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Natalia Safran

Natalia Safran

Actor and producer · Born September 18, 1970 (56) · Poznań, Poland

Natalia Safran was born on September 18, 1970 as Natalia Karolina Maria von Laskowska Jaroszyk. She is an actress and producer, known for Hours (2013), Aquaman (2018) and Flatliners (2017). She is married to Peter Safran.

Biography from TMDB.

Born
September 18, 1970 (56)
From
Poznań, Poland
Works as
Actor and producer
Titles
21 on MovieCove · 25 credits in all
TMDB popularity, last 156 days to Oct 27Up 50% in 30 days

What are Natalia Safran's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Ideas.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Self
34%
Ideas
20%
Morality
20%
Survival
20%
Bonds
7%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Light 1 · Serious 0 · Dark 3

A split, not a type: Grounded 3 · Stylized 0 · Heightened 1

Gentle 0 · Charged 0 · Intense 4

Steady 1 · Shifting 3 · Whiplash 0

Straight-faced 3 · Some laughs 0 · Funny 1

Slow burn 1 · Even-paced 3 · Relentless 0

Casual 0 · Engaged 2 · Full focus 2

Easy watch 1 · Affecting 0 · Heavy 3

A split, not a type: Resolved 2 · Open-ended 1 · Ambiguous 1

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
4
Dread
3
Contemplative
2
Absurd
1
Hopeful
1
Other
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Natalia Safran's films?

As of October 24, 2026, 19 of their 21 MovieCove titles stream on a subscription or free service, most on HBO Max (10).

Subscription and free streaming for Natalia Safran's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

25 credits, 21 with a MovieCove page.

  • The Conjuring: First Communion (not in the MovieCove catalog yet)(2027)

    Executive Producer

  • The Conjuring: Last Rites(2025)

    Executive Producer · as Wedding Guest

    Midcredits score: 48th percentile of all films
  • Superman(2025)

    Thanks

    Midcredits score: 85th percentile of all films
  • The Monkey(2025)

    Executive Producer

    Midcredits score: 37th percentile of all films
  • Aquaman and the Lost Kingdom(2023)

    as Council Lady

    Midcredits score: 25th percentile of all films
  • The Nun II(2023)

    as Sister Chloe

    Midcredits score: 29th percentile of all films
  • Midcredits score: 98th percentile of all films
  • Shazam! Fury of the Gods(2023)

    as Driver with Kittens

    Midcredits score: 31st percentile of all films
  • Peacemaker(2022)

    Show 1 episode · as Mrs. Goff

    Midcredits score: 93rd percentile of all shows
  • Malignant(2021)

    as Nurse Annie

    Midcredits score: 55th percentile of all films
  • The Suicide Squad(2021)

    as Kaleidoscope

    Midcredits score: 86th percentile of all films
  • Valley of the Gods(2019)

    Executive Producer

    Midcredits score: 17th percentile of all films
  • Beauty Juice (not in the MovieCove catalog yet)(2019)

    as Dr. Jane

  • Annabelle Comes Home(2019)

    as The Bride

    Midcredits score: 38th percentile of all films
  • Shazam!(2019)

    as Mrs. Sivana (uncredited)

    Midcredits score: 77th percentile of all films
  • Aquaman(2018)

    as Queen Rina

    Midcredits score: 67th percentile of all films
  • Mine(2016)

    Executive Producer

    Midcredits score: 36th percentile of all films
  • The Atticus Institute(2015)

    Producer

    Midcredits score: 30th percentile of all films
  • Hide and Seek (not in the MovieCove catalog yet)(2014)

    Producer

  • Hours(2013)

    as Karen

    Midcredits score: 59th percentile of all films
  • Flypaper(2011)

    as Swiss Miss

    Midcredits score: 54th percentile of all films
  • Over Her Dead Body(2008)

    as Bride

    Midcredits score: 16th percentile of all films
  • The Long Weekend(2005)

    as Hot Mourner #2

    Midcredits score: 18th percentile of all films
  • The Wedding Planner(2001)

    as Crying Bride

    Midcredits score: 25th percentile of all films
  • Untitled Amityville Horror Film (not in the MovieCove catalog yet)

    Executive Producer

Career shape

Star power in the 95th percentile of 239,109 people with a billed film role, over a full career of 25 titles, 23 of them dated from 2001 to 2025; peak year 2022.

Film career

20012025

Peak 2022 · at the high point of their film career. Top draw in 1 MovieCove title. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.

By role

only this rolewith another role
Acting17 of 25: 16 only acting, 1 with another role · typical Midcredits score51stProducing8 of 25: 7 only producing, 1 with another role · typical Midcredits score36thOther crew1 of 25: 1 only other crew, 0 with another role

By decade

2000s3 · acting2010s9 · 6 acting · 3 crew2020s11 · 8 acting · 4 crew

Billing

usually 18th · top billed in 0% of 13 roles
0116

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30; the columns are the share of top-billed roles in each era, 5-year spans from the year on the label, merged until each holds at least 5 roles.

How do Natalia Safran's films land?

Their typical MovieCove film has a Midcredits score in the 38th percentile, the median of all 20; across a limited sample of 4 films with reception data, the typical film sits in the 38th percentile for acclaim.

Acclaim · how much people like their films

38thpercentile
Typical film, the median of 4

Approval · how many liked their films

36thpercentile
Typical film, the median of 4

Reach · how many have seen their films

92ndpercentile
Typical film, the median of 4

Midcredits score across 21 titles, by percentile

  • 75th and up5
  • 50th to 74th4
  • 25th to 49th9
  • Below 25th3

Reviewers score the acting 65/100 in their films, across 4 reviewed titles; fans 76, detractors 41. The element that speaks to their work as an actor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Natalia Safran's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity3 titlesmedian 20 · mildMedian of all films: 32
Frightening / Intense3 titlesmedian 70 · intenseMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Natalia Safran work with?

People who share at least 2 of Natalia Safran's MovieCove titles, grouped by what they did on them; Peter Safran shares the most, 4.

Editors

Producers