Hideo Itô

What are Hideo Itô's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Hideo Itô's films?

As of October 24, 2026, 1 of their 4 MovieCove titles stream on a subscription or free service, on The Criterion Channel (1).

• The Criterion Channel1 title, browse their movies on this service
  • In the Realm of the Senses (1976) · cinematographer

Subscription and free streaming for Hideo Itô's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

• 

  In the Realm of the Senses(1976)

  Cinematographer

  Midcredits score: 70th percentile of all films70^th
• 

  The Hateful Beast(1970)

  Cinematographer

  Midcredits score: 18th percentile of all films (provisional, few ratings)~18^th
• 

  Naked Bullet(1969)

  Cinematographer

  Midcredits score: 61st percentile of all films61^st
• 

  New Underground History of Japanese Violence: Vengeance Demon(1969)

  Cinematographer

  Midcredits score: 56th percentile of all films56^th

Career shape

Across a limited sample of 4 MovieCove titles from 1969 to 1976.

Biggest box office

In the Realm of the Senses (1976)

$569 worldwide

Highest rated

In the Realm of the Senses (1976)

Midcredits 70^th

How do Hideo Itô's films land?

Their typical MovieCove film has a Midcredits score in the 59^th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 61^st percentile for acclaim.

Shape of the crowd

2 of their 4 titles are Crowd Pleasers.

22

• Crowd Pleaser2
• Mixed2

Most divisive · cinematographer

New Underground History of Japanese Violence: Vengeance Demon (1969)

65^th percentile spread · 22% rated it 4 or lower

Most loved · cinematographer

In the Realm of the Senses (1976)

Midcredits 70^th · 59% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Hideo Itô work with?

People who share at least 2 of Hideo Itô's MovieCove titles, grouped by what they did on them; Kōji Wakamatsu shares the most, 4.