Skip to content
MovieCove
Mario Iscovich

Mario Iscovich

Producer · Born January 1, 1949 (77)

Mario Iscovich was born in 1949. He is a producer, known for Race to Witch Mountain (2009), Deep Rising (1998) and Mulan (2020).

Biography from IMDb.

Born
January 1, 1949 (77)
Works as
Producer
Titles
26 on MovieCove · 27 credits in all
TMDB popularity, last 155 days to Oct 26Down 37% in 30 days

What are Mario Iscovich's films like?

Across their 14 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 14 films
ToneFeelDemandtheir average · filled zone: the category

Light 11 · Serious 2 · Dark 1

A split, not a type: Grounded 7 · Stylized 4 · Heightened 3

A split, not a type: Gentle 7 · Charged 6 · Intense 1

Steady 9 · Shifting 5 · Whiplash 0

A split, not a type: Straight-faced 2 · Some laughs 3 · Funny 9

Slow burn 2 · Even-paced 11 · Relentless 1

Casual 12 · Engaged 2 · Full focus 0

Resolved 13 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Joyful
10
Warm
6
Tense
3
Hopeful
4
Romantic
5
Other
10

How their films end · 2 with a twist

  • Happy13
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Mario Iscovich's films?

As of October 24, 2026, 24 of their 26 MovieCove titles stream on a subscription or free service, most on Disney+ (16).

Subscription and free streaming for Mario Iscovich's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

27 credits, 26 with a MovieCove page; 2 appearances as themselves are hidden until asked for.

  • Freakier Friday(2025)

    Executive Producer

    Midcredits score: 58th percentile of all films
  • Magic Camp(2020)

    Executive Producer

    Midcredits score: 54th percentile of all films
  • Mulan(2020)

    Producer

    Midcredits score: 32nd percentile of all films
  • McFarland, USA(2015)

    Executive Producer

    Midcredits score: 93rd percentile of all films
  • You Again(2010)

    Executive Producer

    Midcredits score: 36th percentile of all films
  • Race to Witch Mountain(2009)

    Executive Producer

    Midcredits score: 26th percentile of all films
  • Sky High(2005)

    Executive Producer

    Midcredits score: 57th percentile of all films
  • Midcredits score: 52nd percentile of all films
  • Raising Helen(2004)

    Executive Producer

    Midcredits score: 44th percentile of all films
  • Freaky Friday(2003)

    Executive Producer

    Midcredits score: 67th percentile of all films
  • The Princess Diaries(2001)

    Producer

    Midcredits score: 70th percentile of all films
  • Runaway Bride(1999)

    Co-Producer

    Midcredits score: 31st percentile of all films
  • The Other Sister(1999)

    Producer

    Midcredits score: 55th percentile of all films
  • Deep Rising(1998)

    Post Production Producer

    Midcredits score: 48th percentile of all films
  • George of the Jungle(1997)

    Producer

    Midcredits score: 31st percentile of all films
  • Dear God(1996)

    Executive Producer

    Midcredits score: 25th percentile of all films
  • Mulholland Falls(1996)

    Executive Producer

    Midcredits score: 47th percentile of all films
  • Sister Act 2: Back in the Habit(1993)

    Executive Producer

    Midcredits score: 44th percentile of all films
  • What's Love Got to Do with It(1993)

    Executive Producer

    Midcredits score: 92nd percentile of all films
  • Sister Act(1992)

    Co-Producer

    Midcredits score: 69th percentile of all films
  • Pretty Woman(1990)

    Production Executive

    Midcredits score: 87th percentile of all films
  • The Presidio(1988)

    Location Manager

    Midcredits score: 34th percentile of all films
  • Overboard(1987)

    Location Manager

    Midcredits score: 76th percentile of all films
  • Nothing in Common(1986)

    Location Manager

    Midcredits score: 39th percentile of all films
  • Lost in America(1985)

    Location Scout

    Midcredits score: 81st percentile of all films
  • 2010: The Year We Make Contact(1984)

    Location Manager

    Midcredits score: 70th percentile of all films
  • The Runner Stumbles (not in the MovieCove catalog yet)(1979)

    Associate Producer

Career shape

A full career of 25 titles from 1979 to 2025.

By role

only this rolewith another role
Producing19 of 25: 19 only producing, 0 with another role · typical Midcredits score53rdOther crew6 of 25: 6 only other crew, 0 with another role · typical Midcredits score73rd

By decade

1970s1 · crew1980s5 · crew1990s9 · crew2000s6 · crew2010s2 · crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Mario Iscovich's films land?

Their typical MovieCove film has a Midcredits score in the 53rd percentile, the median of all 26; across their 14 films with reception data, the typical film sits in the 50th percentile for acclaim.

Acclaim · how much people like their films

50thpercentile
Typical film, the median of 14

Approval · how many liked their films

46thpercentile
Typical film, the median of 14

Reach · how many have seen their films

97thpercentile
Typical film, the median of 14

Midcredits score across 26 titles, by percentile

  • 75th and up5
  • 50th to 74th9
  • 25th to 49th12

Shape of the crowd

11 of their 26 titles are Crowd Pleasers.

  • Universally Loved2
  • Cult Classic1
  • Crowd Pleaser11
  • Broadly Agreed6
  • Mixed6

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Mario Iscovich's work okay for kids?

Across up to 11 MovieCove titles with content scores, violence & gore, profanity and frightening / intense run lighter than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore11 titles10–59 · median 31 · mildlighter than most filmsMedian of all films: 44
Sex & Nudity11 titles10–27 · median 22 · mildnear the median of all filmsMedian of all films: 32
Profanity11 titles12–46 · median 25 · mildlighter than most filmsMedian of all films: 36
Alcohol & Drugs11 titles8–33 · median 26 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense10 titles4–48 · median 21 · mildlighter than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Mario Iscovich work with?

People who share at least 2 of Mario Iscovich's MovieCove titles, grouped by what they did on them; Garry Marshall shares the most, 5.

Directors

Actors

Composers, cinematographers and editors

Producers