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John Hart

John Hart

Producer · Died May 1, 2018, aged 0

Born
May 1, 2018
Died
May 1, 2018 (aged 0)
Works as
Producer
Titles
14 on MovieCove · 18 credits in all
TMDB popularity, last 38 days to Oct 27Up 9% in 30 days

What are John Hart's films like?

Across their 12 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

What they feel like to watch

their average across 12 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 4 · Serious 3 · Dark 5

Grounded 9 · Stylized 2 · Heightened 1

Gentle 1 · Charged 7 · Intense 4

A split, not a type: Steady 7 · Shifting 4 · Whiplash 1

Straight-faced 8 · Some laughs 4 · Funny 0

Slow burn 9 · Even-paced 3 · Relentless 0

Casual 1 · Engaged 10 · Full focus 1

A split, not a type: Easy watch 1 · Affecting 4 · Heavy 7

Resolved 2 · Open-ended 8 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
9
Tense
5
Dread
3
Bittersweet
4
Contemplative
4
Other
10

How their films end · 5 with a twist

  • Bittersweet6
  • Tragic3
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch John Hart's films?

As of October 24, 2026, 7 of their 14 MovieCove titles stream on a subscription or free service, most on Pluto TV (4).

Subscription and free streaming for John Hart's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

18 credits, 14 with a MovieCove page.

  • Nighthawks(2019)

    Producer

    Midcredits score: 23rd percentile of all films
  • Midcredits score: 44th percentile of all films
  • The War Boys(2009)

    Producer

    Midcredits score: 62nd percentile of all films
  • Revolutionary Road(2008)

    Producer

    Midcredits score: 87th percentile of all films
  • The Night Listener(2006)

    Producer

    Midcredits score: 33rd percentile of all films
  • Proof(2005)

    Producer

    Midcredits score: 66th percentile of all films
  • P.S.(2004)

    Producer

    Midcredits score: 40th percentile of all films
  • Midcredits score: 66th percentile of all films
  • Nicholas Nickleby(2002)

    Producer

    Midcredits score: 80th percentile of all films
  • Lift (not in the MovieCove catalog yet)(2001)

    Producer

  • You Can Count on Me(2000)

    Producer

    Midcredits score: 93rd percentile of all films
  • Dark Harbor(1998)

    Producer

    Midcredits score: 47th percentile of all films
  • Boys Don't Cry(1999)

    Producer

    Midcredits score: 94th percentile of all films
  • Office Killer(1997)

    Executive Producer

    Midcredits score: 27th percentile of all films
  • Drunks (not in the MovieCove catalog yet)(1997)

    Executive Producer

  • Arresting Gena (not in the MovieCove catalog yet)(1997)

    Executive Producer

  • Safe(1995)

    Executive Producer

    Midcredits score: 86th percentile of all films
  • Guys and Dolls: Off the Record (not in the MovieCove catalog yet)(1992)

    Executive Producer

Career shape

A full career of 17 titles from 1992 to 2013.

By role

only this rolewith another role
Producing17 of 17: 17 only producing, 0 with another role · typical Midcredits score66th

By decade

1990s7 · crew2000s9 · crew2010s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do John Hart's films land?

Their typical MovieCove film has a Midcredits score in the 64th percentile, the median of all 14; across their 12 films with reception data, the typical film sits in the 50th percentile for acclaim.

Acclaim · how much people like their films

50thpercentile
Typical film, the median of 12

Approval · how many liked their films

59thpercentile
Typical film, the median of 12

Reach · how many have seen their films

82ndpercentile
Typical film, the median of 12

Midcredits score across 14 titles, by percentile

  • 75th and up5
  • 50th to 74th3
  • 25th to 49th5
  • Below 25th1

Shape of the crowd

7 of their 14 titles are Crowd Pleasers.

  • Universally Loved2
  • Divisive1
  • Crowd Pleaser7
  • Broadly Agreed1
  • Mixed3

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is John Hart's work okay for kids?

Across up to 7 MovieCove titles with content scores, sex & nudity runs heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore3 titlesmedian 57 · moderateMedian of all films: 44
Sex & Nudity7 titles32–66 · median 50 · moderateheavier than most filmsMedian of all films: 32
Profanity3 titlesmedian 70 · intenseMedian of all films: 36

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does John Hart work with?

People who share at least 2 of John Hart's MovieCove titles, grouped by what they did on them; Jeffrey Sharp shares the most, 9.

Actors

Editors

Producers