- Composer and producer
- 4 on MovieCove
What are David Grisman's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 2
Light 3 · Serious 1 · Dark 0
Grounded 2 · Stylized 2 · Heightened 0
A split, not a type: Gentle 1 · Charged 1 · Intense 2
A split, not a type: Steady 2 · Shifting 1 · Whiplash 1
A split, not a type: Straight-faced 2 · Some laughs 1 · Funny 1
Slow burn 1 · Even-paced 2 · Relentless 1
Casual 2 · Engaged 2 · Full focus 0
Easy watch 3 · Affecting 0 · Heavy 1
Resolved 4 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch David Grisman's films?
As of October 24, 2026, 2 of their 4 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for David Grisman's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
4 credits, 4 with a MovieCove page.
Grateful Dawg(2000)
Midcredits score: 77th percentile of all films
Eat My Dust(1976)
Midcredits score: 24th percentile of all films
Capone(1975)
Midcredits score: 32nd percentile of all films
Big Bad Mama(1974)
Midcredits score: 35th percentile of all films
Career shape
Across a limited sample of 4 MovieCove titles from 1974 to 2000.
How do David Grisman's films land?
Their typical MovieCove film has a Midcredits score in the 34th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 42nd percentile for acclaim.
- 75th and up1
- 25th to 49th2
- Below 25th1
Shape of the crowd
None of their 4 titles divides audiences: 3 are Mixed.
- Crowd Pleaser1
- Mixed3
Reviewers score the sound and music 63/100 in their films, across 4 reviewed titles; fans 71, detractors 43. The element that speaks to their work as a composer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does David Grisman work with?
People who share at least 2 of David Grisman's MovieCove titles, grouped by what they did on them; Roger Corman shares the most, 3.
Directors
- Steve CarverShared titles: Capone (1975), Big Bad Mama (1974)See all 2 shared titles with Steve Carver
Editors
- Tina HirschShared titles: Eat My Dust (1976), Big Bad Mama (1974)See all 2 shared titles with Tina Hirsch
Producers
- Roger CormanShared titles: Eat My Dust (1976), Capone (1975), Big Bad Mama (1974)See all 3 shared titles with Roger Corman
- Teri SchwartzShared titles: Eat My Dust (1976), Big Bad Mama (1974)See all 2 shared titles with Teri Schwartz