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What are Charles E. Israel's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Survival and Bonds.

Themes

share of theme weight
Survival
25%
Bonds
19%
Self
19%
Morality
19%
Ideas
9%
Power
5%
Society
4%

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category

Light 0 · Serious 2 · Dark 3

Grounded 4 · Stylized 1 · Heightened 0

Gentle 0 · Charged 4 · Intense 1

Steady 3 · Shifting 2 · Whiplash 0

Straight-faced 4 · Some laughs 1 · Funny 0

Slow burn 3 · Even-paced 2 · Relentless 0

A split, not a type: Casual 2 · Engaged 3 · Full focus 0

Resolved 5 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
4
Tense
4
Warm
2
Hopeful
2
Thrilling
1
Other
3

How their films end

  • Happy1
  • Bittersweet3
  • Tragic1
  • Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Charles E. Israel's films?

As of October 24, 2026, 2 of their 6 MovieCove titles stream on a subscription or free service, most on Tubi (2).

Subscription and free streaming for Charles E. Israel's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

6 credits, 6 with a MovieCove page.

  • Arch of Triumph(1984)

    Writer

    Midcredits score: 19th percentile of all films
  • Louisiane(1984)

    Writer

    Midcredits score: 19th percentile of all films
  • Klondike Fever(1979)

    Writer

    Midcredits score: 23rd percentile of all films
  • L'homme en colère(1979)

    Writer

    Midcredits score: 42nd percentile of all films
  • Angela(1977)

    Writer

    Midcredits score: 18th percentile of all films
  • Marcus Welby, M.D.(1969)

    Show Writer

    Midcredits score: 47th percentile of all shows

Career shape

Across their 6 MovieCove titles from 1969 to 1984.

By role

only this rolewith another role
Writing6 of 6: 6 only writing, 0 with another role · typical Midcredits score21st

By decade

1960s1 · crew1970s3 · crew1980s2 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Charles E. Israel's films land?

Their typical MovieCove film has a Midcredits score in the 19th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 25th percentile for acclaim.

Acclaim · how much people like their films

25thpercentile
Typical film, the median of 5

Approval · how many liked their films

21stpercentile
Typical film, the median of 5

Reach · how many have seen their films

31stpercentile
Typical film, the median of 5

Midcredits score across 6 titles, by percentile

  • 25th to 49th2
  • Below 25th4

Reviewers score the dialogue 40/100 and the plot and story 38/100 in their films, across 5 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Charles E. Israel work with?

People who share at least 2 of Charles E. Israel's MovieCove titles, grouped by what they did on them; Donald Pleasence shares the most, 2.

Actors

Composers

Producers