composers and editors
- Frank SkinnerShared titles: Back Street (1961), Imitation of Life (1959)See all 2 shared titles with Frank Skinner
- Milton CarruthShared titles: Back Street (1961), Imitation of Life (1959)See all 2 shared titles with Milton Carruth
Producers
- Ross HunterShared titles: Back Street (1961), Imitation of Life (1959)See all 2 shared titles with Ross Hunter
- Samuel G. EngelShared titles: A Man Called Peter (1955), Good Morning, Miss Dove (1955)See all 2 shared titles with Samuel G. Engel