Toshirō Ide

What are Toshirō Ide's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Toshirō Ide's films?

As of October 24, 2026, 2 of their 3 MovieCove titles stream on a subscription or free service, on The Criterion Channel (2).

• The Criterion Channel2 titles, browse their movies on this service
  • Repast (1951) · writer
  • Wife (1953) · writer

Subscription and free streaming for Toshirō Ide's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

3 credits, 3 with a MovieCove page.

• 

  Kaikyô(1982)

  Writer

  Midcredits score: 55th percentile of all films (provisional, few ratings)~55^th
• 

  Wife(1953)

  Writer

  Midcredits score: 85th percentile of all films85^th
• 

  Repast(1951)

  Writer

  Midcredits score: 94th percentile of all films94^th

Career shape

Across a limited sample of 3 MovieCove titles from 1951 to 1982.

Highest rated

Repast (1951)

Midcredits 94^th

How do Toshirō Ide's films land?

Their typical MovieCove film has a Midcredits score in the 85^th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 84^th percentile for acclaim.

Shape of the crowd

None of their 3 titles divides audiences: 1 is Universally Loved.

111

• Universally Loved1
• Crowd Pleaser1
• Mixed1

Most loved · writer

Repast (1951)

Midcredits 94^th · 82% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Toshirō Ide work with?

People who share at least 2 of Toshirō Ide's MovieCove titles, grouped by what they did on them; Mikio Naruse shares the most, 2.