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Maris H. Jansons

Cinematographer

Works as
Cinematographer
Titles
13 on MovieCove · 18 credits in all

What are Maris H. Jansons' films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category

Light 3 · Serious 0 · Dark 0

Grounded 2 · Stylized 1 · Heightened 0

Gentle 2 · Charged 1 · Intense 0

Steady 2 · Shifting 1 · Whiplash 0

Straight-faced 0 · Some laughs 2 · Funny 1

Slow burn 1 · Even-paced 2 · Relentless 0

Casual 3 · Engaged 0 · Full focus 0

Resolved 3 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Romantic
2
Hopeful
1
Joyful
1
Thrilling
1
Warm
2
Other
2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Maris H. Jansons' films?

As of October 24, 2026, 10 of their 13 MovieCove titles stream on a subscription or free service, most on Tubi (4).

Subscription and free streaming for Maris H. Jansons' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

18 credits, 13 with a MovieCove page.

  • We the Jury (not in the MovieCove catalog yet)(1996)

    Cinematographer

  • The Prisoner of Zenda, Inc.(1996)

    Cinematographer

    Midcredits score: 28th percentile of all films
  • The Halfback of Notre Dame(1996)

    Camera Operator · Cinematographer

    Midcredits score: 34th percentile of all films
  • It Takes Two(1995)

    Second Unit Director of Photography

    Midcredits score: 56th percentile of all films
  • Midcredits score: 49th percentile of all films
  • War of the Worlds (not in the MovieCove catalog yet)(1988)

    Show 20 episodes · Cinematographer

  • Hockey Night(1984)

    Gaffer

    Midcredits score: 68th percentile of all films
  • Reckless(1984)

    Key Grip

    Midcredits score: 50th percentile of all films
  • The Dead Zone(1983)

    Key Grip

    Midcredits score: 85th percentile of all films
  • Baby It's You(1983)

    Key Grip

    Midcredits score: 62nd percentile of all films
  • Videodrome(1983)

    Key Grip

    Midcredits score: 86th percentile of all films
  • Taxi! (not in the MovieCove catalog yet)(1982)

    Grip

  • Quest for Fire(1981)

    Gaffer

    Midcredits score: 88th percentile of all films
  • Scanners(1981)

    Grip

    Midcredits score: 72nd percentile of all films
  • The Brood(1979)

    Key Grip

    Midcredits score: 73rd percentile of all films
  • Fast Company(1979)

    Key Grip

    Midcredits score: 18th percentile of all films
  • Gums (not in the MovieCove catalog yet)(1976)

    Assistant Camera · Camera Operator

  • Devil's Express (not in the MovieCove catalog yet)(1976)

    Production Manager

Career shape

A full career of 18 titles from 1976 to 1996.

By role

only this rolewith another role
Cinematography6 of 18: 5 only cinematography, 1 with another roleOther crew13 of 18: 12 only other crew, 1 with another role · typical Midcredits score70th

By decade

1970s4 · crew1980s10 · crew1990s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Maris H. Jansons' films land?

Their typical MovieCove film has a Midcredits score in the 62nd percentile, the median of all 13; across a limited sample of 3 films with reception data, the typical film sits in the 37th percentile for acclaim.

Acclaim · how much people like their films

37thpercentile
Typical film, the median of 3

Approval · how many liked their films

35thpercentile
Typical film, the median of 3

Reach · how many have seen their films

29thpercentile
Typical film, the median of 3

Midcredits score across 13 titles, by percentile

  • 75th and up3
  • 50th to 74th6
  • 25th to 49th3
  • Below 25th1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Maris H. Jansons work with?

People who share at least 2 of Maris H. Jansons' MovieCove titles, grouped by what they did on them; Bill Goddard shares the most, 3.

Writers

Actors

Editors

Producers