- Writer and director
- 4 on MovieCove
What are Aldo Grimaldi's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Power and Bonds.
What they feel like to watch
A split, not a type: Ironic 1 · Wry 0 · Earnest 2
Light 4 · Serious 0 · Dark 0
Grounded 1 · Stylized 2 · Heightened 1
Gentle 4 · Charged 0 · Intense 0
Steady 3 · Shifting 1 · Whiplash 0
Straight-faced 0 · Some laughs 1 · Funny 3
Slow burn 1 · Even-paced 3 · Relentless 0
Casual 4 · Engaged 0 · Full focus 0
Easy watch 4 · Affecting 0 · Heavy 0
Resolved 4 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Aldo Grimaldi's films?
As of October 24, 2026, 1 of their 4 MovieCove titles stream on a subscription or free service, on Prime Video (1).
Subscription and free streaming for Aldo Grimaldi's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
4 credits, 4 with a MovieCove page.
Midcredits score: 15th percentile of all films
Midcredits score: 7th percentile of all films
Paths of War(1970)
Midcredits score: 10th percentile of all films (provisional, few ratings)
L'oro del mondo(1968)
Midcredits score: 3rd percentile of all films
Career shape
Across a limited sample of 4 MovieCove titles from 1968 to 1973.
How do Aldo Grimaldi's films land?
Their typical MovieCove film has a Midcredits score in the 9th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 16th percentile for acclaim.
- Below 25th4
Shape of the crowd
4 of their 4 titles are Mixed.
- Mixed4
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Aldo Grimaldi work with?
People who share at least 2 of Aldo Grimaldi's MovieCove titles, grouped by what they did on them; Giovanni Grimaldi shares the most, 3.
Writers
- Giovanni GrimaldiShared titles: The Inconsolable Widow Thanks All Those Who Consoled Her (1973), When Women Were Called Virgins (1972), L'oro del mondo (1968)See all 3 shared titles with Giovanni Grimaldi
Actors
- Edwige FenechShared titles: The Inconsolable Widow Thanks All Those Who Consoled Her (1973), When Women Were Called Virgins (1972)See all 2 shared titles with Edwige Fenech
- Luigi Antonio GuerraShared titles: The Inconsolable Widow Thanks All Those Who Consoled Her (1973), When Women Were Called Virgins (1972)See all 2 shared titles with Luigi Antonio Guerra
- Ciccio IngrassiaShared titles: Paths of War (1970), L'oro del mondo (1968)See all 2 shared titles with Ciccio Ingrassia
- Franco FranchiShared titles: Paths of War (1970), L'oro del mondo (1968)See all 2 shared titles with Franco Franchi
Editors
- Daniele AlabisoShared titles: When Women Were Called Virgins (1972), Paths of War (1970), L'oro del mondo (1968)See all 3 shared titles with Daniele Alabiso