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Henry Jaglom

Henry Jaglom

Director, writer, actor and editor, also producer · Born January 26, 1938 (88) · London, England

From Wikipedia, the free encyclopedia. Henry Jaglom is a London-born American film director and playwright. Jaglom was born to a Jewish family in London, England, the son of Marie (née Stadthagen) and Simon M. Jaglom, who worked in the import-export business. His father was from a wealthy family from Russia and his mother was from Germany. They left for England because of the Nazi regime. Through his mother, he is a descendant of philosopher Moses Mendelssohn. Jaglom trained with Lee Strasberg at the Actors Studio in New York, where he acted, wrote and directed off-Broadway theater and cabaret before settling in Hollywood in the late 1960s. Under contract to Columbia Pictures, Jaglom featured in such TV series as Gidget and The Flying Nun and acted in a number of films which included Boris Sagal's The Thousand Plane Raid (1969), Jack Nicholson's Drive, He Said (1971), Dennis Hopper's The Last Movie (1971), Orson Welles' never-completed The Other Side of the Wind and more. Jaglom's transition from acting in films to creating them was largely influenced by his experience watching the Italian film 8½ (1963). “The film changed my identity. I realized that what I wanted to do was make films. Not only that, but I realized what I wanted to make films about: my own life, to some extent.” Jaglom began his filmmaking career working with Nicholson on the editing of Hopper's Easy Rider (1969), and made his writing/directing debut with A Safe Place (1971), starring Tuesday Weld, Nicholson and Welles. His next film, Tracks (1976), starred Hopper and was one of the earliest movies to explore the psychological cost on America of the Vietnam War. His third film, the first to be a commercial success, was Sitting Ducks (1980), a comic romp. Jaglom co-starred in four of his most personal films—Always, But Not Forever (1985), Someone to Love (1987) starring Orson Welles in his farewell film performance, New Year's Day (1989), which introduced David Duchovny, and Venice/Venice (1992) opposite French star Nelly Alard. In 1983, Jaglom taped lunch conversations with Orson Welles at Los Angeles's Ma Maison. Edited transcripts of these sessions appear in Peter Biskind's book My Lunches With Orson: Conversations Between Henry Jaglom and Orson Welles (2013). As a playwright, has written four plays that have been successfully performed on Los Angeles stages: The Waiting Room (1974), A Safe Place (2003), Always—But Not Forever (2007) and Just 45 Minutes from Broadway (2009/2010). Jaglom is the subject of the Henry Alex Rubin's and Jeremy Workman's documentary Who Is Henry Jaglom? (1997). Description above from the Wikipedia article Henry Jaglom, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Biography from TMDB.

Born
January 26, 1938 (88)
From
London, England
Works as
Director, writer, actor and editor, also producer
Titles
22 on MovieCove · 32 credits in all
TMDB popularity, last 39 days to Oct 28Down 29% in 30 days

What are Henry Jaglom's films like?

Across their 23 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Genres

What they feel like to watch

their average across 23 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 9 · Serious 4 · Dark 10

A split, not a type: Grounded 12 · Stylized 7 · Heightened 4

Gentle 7 · Charged 10 · Intense 6

Steady 8 · Shifting 11 · Whiplash 4

Straight-faced 9 · Some laughs 11 · Funny 3

Slow burn 16 · Even-paced 7 · Relentless 0

Casual 7 · Engaged 13 · Full focus 3

A split, not a type: Easy watch 9 · Affecting 6 · Heavy 8

A split, not a type: Resolved 9 · Open-ended 7 · Ambiguous 7

Roles they play

3 analyzed roles
Hero
1 of 3
Mentor
1 of 3
Shadow
1 of 3

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Melancholic
14
Contemplative
11
Tense
11
Absurd
6
Bittersweet
5
Other
14

How their films end · 3 with a twist

  • Happy1
  • Bittersweet9
  • Tragic4
  • Ambiguous9

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Henry Jaglom's films?

As of October 24, 2026, 17 of their 22 MovieCove titles stream on a subscription or free service, most on Tubi (13).

Subscription and free streaming for Henry Jaglom's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

32 credits, 22 with a MovieCove page; 22 appearances as themselves are hidden until asked for.

  • Midcredits score: 35th percentile of all films (provisional, few ratings)
  • The Other Side of the Wind(2018)

    as Henry Jaglom

    Midcredits score: 75th percentile of all films
  • Train to Zakopané(2017)

    Director · Producer · Writer

    Midcredits score: 51st percentile of all films (provisional, few ratings)
  • Ovation (not in the MovieCove catalog yet)(2016)

    Director · Writer

  • The M Word(2014)

    Director · Editor · Screenplay

    Midcredits score: 22nd percentile of all films
  • Just 45 Minutes from Broadway(2012)

    Director · Writer

    Midcredits score: 18th percentile of all films (provisional, few ratings)
  • Queen of the Lot(2010)

    Director · Writer

    Midcredits score: 13th percentile of all films
  • Irene in Time(2009)

    Director · Editor · Writer

    Midcredits score: 33rd percentile of all films
  • Hollywood Dreams (not in the MovieCove catalog yet)(2007)

    Director · Editor · Screenplay

  • Going Shopping (not in the MovieCove catalog yet)(2005)

    Director · Writer

  • Festival in Cannes(2001)

    Director · Editor · Writer

    Midcredits score: 36th percentile of all films
  • Déjà Vu (not in the MovieCove catalog yet)(1998)

    Director · Writer

  • Last Summer in the Hamptons(1995)

    Director · Casting · Editor · Writer · as Max Berger

    Midcredits score: 38th percentile of all films
  • Babyfever (not in the MovieCove catalog yet)(1994)

    Director · Editor · Writer

  • Venice/Venice (not in the MovieCove catalog yet)(1992)

    Director · Writer · as Dean

  • Eating(1990)

    Director · Editor · Writer

    Midcredits score: 48th percentile of all films
  • New Year's Day(1989)

    Director · Writer · as Drew

    Midcredits score: 26th percentile of all films
  • On the tracks of a filmmaker (not in the MovieCove catalog yet)(1988)

    as Henry Jaglom

  • Someone to Love(1987)

    Director · Editor · Writer · as Danny Sapir

    Midcredits score: 38th percentile of all films
  • Always … But Not Forever (not in the MovieCove catalog yet)(1985)

    Director · Editor · Producer · Writer · as David

  • Can She Bake a Cherry Pie?(1983)

    Director · Screenplay

    Midcredits score: 31st percentile of all films
  • Movie Madness(1982)

    Director

    Midcredits score: 1st percentile of all films
  • Sitting Ducks(1980)

    Director · Writer · as The Bad Guy

    Midcredits score: 40th percentile of all films
  • Tracks(1976)

    Director · Writer

    Midcredits score: 52nd percentile of all films
  • Hearts and Minds(1974)

    Producer

    Midcredits score: 98th percentile of all films
  • My Brother's Sex Life (not in the MovieCove catalog yet)(1973)

    Director

  • A Safe Place (not in the MovieCove catalog yet)(1971)

    Director · Writer

  • The Last Movie(1971)

    as Minister's Son

    Midcredits score: 54th percentile of all films
  • Drive, He Said(1971)

    as Conrad

    Midcredits score: 27th percentile of all films
  • The Thousand Plane Raid(1969)

    as Worchek

    Midcredits score: 30th percentile of all films
  • Easy Rider(1969)

    Editor

    Midcredits score: 88th percentile of all films
  • Psych-Out(1968)

    as Warren

    Midcredits score: 39th percentile of all films

Career shape

A full career of 30 titles from 1968 to 2025.

Film career

  • 1968Screen debut· Psych-Out

By role

only this rolewith another role
Acting13 of 30: 7 only acting, 6 with another role · typical Midcredits score38thDirecting23 of 30: 3 only directing, 20 with another role · typical Midcredits score35thWriting20 of 30: 0 only writing, 20 with another role · typical Midcredits score35thProducing1 of 30: 0 only producing, 1 with another roleEditing7 of 30: 0 only editing, 7 with another roleOther crew1 of 30: 0 only other crew, 1 with another role

30 titles, 20 with more than one role — directing and writing overlap on 20 of them.

By decade

1960s2 · acting1970s5 · 2 acting · 3 crew1980s6 · 4 acting · 5 crew1990s6 · 3 acting · 6 crew2000s4 · crew2010s6 · 1 acting · 5 crew2020s1 · acting

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Henry Jaglom's films land?

Their typical MovieCove film has a Midcredits score in the 37th percentile, the median of all 22; across their 23 films with reception data, the typical film sits in the 40th percentile for acclaim.

Acclaim · how much people like their films

40thpercentile
Typical film, the median of 23

Approval · how many liked their films

39thpercentile
Typical film, the median of 23

Reach · how many have seen their films

42ndpercentile
Typical film, the median of 23

Midcredits score across 22 titles, by percentile

  • 75th and up3
  • 50th to 74th3
  • 25th to 49th12
  • Below 25th4

Shape of the crowd

9 of their 22 titles are Mixed.

  • Universally Loved1
  • Universally Panned1
  • Divisive3
  • Cult Classic6
  • Crowd Pleaser2
  • Mixed9

Reviewers score the atmosphere 58/100 and the pacing 35/100 in their films, across 23 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Henry Jaglom's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity4 titlesmedian 60 · moderateMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Henry Jaglom work with?

People who share at least 2 of Henry Jaglom's MovieCove titles, grouped by what they did on them; Michael Emil shares the most, 8.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers

Mixed roles