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Arthur P. Jacobs

Arthur P. Jacobs

Producer · Died June 27, 1973, aged 51 · Los Angeles, California, United States

Arthur P. Jacobs (March 7, 1922 – June 27, 1973) was a press agent turned film producer responsible for such films in the 1960s and 1970s as the Planet of the Apes series, Doctor Dolittle, Goodbye, Mr. Chips, Play It Again, Sam and Tom Sawyer through his company APJAC Productions.

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Biography from TMDB.

Born
March 7, 1922
Died
June 27, 1973 (aged 51)
From
Los Angeles, California, United States
Works as
Producer
Titles
12 on MovieCove · 13 credits in all

What are Arthur P. Jacobs' films like?

Across their 12 MovieCove titles with a thematic analysis, their films lean Power and Bonds.

Genres

What they feel like to watch

their average across 12 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 6 · Serious 2 · Dark 4

Grounded 2 · Stylized 8 · Heightened 2

Gentle 3 · Charged 6 · Intense 3

Steady 4 · Shifting 7 · Whiplash 1

A split, not a type: Straight-faced 7 · Some laughs 2 · Funny 3

Slow burn 6 · Even-paced 6 · Relentless 0

Casual 7 · Engaged 5 · Full focus 0

A split, not a type: Easy watch 5 · Affecting 4 · Heavy 3

Resolved 10 · Open-ended 2 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
7
Dread
3
Melancholic
4
Contemplative
4
Hopeful
3
Other
12

How their films end · 2 with a twist

  • Happy4
  • Bittersweet3
  • Tragic3
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Arthur P. Jacobs' films?

As of October 24, 2026, 7 of their 12 MovieCove titles stream on a subscription or free service, most on Disney+ (5).

Subscription and free streaming for Arthur P. Jacobs' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

13 credits, 12 with a MovieCove page.

Career shape

A full career of 13 titles from 1964 to 1974.

By role

only this rolewith another role
Producing13 of 13: 13 only producing, 0 with another role · typical Midcredits score51st

By decade

1960s6 · crew1970s7 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Arthur P. Jacobs' films land?

Their typical MovieCove film has a Midcredits score in the 51st percentile, the median of all 12; across their 12 films with reception data, the typical film sits in the 55th percentile for acclaim.

Acclaim · how much people like their films

55thpercentile
Typical film, the median of 12

Approval · how many liked their films

48thpercentile
Typical film, the median of 12

Reach · how many have seen their films

88thpercentile
Typical film, the median of 12

Midcredits score across 12 titles, by percentile

  • 75th and up4
  • 50th to 74th2
  • 25th to 49th5
  • Below 25th1

Shape of the crowd

None of their 12 titles divides audiences: 5 are Crowd Pleasers.

  • Universally Loved2
  • Crowd Pleaser5
  • Broadly Agreed4
  • Mixed1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Arthur P. Jacobs' work okay for kids?

Across up to 6 MovieCove titles with content scores, sex & nudity runs lighter than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore4 titlesmedian 62 · intenseMedian of all films: 44
Sex & Nudity5 titles8–31 · median 12 · minimallighter than most filmsMedian of all films: 32
Profanity6 titles21–37 · median 28 · mildnear the median of all filmsMedian of all films: 36
Alcohol & Drugs3 titlesmedian 24 · mildMedian of all films: 33
Frightening / Intense4 titlesmedian 61 · intenseMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Arthur P. Jacobs work with?

People who share at least 2 of Arthur P. Jacobs' MovieCove titles, grouped by what they did on them; J. Lee Thompson shares the most, 5.

Directors

Writers

Actors

Composers and editors

Producers