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Dolly Hall

Dolly Hall

Producer · Born April 26, 1960 (66) · Los Angeles, California, USA

Dolly Hall, President, dollface, inc. Daughter of Diana Lynn Dolly Hall began her producing career in 1990. Dolly's producing credits include such award-winning films as Maria Maggenti's The Incredibly True Adventure of Two Girls in Love, (world premiere Sundance Film festival) Scott Silver's johns (world premiere San Sebastian Film Festival), Alex Sichel's All Over Me (world premiere Sundance Film festival), Tim Blake Nelson's Eye of God (world premiere Sundance Film Festival), Lisa Cholodenko's High Art (world premiere Sundance Film festival), Mark Christopher's 54, Gary Winick's Tadpole (world premiere Sundance Film festival), and Lisa Picard is Famous, directed by Griffin Dunne and produced by Mira Sorvino and Dolly Hall (world premiere Cannes Film Festival). In July 2009, Lion's Gate released "Five Fingers" starring Laurence Fishburne and Ryan Phillipe. Dolly produced Michael Walker's "Price Check", starring Parker Posey and Eric Mabius which world premiered to rave reviews, at the 2012 Sundance Film Festival and was subsequently release by IFC Films in November 2012. Dolly & Michael made another film together, "A Maid's Room", starring Annabella Sciorra and Paula Garces which was release by Paladin Films in August of 2014. Dolly co-produced the NBC doc "Live From New York: The Revolution will be Televised", celebrating the 40th anniversary of Saturday Night Live. The film opened the 2015 Tribeca Film Festival before it's network premiere later the same year. Dolly is currently in development with Lauren Versel on their slate of six TV shows. We make films and TV that provoke some thought; and that have a strong voice. We support our filmmaker's vision; we seek financing and collaborations to further that vision. - Mini Biography by dollface, inc.

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Biography from TMDB.

Born
April 26, 1960 (66)
From
Los Angeles, California, USA
Works as
Producer
Titles
18 on MovieCove · 26 credits in all
TMDB popularity, last 39 days to Oct 28Down 31% in 30 days

What are Dolly Hall's films like?

Across their 17 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 17 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 5 · Serious 5 · Dark 7

Grounded 15 · Stylized 1 · Heightened 1

Gentle 3 · Charged 11 · Intense 3

Steady 8 · Shifting 8 · Whiplash 1

Straight-faced 7 · Some laughs 8 · Funny 2

Slow burn 11 · Even-paced 5 · Relentless 1

Casual 7 · Engaged 8 · Full focus 2

A split, not a type: Resolved 8 · Open-ended 5 · Ambiguous 4

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
11
Melancholic
6
Bittersweet
6
Contemplative
5
Warm
4
Other
13

How their films end · 2 with a twist

  • Happy1
  • Bittersweet7
  • Tragic4
  • Ambiguous4
  • Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Dolly Hall's films?

As of October 24, 2026, 9 of their 18 MovieCove titles stream on a subscription or free service, most on Tubi (4).

Subscription and free streaming for Dolly Hall's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

26 credits, 18 with a MovieCove page.

  • Pushing Dead(2016)

    Producer

    Midcredits score: 64th percentile of all films
  • Live from New York!(2015)

    Producer

    Midcredits score: 58th percentile of all films
  • The Maid's Room(2013)

    Producer

    Midcredits score: 10th percentile of all films
  • Price Check(2012)

    Producer

    Midcredits score: 29th percentile of all films
  • Playing House (not in the MovieCove catalog yet)(2011)

    Producer

  • Five Fingers(2006)

    Producer

    Midcredits score: 54th percentile of all films
  • Daddy, Daddy USA (not in the MovieCove catalog yet)(2005)

    Executive Producer

  • Poster Boy(2004)

    Producer

    Midcredits score: 38th percentile of all films
  • Tadpole(2002)

    Producer

    Midcredits score: 45th percentile of all films
  • Just a Kiss(2002)

    Executive Producer

    Midcredits score: 16th percentile of all films
  • The Château (not in the MovieCove catalog yet)(2001)

    Executive Producer

  • The Girl (not in the MovieCove catalog yet)(2000)

    Producer

  • Lisa Picard Is Famous(2000)

    Producer

    Midcredits score: 25th percentile of all films
  • Godass (not in the MovieCove catalog yet)(2000)

    Casting

  • Wirey Spindell(1999)

    Producer

    Midcredits score: 14th percentile of all films
  • 54(1998)

    Producer

    Midcredits score: 32nd percentile of all films
  • High Art(1998)

    Producer

    Midcredits score: 67th percentile of all films
  • Eye of God(1997)

    Co-Producer

    Midcredits score: 88th percentile of all films
  • All Over Me(1997)

    Producer

    Midcredits score: 66th percentile of all films
  • Johns(1996)

    Producer

    Midcredits score: 50th percentile of all films
  • Siao Yu (not in the MovieCove catalog yet)(1995)

    Producer

  • Midcredits score: 75th percentile of all films
  • Joey Breaker (not in the MovieCove catalog yet)(1993)

    Associate Producer · First Assistant Director · Post Production Supervisor

  • The Wedding Banquet(1993)

    Line Producer

    Midcredits score: 96th percentile of all films
  • Triple Bogey on a Par Five Hole (not in the MovieCove catalog yet)(1992)

    Assistant Director · Co-Producer · Post Production Supervisor

  • Men of Respect(1990)

    Second Second Assistant Director

    Midcredits score: 27th percentile of all films

Career shape

A full career of 22 titles from 1990 to 2014.

By role

only this rolewith another role
Producing20 of 22: 18 only producing, 2 with another role · typical Midcredits score45thOther crew4 of 22: 2 only other crew, 2 with another role

By decade

1990s10 · crew2000s9 · crew2010s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Dolly Hall's films land?

Their typical MovieCove film has a Midcredits score in the 48th percentile, the median of all 18; across their 17 films with reception data, the typical film sits in the 49th percentile for acclaim.

Acclaim · how much people like their films

49thpercentile
Typical film, the median of 17

Approval · how many liked their films

51stpercentile
Typical film, the median of 17

Reach · how many have seen their films

65thpercentile
Typical film, the median of 17

Midcredits score across 18 titles, by percentile

  • 75th and up3
  • 50th to 74th6
  • 25th to 49th6
  • Below 25th3

Shape of the crowd

7 of their 18 titles are Crowd Pleasers.

  • Universally Loved1
  • Divisive1
  • Cult Classic1
  • Crowd Pleaser7
  • Broadly Agreed1
  • Mixed7

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Dolly Hall's work okay for kids?

Across up to 6 MovieCove titles with content scores, 1 of the 2 categories sits near the median of all films.

Their medianMedian of all filmsMiddle 80% of their titles
Sex & Nudity6 titles29–50 · median 41 · moderatenear the median of all filmsMedian of all films: 32
Alcohol & Drugs3 titlesmedian 71 · intenseMedian of all films: 33

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Dolly Hall work with?

People who share at least 2 of Dolly Hall's MovieCove titles, grouped by what they did on them; Michael Walker shares the most, 2.

Directors

Actors

Cinematographers and editors

Producers

Mixed roles