- Writer, also producer
- 13 on MovieCove · 21 credits in all
What are Paul Jarrico's films like?
Across their 13 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 13
A split, not a type: Light 4 · Serious 4 · Dark 5
Grounded 6 · Stylized 6 · Heightened 1
Gentle 3 · Charged 8 · Intense 2
A split, not a type: Steady 5 · Shifting 8 · Whiplash 0
Straight-faced 8 · Some laughs 4 · Funny 1
Slow burn 4 · Even-paced 8 · Relentless 1
Casual 6 · Engaged 7 · Full focus 0
A split, not a type: Easy watch 5 · Affecting 4 · Heavy 4
Resolved 12 · Open-ended 0 · Ambiguous 1
Moods and endings
- Happy5
- Bittersweet5
- Tragic3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Paul Jarrico's films?
As of October 24, 2026, 6 of their 13 MovieCove titles stream on a subscription or free service, most on Tubi (6).
Subscription and free streaming for Paul Jarrico's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
21 credits, 13 with a MovieCove page; 3 appearances as themselves are hidden until asked for.
Messenger of Death(1988)
Midcredits score: 25th percentile of all films
Midcredits score: 44th percentile of all films
The Day the Hot Line Got Hot (not in the MovieCove catalog yet)(1968)
Who Killed Johnny R.?(1966)
Midcredits score: 31st percentile of all films
Treasure of the Aztecs(1965)
Midcredits score: 19th percentile of all films
All Night Long(1962)
Midcredits score: 81st percentile of all films
Five Branded Women (not in the MovieCove catalog yet)(1960)
Salt of the Earth(1954)
Midcredits score: 89th percentile of all films
The Paris Express(1952)
Midcredits score: 49th percentile of all films
The Las Vegas Story(1952)
Midcredits score: 55th percentile of all films
The White Tower (not in the MovieCove catalog yet)(1950)
Not Wanted (not in the MovieCove catalog yet)(1949)
The Search(1948)
Midcredits score: 96th percentile of all films
Little Giant (not in the MovieCove catalog yet)(1946)
Song of Russia (not in the MovieCove catalog yet)(1944)
Thousands Cheer(1943)
Midcredits score: 49th percentile of all films
Tom, Dick and Harry(1941)
Midcredits score: 57th percentile of all films
Men of the Timberland (not in the MovieCove catalog yet)(1941)
The Face Behind the Mask(1941)
Midcredits score: 82nd percentile of all films
Beauty for the Asking(1939)
Midcredits score: 46th percentile of all films
No Time to Marry (not in the MovieCove catalog yet)(1938)
Career shape
A full career of 19 titles from 1938 to 1988.
Biggest box office
Messenger of Death (1988)
Highest rated
The Search (1948)
Most popular right now
The Face Behind the Mask (1941)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Paul Jarrico's films land?
Their typical MovieCove film has a Midcredits score in the 49th percentile, the median of all 13; across their 13 films with reception data, the typical film sits in the 53rd percentile for acclaim.
- 75th and up4
- 50th to 74th2
- 25th to 49th6
- Below 25th1
Shape of the crowd
None of their 13 titles divides audiences: 7 are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser7
- Broadly Agreed3
- Mixed2
Reviewers score the dialogue 47/100 and the plot and story 50/100 in their films, across 12 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Paul Jarrico work with?
People who share at least 2 of Paul Jarrico's MovieCove titles, grouped by what they did on them; Ladislas Fodor shares the most, 2.
Writers
- Ladislas FodorShared titles: Who Killed Johnny R.? (1966), Treasure of the Aztecs (1965)See all 2 shared titles with Ladislas Fodor
Actors
- Lex BarkerShared titles: Who Killed Johnny R.? (1966), Treasure of the Aztecs (1965)See all 2 shared titles with Lex Barker
- Ralf WolterShared titles: Who Killed Johnny R.? (1966), Treasure of the Aztecs (1965)See all 2 shared titles with Ralf Wolter
Composers and editors
- Walter WischniewskyShared titles: Who Killed Johnny R.? (1966), Treasure of the Aztecs (1965)See all 2 shared titles with Walter Wischniewsky
- Roy WebbShared titles: Tom, Dick and Harry (1941), Beauty for the Asking (1939)See all 2 shared titles with Roy Webb
Producers
- Artur BraunerShared titles: Who Killed Johnny R.? (1966), Treasure of the Aztecs (1965)See all 2 shared titles with Artur Brauner
- Götz Dieter WulfShared titles: Who Killed Johnny R.? (1966), Treasure of the Aztecs (1965)See all 2 shared titles with Götz Dieter Wulf