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Pato Guzman

Producer

Works as
Producer
Titles
18 on MovieCove · 22 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 19% in 30 days

What are Pato Guzman's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Power and Morality.

Themes

share of theme weight
Power
30%
Morality
28%
Self
20%
Bonds
11%
Survival
7%
Society
5%
Freedom2 titles, browse their movies with this themeDeception2 titles, browse their movies with this theme

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category
Wry: How sincerely it treats its story and characters, from ironic to earnest. Browse their wry movies.
Tone · Sincerity
ironicearnest

A split, not a type: Ironic 2 · Wry 1 · Earnest 2

Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 3 · Serious 2 · Dark 1

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 3 · Stylized 2 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 2 · Charged 4 · Intense 0

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 2 · Shifting 2 · Whiplash 2

Funny: How much of the runtime is played for laughs. Browse their funny movies.
Feel · Humor
noneconstant

Straight-faced 0 · Some laughs 2 · Funny 4

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 3 · Even-paced 3 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 3 · Engaged 3 · Full focus 0

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

Resolved 2 · Open-ended 4 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Absurd
4
Tense
3
Melancholic
2
Contemplative
2
Warm
2
Other
4

How their films linger

Bittersweet4 titles, browse their movies with this aftertasteFun2 titles, browse their movies with this aftertasteHopeful2 titles, browse their movies with this aftertasteFeel-good2 titles, browse their movies with this aftertaste

How their films end

  • Happy2
  • Bittersweet3
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Pato Guzman's films?

As of October 24, 2026, 3 of their 18 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Also on these channels

Subscription and free streaming for Pato Guzman's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

22 credits, 18 with a MovieCove page.

  • Scenes from a Mall(1991)

    Co-Producer · Production Design

    Midcredits score: 21st percentile of all films

  • Enemies, a Love Story(1989)

    Co-Producer · Production Design

    Midcredits score: 65th percentile of all films

  • Moon Over Parador(1988)

    Co-Producer · Production Design

    Midcredits score: 43rd percentile of all films

  • Down and Out in Beverly Hills(1986)

    Co-Producer · Production Design

    Midcredits score: 54th percentile of all films

  • Moscow on the Hudson(1984)

    Co-Producer · Production Design

    Midcredits score: 62nd percentile of all films

  • Tempest(1982)

    Co-Producer · Production Design

    Midcredits score: 51st percentile of all films

  • Willie & Phil(1980)

    Production Design

    Midcredits score: 31st percentile of all films

  • Hide in Plain Sight(1980)

    Production Design

    Midcredits score: 48th percentile of all films

  • The In-Laws(1979)

    Production Design

    Midcredits score: 87th percentile of all films

  • An Unmarried Woman(1978)

    Production Design

    Midcredits score: 87th percentile of all films

  • Blume in Love(1973)

    Production Design

    Midcredits score: 49th percentile of all films

  • Antonio (not in the MovieCove catalog yet)(1973)

    Production Design

  • Play It As It Lays(1972)

    Production Design · Production Designer

    Midcredits score: 58th percentile of all films

  • The Marriage of a Young Stockbroker(1971)

    Production Design

    Midcredits score: 30th percentile of all films

  • Alex in Wonderland(1970)

    Production Design

    Midcredits score: 27th percentile of all films

  • The Lawyer(1970)

    Art Direction

    Midcredits score: 64th percentile of all films

  • Bob & Carol & Ted & Alice(1969)

    Art Direction

    Midcredits score: 73rd percentile of all films

  • Land's End (not in the MovieCove catalog yet)(1968)

    Show 1 episode · Art Direction

  • The President's Analyst(1967)

    Production Design

    Midcredits score: 73rd percentile of all films

  • The Carol Channing Show (not in the MovieCove catalog yet)(1966)

    Show 1 episode · Art Direction

  • Star Trek: The Cage (not in the MovieCove catalog yet)(1965)

    Production Design

  • The Lucille Ball Comedy Hour(1964)

    Art Direction

    Midcredits score: 66th percentile of all films (provisional, few ratings)

Career shape

A full career of 22 titles from 1964 to 1991.

Biggest box office

Down and Out in Beverly Hills (1986)

$62M worldwide

Highest rated

Enemies, a Love Story (1989)

Midcredits 65th

Most popular right now

Down and Out in Beverly Hills (1986)

By role

only this rolewith another role
Producing6 of 22: 0 only producing, 6 with another role · typical Midcredits score53rdOther crew22 of 22: 16 only other crew, 6 with another role · typical Midcredits score56th

22 titles, 6 with more than one role — other crew and producing overlap on 6 of them.

By decade

1960s6 · crew1970s8 · crew1980s7 · crew1990s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Pato Guzman's films land?

Their typical MovieCove film has a Midcredits score in the 56th percentile, the median of all 18; across their 6 films with reception data, the typical film sits in the 51st percentile for acclaim.

Acclaim · how much people like their films

51stpercentile
Typical film, the median of 6

Approval · how many liked their films

53rdpercentile
Typical film, the median of 6

Reach · how many have seen their films

76thpercentile
Typical film, the median of 6

Midcredits score across 18 titles, by percentile

  • 75th and up2
  • 50th to 74th9
  • 25th to 49th6
  • Below 25th1

Shape of the crowd

10 of their 18 titles are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser10
  • Broadly Agreed1
  • Mixed6

Most loved · producer

Enemies, a Love Story (1989)

Midcredits 65th · 58% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Pato Guzman's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity3 titlesmedian 48 · moderateMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Pato Guzman work with?

People who share at least 2 of Pato Guzman's MovieCove titles, grouped by what they did on them; Paul Mazursky shares the most, 6.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers