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Shelley Hull

Producer · Died February 27, 2005, aged 85 · New York City, New York, USA

Shelley Hull was born on December 10, 1919 in New York City, New York, USA. He was a producer, known for The Mod Squad (1968), Shirley Temple's Storybook (1958) and Burke's Law (1963). He was married to Dorothy Spafard Danzig and Constance Ford. He died on February 27, 2005 in Santa Monica, California, USA.

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Biography from TMDB.

Born
December 10, 1919
Died
February 27, 2005 (aged 85)
From
New York City, New York, USA
Works as
Producer
Titles
23 on MovieCove · 35 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 13% in 30 days

What are Shelley Hull's films like?

Across their 22 MovieCove titles with a thematic analysis, their films lean Morality and Self.

Genres

Comedy8 titlesTypical Midcredits score: 36th percentile
: browse their Comedy movies
Drama6 titlesTypical Midcredits score: 36th percentile
: browse their Drama movies
Crime2 titlesTypical Midcredits score: 52nd percentile, at or above their average across these genres
: browse their Crime movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
32%
Self
22%
Bonds
19%
Society
12%
Power
7%
Survival
7%
Ideas
2%
Justice8 titles, browse their movies with this themeIdentity5 titles, browse their movies with this themeDeception5 titles, browse their movies with this themeCommunity5 titles, browse their movies with this themeFamily bonds4 titles, browse their movies with this themeMarriage2 titles, browse their movies with this themeClass2 titles, browse their movies with this themeRomantic love3 titles, browse their movies with this theme

What they feel like to watch

their average across 22 films
ToneFeelDemandtheir average · filled zone: the category
Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 14 · Stylized 6 · Heightened 2

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 8 · Charged 13 · Intense 1

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 14 · Shifting 8 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 13 · Some laughs 5 · Funny 4

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

A split, not a type: Slow burn 10 · Even-paced 12 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 16 · Engaged 5 · Full focus 1

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 17 · Open-ended 3 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
12
Warm
7
Melancholic
7
Absurd
5
Bittersweet
3
Other
19

How their films linger

Feel-good10 titles, browse their movies with this aftertasteBittersweet6 titles, browse their movies with this aftertasteFun6 titles, browse their movies with this aftertasteUnsettling5 titles, browse their movies with this aftertasteWistful4 titles, browse their movies with this aftertasteHopeful3 titles, browse their movies with this aftertaste

How their films end · 5 with a twist

  • Happy10
  • Bittersweet7
  • Tragic2
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Shelley Hull's films?

As of October 24, 2026, 10 of their 23 MovieCove titles stream on a subscription or free service, most on Tubi (7).

Also on these channels

Subscription and free streaming for Shelley Hull's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

35 credits, 23 with a MovieCove page.

  • Jane's House(1994)

    Associate Producer

    Midcredits score: 39th percentile of all films

  • Texas(1994)

    Producer

    Midcredits score: 41st percentile of all films

  • Jailbirds (not in the MovieCove catalog yet)(1991)

    Associate Producer

  • Cracked Up (not in the MovieCove catalog yet)(1987)

    Associate Producer

  • Harry's Hong Kong(1987)

    Producer

    Midcredits score: 6th percentile of all films (provisional, few ratings)

  • Dark Mirror(1984)

    Producer

    Midcredits score: 21st percentile of all films

  • The Wild Women of Chastity Gulch(1982)

    Producer

    Midcredits score: 13th percentile of all films

  • Casino (not in the MovieCove catalog yet)(1980)

    Associate Producer

  • Murder Can Hurt You!(1980)

    Producer

    Midcredits score: 50th percentile of all films

  • The Return of Mod Squad(1979)

    Producer

    Midcredits score: 80th percentile of all films

  • Kate Bliss and the Ticker Tape Kid(1978)

    Associate Producer

    Midcredits score: 70th percentile of all films (provisional, few ratings)

  • Little Ladies of the Night(1977)

    Producer

    Midcredits score: 44th percentile of all films

  • The Boy in the Plastic Bubble(1976)

    Associate Producer

    Midcredits score: 33rd percentile of all films

  • Death at Love House(1976)

    Associate Producer

    Midcredits score: 16th percentile of all films

  • Charlie's Angels (not in the MovieCove catalog yet)(1976)

    Associate Producer

  • One of My Wives Is Missing(1976)

    Associate Producer

    Midcredits score: 84th percentile of all films

  • Carter's Army (not in the MovieCove catalog yet)(1975)

    Associate Producer

  • The Daughters of Joshua Cabe Return(1975)

    Associate Producer

    Midcredits score: 62nd percentile of all films (provisional, few ratings)

  • The Legend of Valentino(1975)

    Producer

    Midcredits score: 23rd percentile of all films

  • Death Sentence(1974)

    Associate Producer

    Midcredits score: 24th percentile of all films

  • Savages (not in the MovieCove catalog yet)(1974)

    Associate Producer

  • Hit Lady(1974)

    Producer

    Midcredits score: 19th percentile of all films

  • Only with Married Men(1974)

    Producer

    Midcredits score: 6th percentile of all films (provisional, few ratings)

  • The Reluctant Heroes (not in the MovieCove catalog yet)(1971)

    Associate Producer

  • Five Desperate Women (not in the MovieCove catalog yet)(1971)

    Associate Producer

  • Yuma(1971)

    Associate Producer

    Midcredits score: 55th percentile of all films

  • The Over-the-Hill Gang Rides Again(1970)

    Producer

    Midcredits score: 29th percentile of all films

  • Wild Women (not in the MovieCove catalog yet)(1970)

    Associate Producer

  • The Pigeon (not in the MovieCove catalog yet)(1969)

    Associate Producer

  • The Monk (not in the MovieCove catalog yet)(1969)

    Associate Producer

  • Wake Me When the War Is Over(1969)

    Associate Producer

    Midcredits score: 21st percentile of all films

  • The Over-the-Hill Gang(1969)

    Producer

    Midcredits score: 42nd percentile of all films

  • Cricket on the Hearth(1967)

    Producer

    Midcredits score: 20th percentile of all films

  • Shirley Temple's Storybook(1958)

    Show 1 episode · Associate Producer

    Midcredits score: 59th percentile of all shows

  • Mayerling (not in the MovieCove catalog yet)(1957)

    Production Supervisor

Career shape

A full career of 24 titles from 1957 to 1994.

Highest rated

One of My Wives Is Missing (1976)

Midcredits 84th

Most popular right now

Texas (1994)

By role

only this rolewith another role
Producing23 of 24: 23 only producing, 0 with another role · typical Midcredits score41stOther crew1 of 24: 1 only other crew, 0 with another role

By decade

1950s2 · crew1960s4 · crew1970s14 · crew1980s2 · crew1990s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Shelley Hull's films land?

Their typical MovieCove film has a Midcredits score in the 31st percentile, the median of all 22; across their 22 films with reception data, the typical film sits in the 35th percentile for acclaim.

Acclaim · how much people like their films

35thpercentile
Typical film, the median of 22

Approval · how many liked their films

28thpercentile
Typical film, the median of 22

Reach · how many have seen their films

29thpercentile
Typical film, the median of 22

Midcredits score across 23 titles, by percentile

  • 75th and up2
  • 50th to 74th5
  • 25th to 49th6
  • Below 25th10

Shape of the crowd

18 of their 23 titles are Mixed.

  • Cult Classic1
  • Crowd Pleaser4
  • Mixed18

Most divisive · producer

The Wild Women of Chastity Gulch (1982)

82nd percentile spread · 42% rated it 4 or lower

Most loved · producer

One of My Wives Is Missing (1976)

Midcredits 84th · 75% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Shelley Hull work with?

People who share at least 2 of Shelley Hull's MovieCove titles, grouped by what they did on them; Aaron Spelling shares the most, 22.

Directors

Actors

Cinematographers and editors

Producers