Isabelle Ingold

What are Isabelle Ingold's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Society and Survival.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Isabelle Ingold's films?

As of October 24, 2026, 5 of their 7 MovieCove titles stream on a subscription or free service.

• AMC+1 title, browse their movies on this service
  • Disengagement (2007) · editor

Subscription and free streaming for Isabelle Ingold's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

7 credits, 7 with a MovieCove page.

• 

  Ailleurs, partout(2020)

  Director · Editor

  Midcredits score: 66th percentile of all films (provisional, few ratings)~66^th
• 

  Tsili(2014)

  Editor

  Midcredits score: 18th percentile of all films (provisional, few ratings)~18^th
• 

  Ana Arabia(2013)

  Editor

  Midcredits score: 39th percentile of all films39^th
• 

  Carmel(2009)

  Editor

  Midcredits score: 35th percentile of all films35^th
• 

  À l'est de moi(2008)

  Editor

  Midcredits score: 19th percentile of all films19^th
• 

  Disengagement(2007)

  Editor

  Midcredits score: 38th percentile of all films38^th
• 

  Free Zone(2005)

  Editor

  Midcredits score: 35th percentile of all films35^th

Career shape

Across their 7 MovieCove titles from 2005 to 2020.

Biggest box office

Free Zone (2005)

$427K worldwide

Highest rated

Disengagement (2007)

Midcredits 38^th

How do Isabelle Ingold's films land?

Their typical MovieCove film has a Midcredits score in the 35^th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 38^th percentile for acclaim.

Shape of the crowd

6 of their 7 titles are Mixed.

16

• Crowd Pleaser1
• Mixed6

Most divisive · editor

À l'est de moi (2008)

85^th percentile spread · 38% rated it 4 or lower

Most loved · editor

Ana Arabia (2013)

Midcredits 39^th · 35% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Isabelle Ingold work with?

People who share at least 2 of Isabelle Ingold's MovieCove titles, grouped by what they did on them; Amos Gitai shares the most, 5.