
Miguel Inclán
Actor · Died July 25, 1956, aged 56 · Mexico City, Mexico
Miguel Inclan was a popular villain of Mexican cinema from the 1930s into the 1950s, although he also had some sympathetic roles, notably as the kindly policeman in Salón México (1949) and several appearances as Benito Juárez. Inclán came from a theatrical family and started out working in the carpa theatres (he later bought a theatre with his film earnings and put his extended family to work in it). His son Miguel Inclán García also had a long career as an actor, although mostly on the stage. Other relatives of Inclán who made their mark in the entertainment industry are his grand-nephew Rafael Inclán, Raúl 'Chato' Padilla and Alfonso Zayas.
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Biography from IMDb.
- December 31, 1899
- July 25, 1956 (aged 56)
- Mexico City, Mexico
- Actor
- 14 on MovieCove · 73 credits in all
What are Miguel Inclán's films like?
Across their 10 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 9
A split, not a type: Light 5 · Serious 2 · Dark 3
Grounded 4 · Stylized 6 · Heightened 0
Gentle 3 · Charged 5 · Intense 2
Steady 3 · Shifting 6 · Whiplash 1
A split, not a type: Straight-faced 5 · Some laughs 2 · Funny 3
Slow burn 1 · Even-paced 9 · Relentless 0
Casual 7 · Engaged 3 · Full focus 0
Easy watch 4 · Affecting 4 · Heavy 2
Resolved 7 · Open-ended 3 · Ambiguous 0
Roles they play
- Mentoras Don Pilar in Nosotros los pobres (1948)
- Mentoras Don Carmelo, el ciego in The Young and the Damned (1950)
Moods and endings
- Happy5
- Bittersweet3
- Tragic1
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Miguel Inclán's films?
As of October 24, 2026, 8 of their 14 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Miguel Inclán's titles on MovieCove; rent and buy are not counted.
Filmography
73 credits, 14 with a MovieCove page.

Super agente Botones (not in the MovieCove catalog yet)(1997)

Los cargadores (not in the MovieCove catalog yet)(1995)
Al cabo qué ni quería (not in the MovieCove catalog yet)(1982)

Se alquila marido (not in the MovieCove catalog yet)(1961)

Seven Cities of Gold(1955)
Midcredits score: 32nd percentile of all films
La fuerza de los humildes (not in the MovieCove catalog yet)(1955)

El plagiario (not in the MovieCove catalog yet)(1955)

María la Voz(1955)
Midcredits score: 54th percentile of all films (provisional, few ratings)
Untouched (not in the MovieCove catalog yet)(1954)

La rosa blanca (not in the MovieCove catalog yet)(1954)

El águila negra (not in the MovieCove catalog yet)(1954)

Reto a la vida (not in the MovieCove catalog yet)(1954)

Miradas que matan (not in the MovieCove catalog yet)(1954)

Indian Uprising (not in the MovieCove catalog yet)(1952)
Midcredits score: 70th percentile of all films
Los pobres van al cielo (not in the MovieCove catalog yet)(1951)

La tienda de la esquina (not in the MovieCove catalog yet)(1951)

Los hijos de la calle (not in the MovieCove catalog yet)(1951)

El siete machos(1951)
Midcredits score: 89th percentile of all films
The Young and the Damned(1950)
Midcredits score: 99th percentile of all films
Aventurera (not in the MovieCove catalog yet)(1950)

Cuando los hijos odian (not in the MovieCove catalog yet)(1950)

El rencor de la tierra (not in the MovieCove catalog yet)(1949)

Tierra muerta (not in the MovieCove catalog yet)(1949)

En cada puerto un amor (not in the MovieCove catalog yet)(1949)

Salon Mexico (not in the MovieCove catalog yet)(1949)

Rayito de luna (not in the MovieCove catalog yet)(1949)

Maclovia (not in the MovieCove catalog yet)(1948)

Fort Apache(1948)
Midcredits score: 92nd percentile of all films
Nosotros los pobres(1948)
Midcredits score: 96th percentile of all films
The Fugitive(1947)
Midcredits score: 58th percentile of all films
Si me han de matar mañana (not in the MovieCove catalog yet)(1947)

El tigre de Jalisco (not in the MovieCove catalog yet)(1947)

Enamorada(1946)
Midcredits score: 94th percentile of all films
Guadalajara pues (not in the MovieCove catalog yet)(1946)

The Jungle of Fire (not in the MovieCove catalog yet)(1945)

Caminos de sangre (not in the MovieCove catalog yet)(1945)

El criollo (not in the MovieCove catalog yet)(1945)

Rosa de las nieves (not in the MovieCove catalog yet)(1944)

The Mexican (not in the MovieCove catalog yet)(1944)

La fuga (not in the MovieCove catalog yet)(1944)

Murallas de pasión (not in the MovieCove catalog yet)(1944)
China poblana (not in the MovieCove catalog yet)(1944)

Maria Candelaria (not in the MovieCove catalog yet)(1944)

Porfirio Díaz (not in the MovieCove catalog yet)(1944)

El rayo del sur (not in the MovieCove catalog yet)(1943)

¡Mexicanos al Grito de Guerra! (not in the MovieCove catalog yet)(1943)

Doña Bárbara(1943)
Midcredits score: 84th percentile of all films
The Bloody Inn (not in the MovieCove catalog yet)(1943)
The Red Virgin (not in the MovieCove catalog yet)(1943)

I'm a Real Mexican (not in the MovieCove catalog yet)(1942)

Los tres mosqueteros(1942)
Midcredits score: 62nd percentile of all films
Passion Island (not in the MovieCove catalog yet)(1942)

Los dos pilletes (not in the MovieCove catalog yet)(1942)

Allá en el bajio (not in the MovieCove catalog yet)(1942)

El barbero prodigioso(1942)
Midcredits score: 35th percentile of all films (provisional, few ratings)
Simón Bolívar (not in the MovieCove catalog yet)(1942)

Ay, Jalisco, Don't Give Up! (not in the MovieCove catalog yet)(1941)

El rápido de las 9.15 (not in the MovieCove catalog yet)(1941)

When the Children are Gone (not in the MovieCove catalog yet)(1941)

Ni sangre, ni arena(1941)
Midcredits score: 73rd percentile of all films
Volver a vivir (not in the MovieCove catalog yet)(1941)

Creo en Dios (not in the MovieCove catalog yet)(1941)

El Zorro de Jalisco(1941)
Midcredits score: 9th percentile of all films (provisional, few ratings)
The Mad Monk (not in the MovieCove catalog yet)(1940)

Mala yerba (not in the MovieCove catalog yet)(1940)

The Hawk (not in the MovieCove catalog yet)(1940)

El charro Negro (not in the MovieCove catalog yet)(1940)

The Underdogs (not in the MovieCove catalog yet)(1940)

Los olvidados de Dios (not in the MovieCove catalog yet)(1940)
Corazón de niño (not in the MovieCove catalog yet)(1939)

El Cementerio De Las Aguilas (not in the MovieCove catalog yet)(1938)

Nobleza ranchera (not in the MovieCove catalog yet)
Career shape
Star power in the 94th percentile of 239,109 people with a billed film role, over a full career of 73 titles, 72 of them dated from 1938 to 1997.
Film career
Top draw in 3 MovieCove titles.
- 1941Screen debut· Neither Blood Nor Sand
- 1950Career best· The Young and the Damned
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30.
How do Miguel Inclán's films land?
Their typical MovieCove film has a Midcredits score in the 72nd percentile, the median of all 14; across their 10 films with reception data, the typical film sits in the 80th percentile for acclaim.
- 75th and up6
- 50th to 74th5
- 25th to 49th2
- Below 25th1
Shape of the crowd
6 of their 14 titles are Crowd Pleasers.
- Universally Loved4
- Cult Classic1
- Crowd Pleaser6
- Mixed3
Reviewers score the acting 76/100 in their films, across 5 reviewed titles; fans 85, detractors 43. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Miguel Inclán work with?
People who share at least 2 of Miguel Inclán's MovieCove titles, grouped by what they did on them; Pedro de Urdimalas shares the most, 3.
Directors
- Ismael RodríguezShared titles: Las mujeres de mi general (1951), Nosotros los pobres (1948)See all 2 shared titles with Ismael Rodríguez

- Miguel M. DelgadoShared titles: El siete machos (1951), Doña Bárbara (1943)See all 2 shared titles with Miguel M. Delgado

Writers
- Pedro de UrdimalasShared titles: Las mujeres de mi general (1951), The Young and the Damned (1950), Nosotros los pobres (1948)See all 3 shared titles with Pedro de Urdimalas

- Jaime SalvadorShared titles: El siete machos (1951), Ni sangre, ni arena (1941)See all 2 shared titles with Jaime Salvador

- Luis AlcorizaShared titles: El siete machos (1951), The Young and the Damned (1950)See all 2 shared titles with Luis Alcoriza

Actors
- Arturo Soto RangelShared titles: Las mujeres de mi general (1951), El barbero prodigioso (1942), Ni sangre, ni arena (1941)See all 3 shared titles with Arturo Soto Rangel

- Pedro ArmendárizShared titles: Enamorada (1946), El Zorro de Jalisco (1941), Ni sangre, ni arena (1941)See all 3 shared titles with Pedro Armendáriz

- Miguel ManzanoShared titles: María la Voz (1955), Las mujeres de mi general (1951)See all 2 shared titles with Miguel Manzano

- Antonio R. FraustoShared titles: El siete machos (1951), Doña Bárbara (1943)See all 2 shared titles with Antonio R. Frausto

Cinematographers and editors
- José Ortiz RamosShared titles: El siete machos (1951), Las mujeres de mi general (1951), Nosotros los pobres (1948)See all 3 shared titles with José Ortiz Ramos
- Gabriel FigueroaShared titles: The Young and the Damned (1950), Enamorada (1946), Ni sangre, ni arena (1941)See all 3 shared titles with Gabriel Figueroa

- Alex PhillipsShared titles: María la Voz (1955), Doña Bárbara (1943)See all 2 shared titles with Alex Phillips

- Jorge BustosShared titles: María la Voz (1955), El siete machos (1951)See all 2 shared titles with Jorge Bustos
Mixed roles
- Emilio FernándezShared titles: Enamorada (1946), El Zorro de Jalisco (1941)See all 2 shared titles with Emilio Fernández
