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Alessandro Jacovoni

Producer

Works as
Producer
Titles
4 on MovieCove · 11 credits in all
TMDB popularity, last 39 days to Oct 28Down 14% in 30 days

What are Alessandro Jacovoni's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Themes

share of theme weight
Bonds
21%
Self
19%
Power
18%
Morality
15%
Survival
14%
Society
14%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 1 · Serious 1 · Dark 2

Grounded 1 · Stylized 2 · Heightened 1

Gentle 1 · Charged 2 · Intense 1

Steady 1 · Shifting 2 · Whiplash 1

A split, not a type: Straight-faced 3 · Some laughs 0 · Funny 1

Slow burn 1 · Even-paced 3 · Relentless 0

Casual 1 · Engaged 3 · Full focus 0

Resolved 2 · Open-ended 1 · Ambiguous 1

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
2
Dread
1
Melancholic
2
Romantic
2
Cold
1
Other
2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Alessandro Jacovoni's films?

As of October 24, 2026, 1 of their 4 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Alessandro Jacovoni's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

11 credits, 4 with a MovieCove page.

  • Django Kill... If You Live, Shoot!(1967)

    General Manager · Producer

    Midcredits score: 54th percentile of all films
  • Paris, My Love (not in the MovieCove catalog yet)(1962)

    Producer

  • Universe by Night (not in the MovieCove catalog yet)(1962)

    Director

  • Leoni al sole (not in the MovieCove catalog yet)(1961)

    Producer

  • Duel of the Titans(1961)

    Producer

    Midcredits score: 34th percentile of all films
  • Pigeon Shoot (not in the MovieCove catalog yet)(1961)

    Producer

  • Long Night in '43 (not in the MovieCove catalog yet)(1960)

    Producer

  • The Employee (not in the MovieCove catalog yet)(1960)

    Producer

  • The Big Night(1959)

    Producer

    Midcredits score: 72nd percentile of all films
  • I ragazzi dei Parioli (not in the MovieCove catalog yet)(1959)

    Producer

  • Wild Love(1956)

    Producer

    Midcredits score: 56th percentile of all films

Career shape

A full career of 11 titles from 1955 to 1967.

By role

only this rolewith another role
Directing1 of 11: 1 only directing, 0 with another roleProducing10 of 11: 9 only producing, 1 with another roleOther crew1 of 11: 0 only other crew, 1 with another role

By decade

1950s3 · crew1960s8 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Alessandro Jacovoni's films land?

Their typical MovieCove film has a Midcredits score in the 55th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 51st percentile for acclaim.

Acclaim · how much people like their films

51stpercentile
Typical film, the median of 4

Approval · how many liked their films

58thpercentile
Typical film, the median of 4

Reach · how many have seen their films

48thpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • 50th to 74th3
  • 25th to 49th1

Shape of the crowd

None of their 4 titles divides audiences: 3 are Crowd Pleasers.

  • Crowd Pleaser3
  • Mixed1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Alessandro Jacovoni work with?

People who share at least 2 of Alessandro Jacovoni's MovieCove titles, grouped by what they did on them; Mauro Bolognini shares the most, 2.

Directors

Actors

Composers

Producers