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Charles Hasse

Editor

Works as
Editor
Titles
5 on MovieCove · 27 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 22% in 30 days

What are Charles Hasse's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Morality and Ideas.

Genres

Drama3 titlesTypical Midcredits score: 67th percentile, at or above their average across these genres
: browse their Drama movies
Crime2 titlesTypical Midcredits score: 41st percentile
: browse their Crime movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
35%
Ideas
22%
Survival
14%
Bonds
11%
Society
9%
Power
5%
Self
4%

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category
Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 5 · Stylized 0 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 4 · Intense 0

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 4 · Shifting 1 · Whiplash 0

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 3 · Some laughs 2 · Funny 0

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 2 · Even-paced 3 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 1 · Engaged 4 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 3 · Open-ended 1 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
4
Dread
2
Melancholic
2
Hopeful
2
Romantic
1
Other
2

How their films linger

Feel-good3 titles, browse their movies with this aftertasteHopeful3 titles, browse their movies with this aftertaste

How their films end · 3 with a twist

  • Happy2
  • Bittersweet2
  • Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Charles Hasse's films?

As of October 24, 2026, 4 of their 5 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Charles Hasse's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

27 credits, 5 with a MovieCove page.

  • She Didn't Say No! (not in the MovieCove catalog yet)(1958)

    Editor

  • A Touch of the Sun (not in the MovieCove catalog yet)(1956)

    Editor

  • Child in the House (not in the MovieCove catalog yet)(1956)

    Editor

  • The Pilgrims (not in the MovieCove catalog yet)(1954)

    Editor

  • The Fake(1953)

    Editor

    Midcredits score: 41st percentile of all films

  • Cosh Boy (not in the MovieCove catalog yet)(1953)

    Editor

  • Break to Freedom(1953)

    Editor

    Midcredits score: 66th percentile of all films

  • The Hundred Hour Hunt(1952)

    Editor

    Midcredits score: 41st percentile of all films

  • Night Was Our Friend (not in the MovieCove catalog yet)(1951)

    Editor

  • There Is Another Sun (not in the MovieCove catalog yet)(1951)

    Editor

  • Midnight Episode (not in the MovieCove catalog yet)(1950)

    Editor

  • Something in the City (not in the MovieCove catalog yet)(1950)

    Editor

  • Private Angelo (not in the MovieCove catalog yet)(1949)

    Editor

  • No Room at the Inn (not in the MovieCove catalog yet)(1948)

    Editor

  • My Brother Jonathan (not in the MovieCove catalog yet)(1948)

    Editor

  • Mrs. Fitzherbert (not in the MovieCove catalog yet)(1947)

    Editor

  • Hue and Cry (not in the MovieCove catalog yet)(1947)

    Editor

  • The Captive Heart (not in the MovieCove catalog yet)(1946)

    Editor

  • Dead of Night(1945)

    Editor

    Midcredits score: 91st percentile of all films

  • Champagne Charlie (not in the MovieCove catalog yet)(1944)

    Editor

  • The Halfway House(1944)

    Editor

    Midcredits score: 67th percentile of all films

  • My Learned Friend (not in the MovieCove catalog yet)(1943)

    Editor

  • Greek Testament (not in the MovieCove catalog yet)(1943)

    Director

  • Christmas Under Fire (not in the MovieCove catalog yet)(1940)

    Director

  • War and Order (not in the MovieCove catalog yet)(1940)

    Director

  • Hyde Park Corner (not in the MovieCove catalog yet)(1935)

    Assistant Director

  • Roger Williams: Founder Of Rhode Island (not in the MovieCove catalog yet)

    Editor

Career shape

A full career of 26 titles, 25 of them dated from 1935 to 1958.

Biggest box office

Dead of Night (1945)

$35K worldwide

Highest rated

Dead of Night (1945)

Midcredits 91st

By role

only this rolewith another role
Directing3 of 26: 3 only directing, 0 with another roleEditing22 of 26: 22 only editing, 0 with another roleOther crew1 of 26: 1 only other crew, 0 with another role

By decade

1930s1 · crew1940s13 · crew1950s11 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Charles Hasse's films land?

Their typical MovieCove film has a Midcredits score in the 66th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 64th percentile for acclaim.

Acclaim · how much people like their films

64thpercentile
Typical film, the median of 5

Approval · how many liked their films

66thpercentile
Typical film, the median of 5

Reach · how many have seen their films

23rdpercentile
Typical film, the median of 5

Midcredits score across 5 titles, by percentile

  • 75th and up1
  • 50th to 74th2
  • 25th to 49th2

Shape of the crowd

None of their 5 titles divides audiences: 2 are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser2
  • Broadly Agreed2

Most loved · editor

Dead of Night (1945)

Midcredits 91st · 80% liked

Reviewers score the pacing 57/100 in their films, across 5 reviewed titles; fans 61, detractors 44. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Charles Hasse work with?

People who share at least 2 of Charles Hasse's MovieCove titles, grouped by what they did on them; Guy Middleton shares the most, 3.

Directors

Writers

Actors

Cinematographers

Producers

Mixed roles