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Hans Horn

Editor and director

Works as
Editor and director
Titles
9 on MovieCove · 15 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 157 days to Oct 28Down 18% in 30 days

What are Hans Horn's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Self and Survival.

Themes

share of theme weight
Self
38%
Survival
30%
Bonds
20%
Power
6%
Society
3%
Morality
3%
Self-worth2 titles, browse their movies with this themeGrief3 titles, browse their movies with this themeFamily bonds2 titles, browse their movies with this theme

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category
Grounded: How far its world departs from everyday reality. Browse their grounded movies.
Tone · Style
naturalisticheightened

Grounded 4 · Stylized 2 · Heightened 0

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 4 · Intense 1

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 4 · Shifting 1 · Whiplash 1

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 3 · Some laughs 1 · Funny 2

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

A split, not a type: Slow burn 4 · Even-paced 2 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 3 · Engaged 3 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 5 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Warm
3
Contemplative
2
Joyful
2
Dread
1
Tense
1
Other
5

How their films linger

Feel-good3 titles, browse their movies with this aftertasteHopeful2 titles, browse their movies with this aftertasteThought-provoking2 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy3
  • Bittersweet2
  • Tragic1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Hans Horn's films?

As of October 24, 2026, 4 of their 9 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Hans Horn's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

15 credits, 9 with a MovieCove page.

  • Brick(2025)

    Editor

    Midcredits score: 17th percentile of all films

  • Weekend Rebels(2023)

    Editor

    Midcredits score: 81st percentile of all films

  • Lost in Athens (not in the MovieCove catalog yet)(2023)

    Editor

  • Play (not in the MovieCove catalog yet)(2019)

    Editor

  • A Jar Full of Life(2018)

    Editor

    Midcredits score: 22nd percentile of all films

  • Marie Curie: The Courage of Knowledge(2016)

    Editor

    Midcredits score: 25th percentile of all films

  • Macho Man (not in the MovieCove catalog yet)(2015)

    Editor

  • Die Tote im Moorwald (not in the MovieCove catalog yet)(2012)

    Director

  • Messner(2012)

    Editor

    Midcredits score: 82nd percentile of all films

  • What a Man(2011)

    Editor

    Midcredits score: 22nd percentile of all films

  • Almanya: Welcome to Germany(2011)

    Editor

    Midcredits score: 82nd percentile of all films

  • Sea of Death (not in the MovieCove catalog yet)(2009)

    Director

  • Open Water 2: Adrift(2006)

    Director

    Midcredits score: 27th percentile of all films

  • Sophie Scholl: The Final Days(2005)

    Editorial Services

    Midcredits score: 94th percentile of all films

  • Wolpodzilla - Der Schrecken vom Tegernsee (not in the MovieCove catalog yet)(1994)

    Director

Career shape

A full career of 13 titles from 1994 to 2025.

Biggest box office

What a Man (2011)

$17M worldwide

Highest rated

Messner (2012)

Midcredits 82nd

Most popular right now

Open Water 2: Adrift (2006)

By role

only this rolewith another role
Directing4 of 13: 4 only directing, 0 with another roleEditing8 of 13: 8 only editing, 0 with another role · typical Midcredits score25thOther crew1 of 13: 1 only other crew, 0 with another role

By decade

1990s1 · crew2000s3 · crew2010s6 · crew2020s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Hans Horn's films land?

Their typical MovieCove film has a Midcredits score in the 27th percentile, the median of all 9; across their 6 films with reception data, the typical film sits in the 36th percentile for acclaim.

Acclaim · how much people like their films

36thpercentile
Typical film, the median of 6

Approval · how many liked their films

21stpercentile
Typical film, the median of 6

Reach · how many have seen their films

67thpercentile
Typical film, the median of 6

Midcredits score across 9 titles, by percentile

  • 75th and up4
  • 25th to 49th2
  • Below 25th3

Shape of the crowd

None of their 9 titles divides audiences: 3 are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser3
  • Broadly Agreed3
  • Mixed2

Most loved · editor

Messner (2012)

Midcredits 82nd · 76% liked

Reviewers score the pacing 43/100 in their films, across 5 reviewed titles; fans 65, detractors 24. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Hans Horn work with?

People who share at least 2 of Hans Horn's MovieCove titles, grouped by what they did on them; Dan Maag shares the most, 3.

Actors

Composers and cinematographers

Producers