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MovieCove
Epigmenio Ibarra

Epigmenio Ibarra

Producer

Works as
Producer
Titles
13 on MovieCove · 35 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Up 63% in 30 days

What are Epigmenio Ibarra's films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Themes

share of theme weight
Self
29%
Bonds
26%
Morality
24%
Survival
13%
Power
5%
Society
4%
Identity4 titles, browse their movies with this themeFamily bonds5 titles, browse their movies with this themeDeception3 titles, browse their movies with this themeSurvival2 titles, browse their movies with this themeAmbition2 titles, browse their movies with this themeJustice2 titles, browse their movies with this theme

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category
Dark: How heavy the subject matter and outlook get. Browse their dark movies.
Tone · Weight
lightdark

Light 0 · Serious 2 · Dark 5

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 2 · Stylized 4 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 0 · Charged 5 · Intense 2

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 1 · Shifting 5 · Whiplash 1

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 4 · Some laughs 3 · Funny 0

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 2 · Even-paced 5 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 1 · Engaged 5 · Full focus 1

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

Resolved 1 · Open-ended 4 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
9
Melancholic
4
Dread
2
Warm
2
Thrilling
2
Other
7

How their films linger

Bittersweet5 titles, browse their movies with this aftertasteUnsettling5 titles, browse their movies with this aftertasteCathartic3 titles, browse their movies with this aftertasteThought-provoking3 titles, browse their movies with this aftertasteHaunting2 titles, browse their movies with this aftertaste

How their films end · 6 with a twist

  • Bittersweet8
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Epigmenio Ibarra's films?

As of October 24, 2026, 8 of their 13 MovieCove titles stream on a subscription or free service, most on Netflix (4).

Also on these channels

Subscription and free streaming for Epigmenio Ibarra's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

35 credits, 13 with a MovieCove page; 3 appearances as themselves are hidden until asked for.

  • The Price of Fame(2026)

    Show Creator

    Midcredits score: 14th percentile of all shows (provisional, few ratings)

  • Maya Train – Chapter 3: Jungle Sea, From Escárcega to Bacalar (not in the MovieCove catalog yet)(2024)

    Director

  • Maya Train – Chapter 2: Caribbean Sea, The Gateway to the World (not in the MovieCove catalog yet)(2024)

    Director

  • Maya Train – Chapter 1: Out To Sea, From Palenque To Cancún (not in the MovieCove catalog yet)(2024)

    Director · Cinematographer

  • Triptych(2023)

    Show Producer

    Midcredits score: 33rd percentile of all shows

  • Una Obra del Pueblo (not in the MovieCove catalog yet)(2022)

    Director · Producer

  • Feral (not in the MovieCove catalog yet)(2021)

    Associate Producer

  • Dark Desire(2020)

    Show 18 episodes · Executive Producer

    Midcredits score: 39th percentile of all shows

  • The Club(2019)

    Show 25 episodes · Producer

    Midcredits score: 32nd percentile of all shows

  • Yankee(2019)

    Show Creator · Producer

    Midcredits score: 17th percentile of all shows

  • Influencia(2019)

    Producer

    Midcredits score: 51st percentile of all films (provisional, few ratings)

  • Tattoo of Revenge(2018)

    Associate Producer

    Midcredits score: 22nd percentile of all films

  • The Gazelle's Dance (not in the MovieCove catalog yet)(2018)

    Associate Producer

  • Traición (not in the MovieCove catalog yet)(2018)

    Executive Producer

  • This Is What I Am (not in the MovieCove catalog yet)(2017)

    Director

  • Ana y Bruno(2017)

    Producer

    Midcredits score: 80th percentile of all films

  • The Greatest House in the World (not in the MovieCove catalog yet)(2015)

    Co-Producer

  • Las Aparicio(2015)

    Producer

    Midcredits score: 26th percentile of all films

  • A Separate Wind (not in the MovieCove catalog yet)(2014)

    Associate Producer

  • Fortuna (not in the MovieCove catalog yet)(2013)

    Show 130 episodes · Creator · Writer

  • El Octavo Mandamiento (not in the MovieCove catalog yet)(2011)

    Show Creator

  • De la infancia (not in the MovieCove catalog yet)(2010)

    Co-Producer

  • Deseo Prohibido (not in the MovieCove catalog yet)(2008)

    Show 60 episodes · Novel

  • Capadocia(2008)

    Show 13 episodes · Executive Producer

    Midcredits score: 87th percentile of all shows

  • Juana Had Hair of Gold (not in the MovieCove catalog yet)(2006)

    Producer

  • Fuera del cielo(2006)

    Producer

    Midcredits score: 48th percentile of all films

  • Lucía, Lucía(2003)

    Producer

    Midcredits score: 38th percentile of all films

  • The Blue Room(2002)

    Producer

    Midcredits score: 53rd percentile of all films

  • A Breakfast Chronicle (not in the MovieCove catalog yet)(2000)

    Associate Producer

  • Nothing Personal (not in the MovieCove catalog yet)(1996)

    Show 195 episodes · Story

  • The Sixth Sun: Mayan Uprising in Chiapas (not in the MovieCove catalog yet)(1995)

    Cinematographer

  • Viaje al centro de la selva. Memorial zapatista (not in the MovieCove catalog yet)(1994)

    Director

  • Tiempo de audacia (not in the MovieCove catalog yet)(1983)

    Camera Operator

  • Xantolo, fiesta de la muerte (not in the MovieCove catalog yet)(1973)

    Director

  • Tlaxiaco, tierra de nubes (not in the MovieCove catalog yet)(1972)

    Director

Career shape

A full career of 29 titles from 1972 to 2026.

Biggest box office

The Blue Room (2002)

$6.1M worldwide

Highest rated

Ana y Bruno (2017)

Midcredits 80th

Most popular right now

Triptych (2023)

By role

only this rolewith another role
Directing8 of 29: 6 only directing, 2 with another roleWriting3 of 29: 2 only writing, 1 with another roleProducing14 of 29: 13 only producing, 1 with another role · typical Midcredits score38thCinematography2 of 29: 1 only cinematography, 1 with another roleOther crew5 of 29: 4 only other crew, 1 with another role

29 titles, 3 with more than one role — producing and directing overlap on 1 of them.

By decade

1970s2 · crew1980s1 · crew1990s3 · crew2000s5 · crew2010s11 · crew2020s7 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Epigmenio Ibarra's films land?

Their typical MovieCove film has a Midcredits score in the 48th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 53rd percentile for acclaim.

Acclaim · how much people like their films

53rdpercentile
Typical film, the median of 7

Approval · how many liked their films

42ndpercentile
Typical film, the median of 7

Reach · how many have seen their films

45thpercentile
Typical film, the median of 7

Midcredits score across 13 titles, by percentile

  • 75th and up2
  • 50th to 74th2
  • 25th to 49th6
  • Below 25th3

Shape of the crowd

11 of their 13 titles are Mixed.

  • Divisive1
  • Crowd Pleaser1
  • Mixed11

Most divisive · producer

Influencia (2019)

98th percentile spread · 43% rated it 4 or lower

Most loved · producer

Capadocia (2008)

Midcredits 87th · 83% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Epigmenio Ibarra's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity3 titlesmedian 64 · intenseMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Epigmenio Ibarra work with?

People who share at least 2 of Epigmenio Ibarra's MovieCove titles, grouped by what they did on them; Verónica Velasco shares the most, 5.

Directors

Writers

Actors

Editors

Producers