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Charlotte Guilbert

Editor

Works as
Editor
Titles
4 on MovieCove · 12 credits in all

What are Charlotte Guilbert's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Power.

Themes

share of theme weight
Bonds
43%
Power
16%
Morality
16%
Society
16%
Ideas
10%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 2 · Serious 1 · Dark 1

Grounded 2 · Stylized 2 · Heightened 0

Gentle 1 · Charged 3 · Intense 0

A split, not a type: Steady 3 · Shifting 0 · Whiplash 1

Straight-faced 1 · Some laughs 2 · Funny 1

Slow burn 1 · Even-paced 3 · Relentless 0

Casual 1 · Engaged 3 · Full focus 0

A split, not a type: Easy watch 2 · Affecting 0 · Heavy 2

Resolved 4 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Melancholic
2
Tense
2
Warm
1
Hopeful
1
Joyful
1
Other
2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Charlotte Guilbert's films?

As of October 24, 2026, 1 of their 4 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Charlotte Guilbert's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

12 credits, 4 with a MovieCove page.

  • Seventh Heaven (not in the MovieCove catalog yet)(1958)

    Editor

  • Trial at the Vatican (not in the MovieCove catalog yet)(1952)

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  • Julie de Carneilhan (not in the MovieCove catalog yet)(1950)

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  • Maya (not in the MovieCove catalog yet)(1949)

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  • Adieu... Chérie(1946)

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    Midcredits score: 72nd percentile of all films
  • A Friend Will Come Tonight (not in the MovieCove catalog yet)(1946)

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  • Midcredits score: 26th percentile of all films (provisional, few ratings)
  • The French Way(1940)

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    Midcredits score: 38th percentile of all films
  • Cavalcade of Love (not in the MovieCove catalog yet)(1939)

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  • Midcredits score: 53rd percentile of all films (provisional, few ratings)
  • Miarka (not in the MovieCove catalog yet)(1937)

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  • Marthe Richard (not in the MovieCove catalog yet)(1937)

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Career shape

A full career of 12 titles from 1937 to 1958.

By role

only this rolewith another role
Editing12 of 12: 12 only editing, 0 with another role

By decade

1930s4 · crew1940s5 · crew1950s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Charlotte Guilbert's films land?

Their typical MovieCove film has a Midcredits score in the 46th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 44th percentile for acclaim.

Acclaim · how much people like their films

44thpercentile
Typical film, the median of 4

Approval · how many liked their films

48thpercentile
Typical film, the median of 4

Reach · how many have seen their films

21stpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • 50th to 74th2
  • 25th to 49th2

Shape of the crowd

None of their 4 titles divides audiences: 3 are Mixed.

  • Crowd Pleaser1
  • Mixed3

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Charlotte Guilbert work with?

People who share at least 2 of Charlotte Guilbert's MovieCove titles, grouped by what they did on them; Raymond Bernard shares the most, 2.

Directors

Writers

Actors

Composers