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Alejandro Hartmann

Alejandro Hartmann

Director, writer, actor and producer · Born May 17, 1973 (53) · Buenos Aires, Argentina

Alejandro Hartmann has directed some of the most famous and award winning music videos of Lat.Am during the 1990s. After that he worked in fiction and documentaries, having created some of the most seen and awarded documentaries of the last years in Argentina. Among them are "Carmel: Who Killed Maria Marta?", "The Photographer: Murder in Pinamar" and "The Menendez Brothers".

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Biography from TMDB.

Born
May 17, 1973 (53)
From
Buenos Aires, Argentina
Works as
Director, writer, actor and producer
Titles
6 on MovieCove · 17 credits in all

What are Alejandro Hartmann's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Morality and Self.

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 2 · Serious 1 · Dark 2

Grounded 4 · Stylized 0 · Heightened 1

Gentle 1 · Charged 3 · Intense 1

Steady 2 · Shifting 2 · Whiplash 1

Straight-faced 4 · Some laughs 1 · Funny 0

Slow burn 4 · Even-paced 1 · Relentless 0

Casual 2 · Engaged 2 · Full focus 1

Resolved 2 · Open-ended 2 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
4
Contemplative
4
Absurd
2
Dread
2
Hopeful
1
Other
5

How their films end

  • Happy1
  • Bittersweet3
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Alejandro Hartmann's films?

As of October 24, 2026, all 6 MovieCove titles stream on a subscription or free service, most on Netflix (5).

Subscription and free streaming for Alejandro Hartmann's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

17 credits, 6 with a MovieCove page.

  • Yiya Murano: Death at Tea Time(2026)

    Director · Executive Producer

    Midcredits score: 39th percentile of all films
  • Midcredits score: 81st percentile of all films
  • The Menendez Brothers(2024)

    Director

    Midcredits score: 89th percentile of all films
  • Nahir: The Secret of a Crime (not in the MovieCove catalog yet)(2024)

    Show 1 episode · Director

  • The National High School (not in the MovieCove catalog yet)(2022)

    Director · Cinematographer · Executive Producer · Writer

  • The Photographer: Murder in Pinamar(2022)

    Director · Producer · Writer

    Midcredits score: 77th percentile of all films
  • Chango, the Light Uncovers (not in the MovieCove catalog yet)(2021)

    Executive Producer · Producer · Writer

  • Carmel: Who Killed Maria Marta?(2020)

    Show 4 episodes · Director · Creator · Writer

    Midcredits score: 55th percentile of all shows
  • Reset, volver a empezar (not in the MovieCove catalog yet)(2020)

    Director

  • AU3 (Autopista Central) (not in the MovieCove catalog yet)(2010)

    Director · Writer

  • Construcción de una ciudad (not in the MovieCove catalog yet)(2008)

    Thanks

  • Clon (not in the MovieCove catalog yet)(2005)

    Director · Writer

  • Plata segura (not in the MovieCove catalog yet)(2001)

    as Doble de cuerpo Mr. Cuchu

  • Fuckland (not in the MovieCove catalog yet)(2000)

    Cinematographer · Actor

  • Silvia Prieto(1999)

    Assistant Director · as Invitado del casamiento 1

    Midcredits score: 75th percentile of all films
  • Historias Breves 0: Vértigos, o contemplación de algo que cae (not in the MovieCove catalog yet)(1993)

    Assistant Editor

  • Un día en movimiento (not in the MovieCove catalog yet)

    Director

Career shape

A full career of 17 titles, 16 of them dated from 1993 to 2026.

Film career

By role

only this rolewith another role
Acting3 of 17: 1 only acting, 2 with another roleDirecting11 of 17: 5 only directing, 6 with another role · typical Midcredits score77thWriting6 of 17: 0 only writing, 6 with another roleProducing3 of 17: 0 only producing, 3 with another roleCinematography2 of 17: 0 only cinematography, 2 with another roleOther crew4 of 17: 2 only other crew, 2 with another role

17 titles, 9 with more than one role — directing and writing overlap on 5 of them.

By decade

1990s2 · 1 acting · 2 crew2000s4 · 2 acting · 3 crew2010s1 · crew2020s9 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Alejandro Hartmann's films land?

Their typical MovieCove film has a Midcredits score in the 77th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 82nd percentile for acclaim.

Acclaim · how much people like their films

82ndpercentile
Typical film, the median of 5

Approval · how many liked their films

70thpercentile
Typical film, the median of 5

Reach · how many have seen their films

75thpercentile
Typical film, the median of 5

Midcredits score across 6 titles, by percentile

  • 75th and up4
  • 50th to 74th1
  • 25th to 49th1

Reviewers score the atmosphere 48/100 and the pacing 44/100 in their films, across 4 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Alejandro Hartmann work with?

People who share at least 2 of Alejandro Hartmann's MovieCove titles, grouped by what they did on them; Lucas Bucci shares the most, 3.

Writers

Composers, cinematographers and editors

Producers