Francis Gromon
- Composer
- 3 on MovieCove · 8 credits in all
Known for
What are Francis Gromon's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 2
Light 2 · Serious 1 · Dark 0
Grounded 2 · Stylized 1 · Heightened 0
Gentle 1 · Charged 2 · Intense 0
Steady 1 · Shifting 2 · Whiplash 0
Straight-faced 1 · Some laughs 1 · Funny 1
Slow burn 1 · Even-paced 2 · Relentless 0
Casual 0 · Engaged 3 · Full focus 0
Easy watch 1 · Affecting 2 · Heavy 0
Resolved 2 · Open-ended 1 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Francis Gromon's films?
As of October 24, 2026, all 3 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Francis Gromon's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
8 credits, 3 with a MovieCove page.
Barefoot Boy (not in the MovieCove catalog yet)(1938)
Transit Camp (not in the MovieCove catalog yet)(1932)
Longing for the Sea (not in the MovieCove catalog yet)(1931)
Marius(1931)
Midcredits score: 94th percentile of all films
Born to Love (not in the MovieCove catalog yet)(1931)
Lonely Wives(1931)
Midcredits score: 50th percentile of all films
The Painted Desert(1931)
Midcredits score: 18th percentile of all films
Sin Takes a Holiday (not in the MovieCove catalog yet)(1930)
Career shape
A full career of 7 titles from 1930 to 1938.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.
How do Francis Gromon's films land?
Their typical MovieCove film has a Midcredits score in the 50th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 48th percentile for acclaim.
- 75th and up1
- 50th to 74th1
- Below 25th1
Shape of the crowd
None of their 3 titles divides audiences: 2 are Crowd Pleasers.
- Crowd Pleaser2
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Francis Gromon work with?
People who share at least 2 of Francis Gromon's MovieCove titles; Edward Snyder shares the most, 2.
- Edward SnyderShared titles: Lonely Wives (1931), The Painted Desert (1931)See all 2 shared titles with Edward Snyder
- E.B. DerrShared titles: Lonely Wives (1931), The Painted Desert (1931)See all 2 shared titles with E.B. Derr