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J.J. Jamieson

J.J. Jamieson

Producer and writer · New Jersey, U.S.

Producer, writer, executive and show-creator, J.J. Jamieson is a veteran of multiple TV networks, studios, and independent production. Currently consulting for Lifetime's TV movie division, Jamieson recently served as Head of Scripted for Scripps National Networks, where he ran all original scripted programming... with an unprecedented 100% success record. For Bounce, his victories included the hit dramedies JOHNSON and FINDING HAPPY, as well as the sitcom ACT YOUR AGE, Bounce’s most successful series ever. He personally wrote two hit holiday romcoms for Bounce: MARRY ME THIS CHRISTMAS and GREYSON FAMILY CHRISTMAS, which he also produced. GREYSON FAMILY CHRISTMAS became Bounce’s highest-rated TV movie to date, and was ranked in the top-three best holiday films of 2019 out of more than 200 programs on 34 networks... for 1/2 to 1/6 the cost of rival productions. Jamieson also developed, greenlit and supervised additional telefilms for Bounce (genres: drama, broad comedy, thriller, holiday), each one rating higher than the last. As division chief at Scripps, J.J. created a brand-specific franchise of TV Movies for Ion—Christmas romcoms wrapped around a central crime story—and launched them under his marketing campaign “Ion this Christmas: It’s the most wonderful crime of the year!” These films were all massive ratings hits (besting all 52 competing networks with the sole exception of Hallmark) AND the most profitable programs in the history of the network. His movies were SO successful, in fact, that Hallmark immediately started imitating them. Before joining Scripps, Jamieson spent years working as a TV producer, writer and executive. He created/EP’d/wrote/co-wrote/re-wrote: TV movies for CBS, TBS, Lifetime and Hallmark (including CHRISTMAS AT GRACELAND, their 5th highest-rated movie ever); an unscripted series for MTV; a talk-show pilot for TBS; and a 2-hour documentary for Turner. As an executive, he ran a joint-venture of Lionsgate and Televisa as well as PODs at Warner Bros., Hamden, Fremantle and Fox TV Studios. Back under his own Triple J Media banner, he is currently writing series & movies and developing both scripted & unscripted projects. Jamieson began his career at NBC as a Page, worked in News, Late Night and Specials, then joined NBC’s TV Movie & Miniseries Department. Recruited into NBC’s management training program, he quickly rose through the ranks as a creative exec overseeing dozens of hit longform projects in every conceivable genre... and writing the original stories for four hit movies. He is a published essayist (his series of articles about raising triplets was published at MomReady.com), a journalist (for BRNTWD Magazine & MEDICALIFE Magazine), a produced songwriter, and has worked as a celebrated professor of Film & Television at Chapman University and at Columbia College. A native of Princeton, NJ, Jamieson graduated with Honors from Dartmouth College after attending the Lawrenceville School and studying “A” Levels at Marlborough College in Wilshire, UK. He lives in Santa Monica, CA, with his wife, producer & A+E Studio chief Tana Nugent Jamieson.

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Biography from TMDB.

From
New Jersey, U.S.
Works as
Producer and writer
Titles
10 on MovieCove · 11 credits in all
TMDB popularity, last 38 days to Oct 27Down 12% in 30 days

What are J.J. Jamieson's films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 10 films
ToneFeelDemandtheir average · filled zone: the category

Light 6 · Serious 3 · Dark 1

Grounded 9 · Stylized 1 · Heightened 0

Gentle 6 · Charged 4 · Intense 0

Steady 4 · Shifting 5 · Whiplash 1

Straight-faced 4 · Some laughs 5 · Funny 1

Slow burn 5 · Even-paced 5 · Relentless 0

Casual 9 · Engaged 0 · Full focus 1

Resolved 9 · Open-ended 0 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
6
Warm
4
Romantic
4
Joyful
4
Hopeful
3
Other
6

How their films end · 2 with a twist

  • Happy8
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch J.J. Jamieson's films?

As of October 24, 2026, 9 of their 10 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for J.J. Jamieson's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

11 credits, 10 with a MovieCove page.

Career shape

A full career of 9 titles from 1999 to 2021.

By role

only this rolewith another role
Writing3 of 9: 2 only writing, 1 with another roleProducing7 of 9: 6 only producing, 1 with another role · typical Midcredits score36th

By decade

1990s1 · crew2000s4 · crew2010s2 · crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do J.J. Jamieson's films land?

Their typical MovieCove film has a Midcredits score in the 37th percentile, the median of all 10; across their 10 films with reception data, the typical film sits in the 34th percentile for acclaim.

Acclaim · how much people like their films

34thpercentile
Typical film, the median of 10

Approval · how many liked their films

36thpercentile
Typical film, the median of 10

Reach · how many have seen their films

46thpercentile
Typical film, the median of 10

Midcredits score across 10 titles, by percentile

  • 50th to 74th1
  • 25th to 49th5
  • Below 25th4

Reviewers score the dialogue 38/100 and the plot and story 39/100 in their films, across 10 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does J.J. Jamieson work with?

People who share at least 2 of J.J. Jamieson's MovieCove titles, grouped by what they did on them; Ryan Westheimer shares the most, 4.

Directors

Writers

Actors

Composers and editors

Producers