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Keiji Inafune

Producer · Born May 8, 1965 (61)

Born
May 8, 1965 (61)
Works as
Producer
Titles
3 on MovieCove · 7 credits in all

What are Keiji Inafune's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Self and Power.

Themes

share of theme weight
Self
38%
Power
23%
Morality
19%
Bonds
11%
Survival
9%

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 1 · Serious 0 · Dark 2

Grounded 0 · Stylized 2 · Heightened 1

A split, not a type: Gentle 1 · Charged 0 · Intense 2

Steady 1 · Shifting 2 · Whiplash 0

Straight-faced 3 · Some laughs 0 · Funny 0

Slow burn 1 · Even-paced 1 · Relentless 1

Casual 2 · Engaged 1 · Full focus 0

Resolved 3 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
3
Melancholic
2
Dread
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Keiji Inafune's films?

As of October 24, 2026, 1 of their 3 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Keiji Inafune's titles on MovieCove; rent and buy are not counted.

Filmography

7 credits, 3 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • Super Street Fighter IV (not in the MovieCove catalog yet)(2010)

    Executive Producer

  • Zombrex: Dead Rising Sun (not in the MovieCove catalog yet)(2010)

    Director · Story

  • Midcredits score: 1st percentile of all films
  • Midcredits score: 31st percentile of all films
  • Resident Evil: Degeneration(2008)

    Executive Producer

    Midcredits score: 57th percentile of all films
  • Biohazard 4: Incubate (not in the MovieCove catalog yet)(2006)

    Executive Producer

  • MegaMan NT Warrior (not in the MovieCove catalog yet)(2002)

    Show 209 episodes · Supervising Producer

Career shape

A full career of 7 titles from 2002 to 2010.

By role

only this rolewith another role
Directing1 of 7: 0 only directing, 1 with another roleWriting1 of 7: 0 only writing, 1 with another roleProducing6 of 7: 6 only producing, 0 with another role

By decade

2000s5 · crew2010s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Keiji Inafune's films land?

Their typical MovieCove film has a Midcredits score in the 31st percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 37th percentile for acclaim.

Acclaim · how much people like their films

37thpercentile
Typical film, the median of 3

Approval · how many liked their films

26thpercentile
Typical film, the median of 3

Reach · how many have seen their films

93rdpercentile
Typical film, the median of 3

Midcredits score across 3 titles, by percentile

  • 50th to 74th1
  • 25th to 49th1
  • Below 25th1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Keiji Inafune work with?

People who share at least 2 of Keiji Inafune's MovieCove titles, grouped by what they did on them; Hiroshi Matsumoto shares the most, 2.

Writers

Producers