Rodrigo Herranz
He was born on October 2, 1972, in Mexico City. He studied economics at ITAM between 1990 and 1995. In 1998, he began his film career as production coordinator on that year’s CCC debut film (De ida y vuelta, Dir. Salvador Aguirre). After working on several Mexican and International films shot in Mexico, he developed and produced the debut features of Lucía Gajá (Mi vida dentro) and Emilio Portes (Conozca la cabeza de Juan Pérez). He produced Pastorela (Portes), which sold nearly one million tickets and won 7 Ariel Awards in 2012, including Best Picture, Director and Screenplay. He was executive producer on El paciente interno (Alejandro Solar) and No quiero dormir sola (Natalia Beristáin), which premiered in the Critics’ Week at the Venice Film Festival. Since 2009, he has produced animation with director Emilio Ramos at Atotonilco Studio, working on short films, videomapping, and museum installations (Palacio Nacional, MNAH, Gran museo del Mundo Maya, among others). In 2016, he completed Batallas íntimas (Gajá) and Esa era Dania (Ludlow). In 2019, he released Belzebuth (Portes) and Disparos, debut film by Elpida Nikou and Rodrigo Hernández. He is currently finishing Vidas en la orilla (Gajá), NO DEJES A LOS NIÑOS SOLOS (Portes) and developing Hanta, the first animated feature from Atotonilco Studio.
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Biography from TMDB.
- Producer
- 4 on Motif · 7 credits in all
What are Rodrigo Herranz's films like?
Across a limited sample of 4 Motif titles with a thematic analysis, their films lean Bonds and Self.
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 2
Light 1 · Serious 1 · Dark 1
Grounded 1 · Stylized 1 · Heightened 1
Gentle 0 · Charged 2 · Intense 1
Steady 0 · Shifting 2 · Whiplash 1
Straight-faced 1 · Some laughs 1 · Funny 1
Slow burn 1 · Even-paced 1 · Relentless 1
Casual 0 · Engaged 3 · Full focus 0
Easy watch 1 · Affecting 1 · Heavy 1
A split, not a type: Resolved 2 · Open-ended 1 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Rodrigo Herranz's films?
As of October 24, 2026, 2 of their 4 Motif titles stream on a subscription or free service.
Subscription and free streaming for Rodrigo Herranz's titles on Motif; rent and buy are not counted. Titles are listed by Motif score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
7 credits, 4 with a Motif page.
Motif score: 41st percentile of all films
Midnight Family(2024)
Motif score: 57th percentile of all shows
Belzebuth(2017)
Motif score: 46th percentile of all films
The Convict Patient (not in the Motif catalog yet)(2012)
No quiero dormir sola (not in the Motif catalog yet)(2012)
Pastorela(2011)
Motif score: 61st percentile of all films
My Life Inside (not in the Motif catalog yet)(2007)
Career shape
A full career of 6 titles from 2007 to 2026.
How do Rodrigo Herranz's films land?
Their typical Motif film has a Motif score in the 46th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 53rd percentile for acclaim.
- 50th to 74th2
- 25th to 49th2
Shape of the crowd
2 of their 4 titles are Mixed.
- Crowd Pleaser1
- Broadly Agreed1
- Mixed2
Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Motif score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Rodrigo Herranz work with?
People who share at least 2 of Rodrigo Herranz's Motif titles, grouped by what they did on them; Emilio Portes shares the most, 3.
Directors
- Emilio PortesShared titles: Don't Leave the Kids Alone (2025), Belzebuth (2017), Pastorela (2011)See all 3 shared titles with Emilio Portes
Actors
- José SefamiShared titles: Don't Leave the Kids Alone (2025), Belzebuth (2017), Pastorela (2011)See all 3 shared titles with José Sefami
- Joaquín CosioShared titles: Midnight Family (2024), Belzebuth (2017), Pastorela (2011)See all 3 shared titles with Joaquín Cosio
- Ana SerradillaShared titles: Don't Leave the Kids Alone (2025), Pastorela (2011)See all 2 shared titles with Ana Serradilla
Composers and editors
- Aldo Max RodriguezShared titles: Don't Leave the Kids Alone (2025), Belzebuth (2017), Pastorela (2011)See all 3 shared titles with Aldo Max Rodriguez
- Rodrigo Ríos LegaspiShared titles: Belzebuth (2017), Pastorela (2011)See all 2 shared titles with Rodrigo Ríos Legaspi
Producers
- Heriberto ManzanaresShared titles: Don't Leave the Kids Alone (2025), Belzebuth (2017)See all 2 shared titles with Heriberto Manzanares