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Motif

Satoru Iseki

Producer

Works as
Producer
Titles
11 on Motif · 14 credits in all
TMDB popularity, last 39 days to Oct 28Down 3% in 30 days

What are Satoru Iseki's films like?

Across their 10 Motif titles with a thematic analysis, their films lean Morality and Self.

What they feel like to watch

their average across 10 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 3 · Serious 2 · Dark 5

Grounded 2 · Stylized 6 · Heightened 2

A split, not a type: Gentle 3 · Charged 3 · Intense 4

Steady 3 · Shifting 7 · Whiplash 0

Straight-faced 6 · Some laughs 4 · Funny 0

Slow burn 6 · Even-paced 3 · Relentless 1

Casual 2 · Engaged 8 · Full focus 0

A split, not a type: Easy watch 4 · Affecting 2 · Heavy 4

Resolved 3 · Open-ended 5 · Ambiguous 2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Satoru Iseki's films?

As of October 24, 2026, 6 of their 11 Motif titles stream on a subscription or free service, most on Tubi (5).

Subscription and free streaming for Satoru Iseki's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

14 credits, 11 with a Motif page.

  • A Poem in Love (not in the Motif catalog yet)(2024)

    Executive Producer

  • Asian Three-Fold Mirror 2018: Journey (not in the Motif catalog yet)(2018)

    Producer

  • Kingdom of Conquerors(2013)

    Producer

    Midcredits score: 28th percentile of all films
  • Rain Fall(2009)

    Producer

    Midcredits score: 10th percentile of all films
  • Newcastle (not in the Motif catalog yet)(2008)

    Executive Producer

  • Control(2007)

    Co-Producer

    Midcredits score: 97th percentile of all films
  • Midcredits score: 65th percentile of all films
  • The World's Fastest Indian(2005)

    Executive Producer

    Midcredits score: 96th percentile of all films
  • Vampire Hunters(2003)

    Producer

    Midcredits score: 12th percentile of all films
  • Taboo(1999)

    Associate Producer

    Midcredits score: 76th percentile of all films
  • Midcredits score: 85th percentile of all films
  • Flirt(1995)

    Executive Producer

    Midcredits score: 55th percentile of all films
  • Smoke(1995)

    Executive Producer

    Midcredits score: 92nd percentile of all films
  • Ran(1985)

    Production Manager

    Midcredits score: 98th percentile of all films

Career shape

A full career of 10 titles from 1985 to 2024.

By role

only this rolewith another role
Producing9 of 10: 9 only producing, 0 with another role · typical Midcredits score89thOther crew1 of 10: 1 only other crew, 0 with another role

By decade

1980s1 · crew1990s4 · crew2000s3 · crew2010s1 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on Motif, shown from 5 scored.

How do Satoru Iseki's films land?

Their typical Motif film has a Midcredits score in the 76th percentile, the median of all 11; across their 10 films with reception data, the typical film sits in the 69th percentile for acclaim.

Acclaim · how much people like their films

69thpercentile
Typical film, the median of 10

Approval · how many liked their films

70thpercentile
Typical film, the median of 10

Reach · how many have seen their films

76thpercentile
Typical film, the median of 10

Midcredits score across 11 titles, by percentile

  • 75th and up6
  • 50th to 74th2
  • 25th to 49th1
  • Below 25th2

Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Satoru Iseki's work okay for kids?

Across a limited sample of up to 3 Motif titles with content scores.

Their medianMedian of all films
Sex & Nudity3 titlesmedian 23 · mildMedian of all films: 32
Profanity3 titlesmedian 61 · intenseMedian of all films: 36
Alcohol & Drugs3 titlesmedian 62 · intenseMedian of all films: 33

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Satoru Iseki work with?

People who share at least 2 of Satoru Iseki's Motif titles, grouped by what they did on them; Kenji Kawai shares the most, 3.

Actors

Composers

Producers