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Werner Janssen

Werner Janssen

Composer · Died September 19, 1990, aged 91 · New York City, New York, USA

From Wikipedia, the free encyclopedia Werner Janssen (1937) Hans-Werner Janssen (1 June 1899 – 19 September 1990) was an American conductor of classical music, and composer of classical music and film scores. He was the first New York born conductor to lead the New York Philharmonic. Janssen was born in New York City on 1 June 1899. His father was a New York restaurateur, founder of the Janssen Hof Brau Haus on Broadway. The family lived in Great Neck on King's Point Road next door to musician George M. Cohan. It was Cohan who encouraged young Werner to continue to play piano and explore his passion for music. Cohan describes the interplay of families as he states, "I'll hold to my dying day that Werner became a musician because his dad made him practice the piano all day to keep me awake, just to get even with me for playing all night and keeping him awake." Werner recounts that his first two music students were the daughters of George M. Cohan, whom he taught in their home. As a teenager Werner remembers hearing the first renditions of "Over there" from across the fence between the houses. Cohan reflects on those days writing to Werner's father, "those were golden days when you were singing songs and I was trying to write them down next door—they were in fact the happiest of all any days as I look back on them now." While Janssen filled roles as guest conductor, he was also contracted to write film music. His first credited film score was for The General Died at Dawn (1936), which was nominated for an Academy Award, the first of six Janssen scored films to be nominated. In 1939, he resigned his position with the Baltimore Symphony Orchestra to work with film producer Walter Wanger. He composed several other film scores including Blockade (1938), Winter Carnival (1939), Eternally Yours (1939), Slightly Honorable (1940), The House Across the Bay (1940), Guest in the House (1944), The Southerner (1945), Captain Kidd (1945), A Night in Casablanca (1946), Ruthless (1948), and Uncle Vanya (1957), starring and co-directed by Franchot Tone. He was also responsible for the score for the 1966 German television production Robin Hood, der edle Ritter (Robin Hood, the Noble Knight). He continued to write non-film compositions too, including the Foster Suite (1937), the String Quartet No. 2 (1938), the Octet for Five (1965), and the Quintet for 10 Instruments (1968). In 1940, he formed the Janssen Symphony in Los Angeles, which became a rival organization to the Los Angeles Philharmonic and a forum for contemporary music until 1952. Compositions for this were commissioned from American composers. This group performed and recorded film music, musical theater works, and contemporary musical scores. Numerous recordings were made by Janssen and this orchestra for Capitol Records. Janssen formed a partnership with producer David L. Loew to produce the Musicolor series of classic musical shorts, including Toccata and Fugue (1946) and Enchanted Lake (1947), both filmed in Cinecolor.

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Biography from TMDB.

Born
June 1, 1899
Died
September 19, 1990 (aged 91)
From
New York City, New York, USA
Works as
Composer
Titles
10 on MovieCove · 12 credits in all
TMDB popularity, last 38 days to Oct 27Down 4% in 30 days

What are Werner Janssen's films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 10 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 4 · Serious 3 · Dark 3

Grounded 4 · Stylized 5 · Heightened 1

Gentle 3 · Charged 4 · Intense 3

Steady 4 · Shifting 6 · Whiplash 0

Straight-faced 4 · Some laughs 4 · Funny 2

Slow burn 3 · Even-paced 7 · Relentless 0

Casual 5 · Engaged 5 · Full focus 0

Resolved 7 · Open-ended 3 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
6
Romantic
4
Absurd
3
Joyful
2
Thrilling
3
Other
7

How their films end

  • Happy6
  • Bittersweet2
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Werner Janssen's films?

As of October 24, 2026, 9 of their 10 MovieCove titles stream on a subscription or free service, most on Tubi (8).

Subscription and free streaming for Werner Janssen's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

12 credits, 10 with a MovieCove page.

  • Robin Hood, der edle Räuber (not in the MovieCove catalog yet)(1966)

    Composer

  • Ruthless (not in the MovieCove catalog yet)(1948)

    Composer · Conductor

  • A Night in Casablanca(1946)

    Composer

    Midcredits score: 77th percentile of all films
  • Captain Kidd(1945)

    Composer · Conductor

    Midcredits score: 51st percentile of all films
  • The Southerner(1945)

    Composer

    Midcredits score: 83rd percentile of all films
  • Guest in the House(1944)

    Composer · Conductor

    Midcredits score: 42nd percentile of all films
  • Midcredits score: 54th percentile of all films
  • Slightly Honorable(1939)

    Composer · Music Director

    Midcredits score: 37th percentile of all films
  • Eternally Yours(1939)

    Composer · Music Director

    Midcredits score: 28th percentile of all films
  • Winter Carnival(1939)

    Composer

    Midcredits score: 23rd percentile of all films
  • Blockade(1938)

    Composer

    Midcredits score: 26th percentile of all films
  • Midcredits score: 65th percentile of all films

Career shape

A full career of 12 titles from 1936 to 1966.

By role

only this rolewith another role
Music12 of 12: 7 only music, 5 with another role · typical Midcredits score47thOther crew5 of 12: 0 only other crew, 5 with another role

12 titles, 5 with more than one role — music and other crew overlap on 5 of them.

By decade

1930s5 · crew1940s6 · crew1960s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Werner Janssen's films land?

Their typical MovieCove film has a Midcredits score in the 47th percentile, the median of all 10; across their 10 films with reception data, the typical film sits in the 48th percentile for acclaim.

Acclaim · how much people like their films

48thpercentile
Typical film, the median of 10

Approval · how many liked their films

45thpercentile
Typical film, the median of 10

Reach · how many have seen their films

43rdpercentile
Typical film, the median of 10

Midcredits score across 10 titles, by percentile

  • 75th and up2
  • 50th to 74th3
  • 25th to 49th4
  • Below 25th1

Shape of the crowd

None of their 10 titles divides audiences: 5 are Crowd Pleasers.

  • Crowd Pleaser5
  • Broadly Agreed4
  • Mixed1

Reviewers score the sound and music 61/100 in their films, across 8 reviewed titles; fans 65, detractors 49. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Werner Janssen work with?

People who share at least 2 of Werner Janssen's MovieCove titles, grouped by what they did on them; Dorothy Spencer shares the most, 5.

Directors

Writers

Actors

Cinematographers and editors

Producers

Mixed roles