Gisela Haller
- Editor
- 4 on MovieCove
What are Gisela Haller's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
A split, not a type: Light 2 · Serious 1 · Dark 1
Grounded 1 · Stylized 3 · Heightened 0
Gentle 1 · Charged 2 · Intense 1
Steady 3 · Shifting 1 · Whiplash 0
A split, not a type: Straight-faced 2 · Some laughs 0 · Funny 2
Slow burn 2 · Even-paced 2 · Relentless 0
Casual 3 · Engaged 1 · Full focus 0
Easy watch 3 · Affecting 1 · Heavy 0
Resolved 3 · Open-ended 1 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Gisela Haller's films?
As of October 27, 2026, none of Gisela Haller's 4 MovieCove titles is streaming on a subscription or free service.
Subscription and free streaming for Gisela Haller's titles on MovieCove; rent and buy are not counted.
Filmography
4 credits, 4 with a MovieCove page.

Manta Manta(1991)
Midcredits score: 38th percentile of all films
Sukkubus(1989)
Midcredits score: 37th percentile of all films
Midcredits score: 24th percentile of all films
Dead Body on Broadway(1969)
Midcredits score: 25th percentile of all films
Career shape
Across a limited sample of 4 MovieCove titles from 1969 to 1991.
How do Gisela Haller's films land?
Their typical MovieCove film has a Midcredits score in the 31st percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 40th percentile for acclaim.
- 25th to 49th3
- Below 25th1
Shape of the crowd
None of their 4 titles divides audiences: 3 are Mixed.
- Broadly Agreed1
- Mixed3
Reviewers score the pacing 53/100 in their films, across 3 reviewed titles; fans 58, detractors 40. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Gisela Haller work with?
People who share at least 2 of Gisela Haller's MovieCove titles; Franz Seitz shares the most, 2.
- Franz SeitzShared titles: Sukkubus (1989), Morgen fällt die Schule aus - Die Lümmel von der ersten Bank, VI. Teil (1971)See all 2 shared titles with Franz Seitz
- Rolf A. WilhelmShared titles: Sukkubus (1989), Morgen fällt die Schule aus - Die Lümmel von der ersten Bank, VI. Teil (1971)See all 2 shared titles with Rolf A. Wilhelm