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Francesco Izzarelli

Cinematographer

Works as
Cinematographer
Titles
5 on MovieCove · 37 credits in all
TMDB popularity, last 38 days to Oct 27Down 22% in 30 days

What are Francesco Izzarelli's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Power and Morality.

Themes

share of theme weight
Power
32%
Morality
28%
Bonds
18%
Self
13%
Society
9%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Light 4 · Serious 0 · Dark 0

Grounded 0 · Stylized 2 · Heightened 2

Gentle 0 · Charged 4 · Intense 0

Steady 3 · Shifting 1 · Whiplash 0

A split, not a type: Straight-faced 2 · Some laughs 1 · Funny 1

Slow burn 0 · Even-paced 4 · Relentless 0

Casual 4 · Engaged 0 · Full focus 0

Resolved 4 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Thrilling
3
Joyful
2
Triumphant
2
Bittersweet
1
Romantic
1
Other
2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Francesco Izzarelli's films?

As of October 24, 2026, 2 of their 5 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Francesco Izzarelli's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

37 credits, 5 with a MovieCove page.

  • The Tiger Gang (not in the MovieCove catalog yet)(1971)

    Cinematographer

  • Island of Lost Girls (not in the MovieCove catalog yet)(1969)

    Cinematographer

  • Kill, Panther, Kill! (not in the MovieCove catalog yet)(1968)

    Cinematographer

  • The Three Fantastic Supermen (not in the MovieCove catalog yet)(1967)

    Cinematographer

  • So Darling, So Deadly (not in the MovieCove catalog yet)(1966)

    Cinematographer

  • Midcredits score: 36th percentile of all films
  • Universo proibito (not in the MovieCove catalog yet)(1965)

    Cinematographer

  • Left Handed Johnny West (not in the MovieCove catalog yet)(1965)

    Cinematographer

  • 3 Avengers (not in the MovieCove catalog yet)(1964)

    Cinematographer

  • Mondo Infame (not in the MovieCove catalog yet)(1964)

    Cinematographer

  • The Ten Gladiators (not in the MovieCove catalog yet)(1963)

    Cinematographer

  • The Old Testament (not in the MovieCove catalog yet)(1963)

    Cinematographer

  • 79 A.D. (not in the MovieCove catalog yet)(1962)

    Cinematographer

  • Notti calde d'Oriente (not in the MovieCove catalog yet)(1962)

    Cinematographer

  • Sfida nella città dell'oro (not in the MovieCove catalog yet)(1962)

    Special Effects

  • The Fury of Hercules (not in the MovieCove catalog yet)(1962)

    Cinematographer

  • Sansone(1961)

    Cinematographer

    Midcredits score: 14th percentile of all films
  • Conqueror of Maracaibo(1961)

    Cinematographer

    Midcredits score: 7th percentile of all films (provisional, few ratings)
  • Quanto sei bella Roma (not in the MovieCove catalog yet)(1959)

    Cinematographer

  • Spavaldi e innamorati (not in the MovieCove catalog yet)(1959)

    Cinematographer

  • Adventure in the city (not in the MovieCove catalog yet)(1959)

    Cinematographer

  • Sangue Toureiro (not in the MovieCove catalog yet)(1958)

    Cinematographer

  • Dinanzi a noi il cielo (not in the MovieCove catalog yet)(1957)

    Cinematographer

  • Due soldi di felicità (not in the MovieCove catalog yet)(1955)

    Cinematographer

  • A Parisian in Rome (not in the MovieCove catalog yet)(1954)

    Cinematographer

  • Senso(1954)

    Camera Operator

    Midcredits score: 92nd percentile of all films
  • Melody of Love (not in the MovieCove catalog yet)(1952)

    Cinematographer

  • Femmina senza cuore (not in the MovieCove catalog yet)(1952)

    Cinematographer

  • Licenza premio (not in the MovieCove catalog yet)(1951)

    Cinematographer

  • Fado, a Singer's Story (not in the MovieCove catalog yet)(1947)

    Cinematographer

  • Camões(1946)

    Cinematographer

    Midcredits score: 50th percentile of all films
  • La mantilla de Beatriz (not in the MovieCove catalog yet)(1946)

    Cinematographer

  • Yo no me caso (not in the MovieCove catalog yet)(1944)

    Cinematographer

  • Buongiorno, Madrid! (not in the MovieCove catalog yet)(1943)

    Cinematographer

  • Madrid de mis sueños (not in the MovieCove catalog yet)(1942)

    Cinematographer

  • Escuadrilla (not in the MovieCove catalog yet)(1941)

    Cinematographer

  • Carmen and the Reds (not in the MovieCove catalog yet)(1939)

    Cinematographer

Career shape

A full career of 37 titles from 1939 to 1971.

By role

only this rolewith another role
Cinematography35 of 37: 35 only cinematography, 0 with another roleOther crew2 of 37: 2 only other crew, 0 with another role

By decade

1930s1 · crew1940s7 · crew1950s11 · crew1960s17 · crew1970s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Francesco Izzarelli's films land?

Their typical MovieCove film has a Midcredits score in the 36th percentile, the median of all 5; across a limited sample of 4 films with reception data, the typical film sits in the 31st percentile for acclaim.

Acclaim · how much people like their films

31stpercentile
Typical film, the median of 4

Approval · how many liked their films

21stpercentile
Typical film, the median of 4

Reach · how many have seen their films

26thpercentile
Typical film, the median of 4

Midcredits score across 5 titles, by percentile

  • 75th and up1
  • 50th to 74th1
  • 25th to 49th1
  • Below 25th2

Shape of the crowd

None of their 5 titles divides audiences: 2 are Broadly Agreed.

  • Universally Loved1
  • Broadly Agreed2
  • Mixed2

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Francesco Izzarelli work with?

People who share at least 2 of Francesco Izzarelli's MovieCove titles, grouped by what they did on them; Gianfranco Parolini shares the most, 3.

Directors

Writers

Actors