Dana Satler Hankins
- Producer
- 3 on MovieCove
Known for
What are Dana Satler Hankins' films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 3 · Serious 0 · Dark 0
Grounded 2 · Stylized 1 · Heightened 0
A split, not a type: Gentle 0 · Charged 1 · Intense 2
Steady 0 · Shifting 2 · Whiplash 1
Straight-faced 0 · Some laughs 2 · Funny 1
Slow burn 1 · Even-paced 1 · Relentless 1
Casual 2 · Engaged 1 · Full focus 0
Easy watch 1 · Affecting 2 · Heavy 0
Resolved 3 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Dana Satler Hankins' films?
As of October 24, 2026, all 3 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Dana Satler Hankins' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
3 credits, 3 with a MovieCove page.
Bird on a Wire(1990)
Midcredits score: 39th percentile of all films
Stakeout(1987)
Midcredits score: 68th percentile of all films
Short Circuit(1986)
Midcredits score: 68th percentile of all films
Career shape
Across a limited sample of 3 MovieCove titles from 1986 to 1990.
How do Dana Satler Hankins' films land?
Their typical MovieCove film has a Midcredits score in the 68th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 68th percentile for acclaim.
- 50th to 74th2
- 25th to 49th1
Shape of the crowd
None of their 3 titles divides audiences: 2 are Crowd Pleasers.
- Crowd Pleaser2
- Broadly Agreed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Dana Satler Hankins' work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Dana Satler Hankins work with?
People who share at least 2 of Dana Satler Hankins' MovieCove titles, grouped by what they did on them; John Badham shares the most, 3.
Directors
- John BadhamShared titles: Bird on a Wire (1990), Stakeout (1987), Short Circuit (1986)See all 3 shared titles with John Badham
Editors
- Dallas PuettShared titles: Bird on a Wire (1990), Short Circuit (1986)See all 2 shared titles with Dallas Puett
- Frank MorrissShared titles: Bird on a Wire (1990), Short Circuit (1986)See all 2 shared titles with Frank Morriss
Producers
- Gregg ChampionShared titles: Stakeout (1987), Short Circuit (1986)See all 2 shared titles with Gregg Champion
