Cornell Woolrich

What are Cornell Woolrich's films like?

Across their 25 MovieCove titles with a thematic analysis, their films lean Morality and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Cornell Woolrich's films?

As of October 24, 2026, 11 of their 25 MovieCove titles stream on a subscription or free service, most on Tubi (9).

• Tubi9 titles, browse their movies on this service
  • Mississippi Mermaid (1969) · writer · free
  • The Chase (1946) · writer · free
  • Mrs. Winterbourne (1996) · writer · free
  • Nightmare (1956) · writer · free
  • Fear in the Night (1946) · writer · free
  • Seven Blood-Stained Orchids (1972) · writer · free
  • Original Sin (2001) · writer · free
  • Rear Window (1998) · writer · free
  • She's No Angel (2002) · writer · free
• Prime Video5 titles, browse their movies on this service
  • The Bride Wore Black (1968) · writer
  • Mississippi Mermaid (1969) · writer
  • Nightmare (1956) · writer
  • Fear in the Night (1946) · writer
  • Rear Window (1998) · writer
• MGM+4 titles, browse their movies on this service
  • The Bride Wore Black (1968) · writer
  • Mississippi Mermaid (1969) · writer
  • Fear in the Night (1946) · writer
  • Original Sin (2001) · writer
• The Roku Channel3 titles, browse their movies on this service
  • Original Sin (2001) · writer · free
  • Rear Window (1998) · writer · free
  • She's No Angel (2002) · writer · free
• HBO Max1 title, browse their movies on this service
  • The Leopard Man (1943) · writer
• Pluto TV1 title, browse their movies on this service
  • Original Sin (2001) · writer · free

Subscription and free streaming for Cornell Woolrich's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

25 credits, 25 with a MovieCove page.

• 

  She's No Angel(2002)

  Writer

  Midcredits score: 16th percentile of all films16^th
• 

  Original Sin(2001)

  Writer

  Midcredits score: 40th percentile of all films40^th
• 

  Rear Window(1998)

  Writer

  Midcredits score: 26th percentile of all films26^th
• 

  Mrs. Winterbourne(1996)

  Writer

  Midcredits score: 55th percentile of all films55^th
• 

  I'm Dangerous Tonight(1990)

  Writer

  Midcredits score: 16th percentile of all films16^th
• 

  Cloak & Dagger(1984)

  Writer

  Midcredits score: 66th percentile of all films66^th
• 

  I Married a Shadow(1983)

  Writer

  Midcredits score: 60th percentile of all films60^th
• 

  Gun Moll(1975)

  Writer

  Midcredits score: 27th percentile of all films27^th
• 

  You'll Never See Me Again(1973)

  Writer

  Midcredits score: 64th percentile of all films64^th
• 

  Seven Blood-Stained Orchids(1972)

  Writer

  Midcredits score: 48th percentile of all films48^th
• 

  Mississippi Mermaid(1969)

  Writer

  Midcredits score: 76th percentile of all films76^th
• 

  The Bride Wore Black(1968)

  Writer

  Midcredits score: 87th percentile of all films87^th
• 

  Nightmare(1956)

  Writer

  Midcredits score: 55th percentile of all films55^th
• 

  Rear Window(1954)

  Writer

  Midcredits score: 99th percentile of all films99^th
• 

  No Man of Her Own(1950)

  Writer

  Midcredits score: 90th percentile of all films90^th
• 

  The Window(1949)

  Writer

  Midcredits score: 91st percentile of all films91^st
• 

  I Wouldn't Be in Your Shoes(1948)

  Writer

  Midcredits score: 55th percentile of all films55^th
• 

  Night Has a Thousand Eyes(1948)

  Writer

  Midcredits score: 83rd percentile of all films83^rd
• 

  Fall Guy(1947)

  Writer

  Midcredits score: 31st percentile of all films31^st
• 

  Black Angel(1946)

  Writer

  Midcredits score: 75th percentile of all films75^th
• 

  Fear in the Night(1946)

  Writer

  Midcredits score: 49th percentile of all films49^th
• 

  The Chase(1946)

  Writer

  Midcredits score: 59th percentile of all films59^th
• 

  Phantom Lady(1944)

  Writer

  Midcredits score: 87th percentile of all films87^th
• 

  The Mark of the Whistler(1944)

  Writer

  Midcredits score: 64th percentile of all films64^th
• 

  The Leopard Man(1943)

  Writer

  Midcredits score: 71st percentile of all films71^st

Career shape

Across their 25 MovieCove titles from 1943 to 2002.

Biggest box office

Rear Window (1954)

$38M worldwide

Highest rated

Rear Window (1954)

Midcredits 99^th

How do Cornell Woolrich's films land?

Their typical MovieCove film has a Midcredits score in the 60^th percentile, the median of all 25; across their 25 films with reception data, the typical film sits in the 60^th percentile for acclaim.

Shape of the crowd

17 of their 25 titles are Crowd Pleasers.

175

• Universally Loved1
• Crowd Pleaser17
• Broadly Agreed2
• Mixed5

Most divisive · writer

She's No Angel (2002)

50^th percentile spread · 27% rated it 4 or lower

Most loved · writer

Rear Window (1954)

Midcredits 99^th · 92% liked

Reviewers score the dialogue 46/100 and the plot and story 51/100 in their films, across 25 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Cornell Woolrich's work okay for kids?

Across up to 6 MovieCove titles with content scores, 1 of the 2 categories sits near the median of all films.

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Cornell Woolrich work with?

People who share at least 2 of Cornell Woolrich's MovieCove titles, grouped by what they did on them; François Truffaut shares the most, 2.