Charles F. Haas was an American film and television director known for his work across various genres. He began his career at Universal Studios in 1935, starting as an extra and eventually becoming an assistant director and later a director of non-dramatic films. During World War II, Haas directed films for the Army Signal Corps. In the 1950s, he directed low-budget films and numerous television episodes for series such as Bonanza, The Alfred Hitchcock Hour, The Outer Limits, and The Man from U.N.C.L.E.. Haas's versatility and ability to work across different formats made him a respected figure in the industry.
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Biography from TMDB.
- November 15, 1913
- May 12, 2011 (aged 97)
- Chicago, Illinois
- Director, also producer and writer
- 13 on MovieCove · 45 credits in all
What are Charles F. Haas' films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Morality and Survival.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 5
A split, not a type: Light 2 · Serious 1 · Dark 2
A split, not a type: Grounded 3 · Stylized 1 · Heightened 1
Gentle 1 · Charged 4 · Intense 0
Steady 2 · Shifting 3 · Whiplash 0
Straight-faced 5 · Some laughs 0 · Funny 0
A split, not a type: Slow burn 3 · Even-paced 2 · Relentless 0
A split, not a type: Casual 2 · Engaged 3 · Full focus 0
Easy watch 2 · Affecting 2 · Heavy 1
Resolved 5 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy1
- Bittersweet4
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Charles F. Haas' films?
As of October 24, 2026, 8 of their 13 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Charles F. Haas' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
45 credits, 13 with a MovieCove page.
The Man from U.N.C.L.E.(1964)
Midcredits score: 79th percentile of all shows
Burke's Law (not in the MovieCove catalog yet)(1963)
The Outer Limits(1963)
Midcredits score: 92nd percentile of all shows
Midcredits score: 97th percentile of all shows
The Hold-Out (not in the MovieCove catalog yet)(1962)
The Dick Powell Show (not in the MovieCove catalog yet)(1961)
Cain's Hundred (not in the MovieCove catalog yet)(1961)
The Roaring 20's (not in the MovieCove catalog yet)(1960)
Route 66(1960)
Midcredits score: 73rd percentile of all shows
The Law and Mr. Jones (not in the MovieCove catalog yet)(1960)
Surfside 6 (not in the MovieCove catalog yet)(1960)
The Islanders (not in the MovieCove catalog yet)(1960)
Platinum High School (not in the MovieCove catalog yet)(1960)
Tarzan and the Trappers(1960)
Midcredits score: 12th percentile of all films
Hong Kong (not in the MovieCove catalog yet)(1960)
The Detectives (not in the MovieCove catalog yet)(1959)
Hawaiian Eye (not in the MovieCove catalog yet)(1959)
Adventures in Paradise (not in the MovieCove catalog yet)(1959)
Girls Town (not in the MovieCove catalog yet)(1959)
The Alaskans (not in the MovieCove catalog yet)(1959)
Men Into Space (not in the MovieCove catalog yet)(1959)
The Big Operator (not in the MovieCove catalog yet)(1959)
The Beat Generation (not in the MovieCove catalog yet)(1959)
Rawhide (not in the MovieCove catalog yet)(1959)
77 Sunset Strip (not in the MovieCove catalog yet)(1958)
Wild Heritage(1958)
Midcredits score: 21st percentile of all films
Summer Love (not in the MovieCove catalog yet)(1958)
Leave It to Beaver(1957)
Midcredits score: 72nd percentile of all shows
Maverick(1957)
Midcredits score: 86th percentile of all shows
Perry Mason(1957)
Midcredits score: 95th percentile of all shows
Dick Powell's Zane Grey Theatre (not in the MovieCove catalog yet)(1956)
The Hardy Boys: The Mystery of the Applegate Treasure (not in the MovieCove catalog yet)(1956)
Showdown at Abilene (not in the MovieCove catalog yet)(1956)
Broken Arrow (not in the MovieCove catalog yet)(1956)
The Hardy Boys (not in the MovieCove catalog yet)(1956)
Star in the Dust(1956)
Midcredits score: 39th percentile of all films
Screaming Eagles(1956)
Midcredits score: 29th percentile of all films
Paris Precinct (not in the MovieCove catalog yet)(1955)
The Millionaire (not in the MovieCove catalog yet)(1955)
Summer Playhouse (not in the MovieCove catalog yet)(1954)
The Shadow (not in the MovieCove catalog yet)(1954)
General Electric Theater (not in the MovieCove catalog yet)(1953)
Moonrise(1948)
Midcredits score: 80th percentile of all films
Her Adventurous Night (not in the MovieCove catalog yet)(1946)
I Met Him in Paris(1937)
Midcredits score: 46th percentile of all films
Career shape
A full career of 45 titles from 1937 to 1964.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Charles F. Haas' films land?
Their typical MovieCove film has a Midcredits score in the 34th percentile, the median of all 6; across their 5 films with reception data, the typical film sits in the 40th percentile for acclaim.
- 75th and up6
- 50th to 74th2
- 25th to 49th3
- Below 25th2
Shape of the crowd
None of their 13 titles divides audiences: 5 are Crowd Pleasers.
- Universally Loved3
- Crowd Pleaser5
- Broadly Agreed4
- Mixed1
Reviewers score the atmosphere 50/100 and the pacing 42/100 in their films, across 5 reviewed titles. The element that speaks to their work as a director.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Charles F. Haas work with?
People who share at least 2 of Charles F. Haas' MovieCove titles; Harry Morgan shares the most, 2.
- Harry MorganShared titles: Star in the Dust (1956), Moonrise (1948)See all 2 shared titles with Harry Morgan
- John L. RussellShared titles: Star in the Dust (1956), Moonrise (1948)See all 2 shared titles with John L. Russell