Marion Hargrove
- Writer
- 17 on MovieCove · 26 credits in all
What are Marion Hargrove's films like?
Across their 11 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 10
Light 8 · Serious 3 · Dark 0
Grounded 5 · Stylized 5 · Heightened 1
A split, not a type: Gentle 6 · Charged 4 · Intense 1
Steady 6 · Shifting 5 · Whiplash 0
A split, not a type: Straight-faced 4 · Some laughs 2 · Funny 5
Slow burn 7 · Even-paced 4 · Relentless 0
Casual 7 · Engaged 4 · Full focus 0
Easy watch 10 · Affecting 0 · Heavy 1
Resolved 10 · Open-ended 0 · Ambiguous 1
Moods and endings
- Happy8
- Bittersweet2
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Marion Hargrove's films?
As of October 24, 2026, 7 of their 17 MovieCove titles stream on a subscription or free service, most on Prime Video (4).
Subscription and free streaming for Marion Hargrove's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
26 credits, 17 with a MovieCove page.
Bret Maverick(1981)
Midcredits score: 67th percentile of all shows
Fantasy Island(1977)
Midcredits score: 31st percentile of all shows
Eight Is Enough(1977)
Midcredits score: 29th percentile of all shows
Bert D'Angelo Superstar (not in the MovieCove catalog yet)(1976)
The Magician (not in the MovieCove catalog yet)(1973)
The Brothers O'Toole(1973)
Midcredits score: 18th percentile of all films
The Waltons(1972)
Midcredits score: 75th percentile of all shows
Nichols (not in the MovieCove catalog yet)(1971)
My World and Welcome to It (not in the MovieCove catalog yet)(1969)
The Name of the Game (not in the MovieCove catalog yet)(1968)
I Spy(1965)
Midcredits score: 51st percentile of all showsPrivate Hargrove (not in the MovieCove catalog yet)(1965)
The Rogues (not in the MovieCove catalog yet)(1964)
Midcredits score: 21st percentile of all films
40 Pounds of Trouble(1962)
Midcredits score: 56th percentile of all films
Boys' Night Out(1962)
Midcredits score: 65th percentile of all films
The Music Man(1962)
Midcredits score: 92nd percentile of all films
Cash McCall(1960)
Midcredits score: 59th percentile of all films
Edge of Eternity(1959)
Midcredits score: 62nd percentile of all films
Girl on the Run(1958)
Midcredits score: 78th percentile of all films (provisional, few ratings)
The Restless Gun (not in the MovieCove catalog yet)(1957)
Maverick(1957)
Midcredits score: 86th percentile of all shows
Joe Butterfly (not in the MovieCove catalog yet)(1957)
The Girl He Left Behind(1956)
Midcredits score: 21st percentile of all films
Midcredits score: 17th percentile of all films
Midcredits score: 49th percentile of all films
Career shape
A full career of 24 titles from 1944 to 1981.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Marion Hargrove's films land?
Their typical MovieCove film has a Midcredits score in the 56th percentile, the median of all 11; across their 11 films with reception data, the typical film sits in the 55th percentile for acclaim.
- 75th and up4
- 50th to 74th6
- 25th to 49th3
- Below 25th4
Shape of the crowd
9 of their 17 titles are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser9
- Broadly Agreed3
- Mixed4
Reviewers score the dialogue 49/100 and the plot and story 42/100 in their films, across 11 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Marion Hargrove work with?
People who share at least 2 of Marion Hargrove's MovieCove titles, grouped by what they did on them; James Garner shares the most, 3.
Writers
- Harry KurnitzShared titles: What Next, Corporal Hargrove? (1945), See Here, Private Hargrove (1944)See all 2 shared titles with Harry Kurnitz
Actors
- James GarnerShared titles: Boys' Night Out (1962), Cash McCall (1960), The Girl He Left Behind (1956)See all 3 shared titles with James Garner
- Howard MorrisShared titles: 40 Pounds of Trouble (1962), Boys' Night Out (1962)See all 2 shared titles with Howard Morris
- Jessie Royce LandisShared titles: Boys' Night Out (1962), The Girl He Left Behind (1956)See all 2 shared titles with Jessie Royce Landis
- Henry JonesShared titles: Cash McCall (1960), The Girl He Left Behind (1956)See all 2 shared titles with Henry Jones
Composers
- David SnellShared titles: What Next, Corporal Hargrove? (1945), See Here, Private Hargrove (1944)See all 2 shared titles with David Snell
Producers
- George HaightShared titles: What Next, Corporal Hargrove? (1945), See Here, Private Hargrove (1944)See all 2 shared titles with George Haight