Ottavio Jemma
- Writer
- 17 on MovieCove · 50 credits in all
What are Ottavio Jemma's films like?
Across their 17 MovieCove titles with a thematic analysis, their films lean Self and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
A split, not a type: Ironic 4 · Wry 3 · Earnest 10
A split, not a type: Light 7 · Serious 5 · Dark 5
Grounded 4 · Stylized 10 · Heightened 3
Gentle 3 · Charged 10 · Intense 4
Steady 7 · Shifting 7 · Whiplash 3
A split, not a type: Straight-faced 7 · Some laughs 3 · Funny 7
Slow burn 7 · Even-paced 10 · Relentless 0
Casual 9 · Engaged 8 · Full focus 0
A split, not a type: Easy watch 9 · Affecting 2 · Heavy 6
Resolved 12 · Open-ended 4 · Ambiguous 1
Moods and endings
- Happy5
- Bittersweet4
- Tragic6
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Ottavio Jemma's films?
As of October 24, 2026, 5 of their 17 MovieCove titles stream on a subscription or free service, most on Prime Video (2).
Subscription and free streaming for Ottavio Jemma's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
50 credits, 17 with a MovieCove page.

The Fine Art of Love: Mine Ha-Ha (not in the MovieCove catalog yet)(2005)

Tides of Change (not in the MovieCove catalog yet)(2001)

The Bird People (not in the MovieCove catalog yet)(1999)

Incompreso (not in the MovieCove catalog yet)(1998)

Malizia 2000(1991)
Midcredits score: 23rd percentile of all films
Mortacci (not in the MovieCove catalog yet)(1989)

Big Man (not in the MovieCove catalog yet)(1988)

The Big Fox (not in the MovieCove catalog yet)(1988)

Rich and Poor (not in the MovieCove catalog yet)(1983)

The Girl from Trieste(1982)
Midcredits score: 37th percentile of all films
Più bello di così si muore (not in the MovieCove catalog yet)(1982)

Culo e camicia (not in the MovieCove catalog yet)(1981)

Chaste and Pure (not in the MovieCove catalog yet)(1981)

Quando la coppia scoppia (not in the MovieCove catalog yet)(1981)

Manolesta (not in the MovieCove catalog yet)(1981)

The Wife on Vacation... The Lover in Town (not in the MovieCove catalog yet)(1980)

Give Me Five (not in the MovieCove catalog yet)(1980)

The Good Thief (not in the MovieCove catalog yet)(1980)

Il corpo della ragassa (not in the MovieCove catalog yet)(1979)

Gegè Bellavita (not in the MovieCove catalog yet)(1979)

La Presidentessa (not in the MovieCove catalog yet)(1977)

Hitch-Hike(1977)
Midcredits score: 74th percentile of all films
Submission(1976)
Midcredits score: 52nd percentile of all films
Smell of Flesh (not in the MovieCove catalog yet)(1975)

The Sex Machine(1975)
Midcredits score: 36th percentile of all films
Venial Sin(1974)
Midcredits score: 33rd percentile of all films
Bambina(1974)
Midcredits score: 32nd percentile of all films
Malicious(1973)
Midcredits score: 61st percentile of all films
La calandria (not in the MovieCove catalog yet)(1972)

Jus primae noctis (not in the MovieCove catalog yet)(1972)

The Eroticist(1972)
Midcredits score: 34th percentile of all films
Midcredits score: 6th percentile of all films
Midcredits score: 76th percentile of all films
When Women Had Tails(1970)
Midcredits score: 7th percentile of all films
The Fifth Day of Peace(1970)
Midcredits score: 47th percentile of all films
With What Love, With How Much Love (not in the MovieCove catalog yet)(1970)

He and She (not in the MovieCove catalog yet)(1969)
Midcredits score: 16th percentile of all films
The Invisible Woman (not in the MovieCove catalog yet)(1969)

The Libertine(1968)
Midcredits score: 31st percentile of all films
Fantabulous Inc. (not in the MovieCove catalog yet)(1968)

I grandi condottieri(1965)
Midcredits score: 10th percentile of all films
Saul e David(1964)
Midcredits score: 23rd percentile of all films
Jacob: The Man Who Fought with God (not in the MovieCove catalog yet)(1963)

I piaceri proibiti (not in the MovieCove catalog yet)(1963)

Luciano, una vita bruciata (not in the MovieCove catalog yet)(1962)

Latin Lovers (not in the MovieCove catalog yet)(1961)
Luciano (via dei Cappellari) (not in the MovieCove catalog yet)(1960)

La casa delle vedove (not in the MovieCove catalog yet)(1960)

The Thieves (not in the MovieCove catalog yet)(1959)
Career shape
A full career of 48 titles from 1959 to 2005.

Biggest box office
A Lizard in a Woman's Skin (1971)

Highest rated
A Lizard in a Woman's Skin (1971)

Most popular right now
Malicious (1973)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Ottavio Jemma's films land?
Their typical MovieCove film has a Midcredits score in the 33rd percentile, the median of all 17; across their 17 films with reception data, the typical film sits in the 34th percentile for acclaim.
- 75th and up1
- 50th to 74th3
- 25th to 49th7
- Below 25th6
Shape of the crowd
10 of their 17 titles are Mixed.
- Cult Classic3
- Crowd Pleaser4
- Mixed10
Reviewers score the dialogue 49/100 and the plot and story 50/100 in their films, across 14 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Ottavio Jemma's work okay for kids?
Across up to 6 MovieCove titles with content scores, sex & nudity runs heavier than most films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Ottavio Jemma work with?
People who share at least 2 of Ottavio Jemma's MovieCove titles, grouped by what they did on them; Silvio Clementelli shares the most, 10.
Directors
- Pasquale Festa CampanileShared titles: The Girl from Trieste (1982), Hitch-Hike (1977), The Sex Machine (1975), When Women Lost Their Tails (1972), When Women Had Tails (1970), Where Are You Going All Naked? (1969), The Libertine (1968)See all 7 shared titles with Pasquale Festa Campanile

- Salvatore SamperiShared titles: Malizia 2000 (1991), Submission (1976), Venial Sin (1974), Malicious (1973)See all 4 shared titles with Salvatore Samperi
- Lucio FulciShared titles: The Eroticist (1972), A Lizard in a Woman's Skin (1971)See all 2 shared titles with Lucio Fulci

- Marcello BaldiShared titles: I grandi condottieri (1965), Saul e David (1964)See all 2 shared titles with Marcello Baldi
Writers
- Alessandro ParenzoShared titles: Venial Sin (1974), Malicious (1973)See all 2 shared titles with Alessandro Parenzo
- Lina WertmüllerShared titles: When Women Lost Their Tails (1972), When Women Had Tails (1970)See all 2 shared titles with Lina Wertmüller

- Marcello CosciaShared titles: When Women Lost Their Tails (1972), When Women Had Tails (1970)See all 2 shared titles with Marcello Coscia
- Sandro ContinenzaShared titles: The Eroticist (1972), Where Are You Going All Naked? (1969)See all 2 shared titles with Sandro Continenza
Actors
- Laura AntonelliShared titles: Malizia 2000 (1991), Venial Sin (1974), Malicious (1973), The Eroticist (1972)See all 4 shared titles with Laura Antonelli

- Franco NeroShared titles: Hitch-Hike (1977), Submission (1976), The Fifth Day of Peace (1970)See all 3 shared titles with Franco Nero

- Gigi ProiettiShared titles: The Sex Machine (1975), Bambina (1974), The Libertine (1968)See all 3 shared titles with Gigi Proietti

- Lino ToffoloShared titles: Venial Sin (1974), When Women Lost Their Tails (1972), When Women Had Tails (1970)See all 3 shared titles with Lino Toffolo

Composers, cinematographers and editors
- Sergio MontanariShared titles: Malizia 2000 (1991), Submission (1976), The Sex Machine (1975), Bambina (1974), Venial Sin (1974), Malicious (1973), When Women Had Tails (1970), The Libertine (1968)See all 8 shared titles with Sergio Montanari
- Fred BongustoShared titles: Malizia 2000 (1991), The Sex Machine (1975), Bambina (1974), Venial Sin (1974), Malicious (1973), The Eroticist (1972)See all 6 shared titles with Fred Bongusto

- Ennio MorriconeShared titles: Hitch-Hike (1977), When Women Lost Their Tails (1972), A Lizard in a Woman's Skin (1971), The Fifth Day of Peace (1970), When Women Had Tails (1970)See all 5 shared titles with Ennio Morricone

- Franco Di GiacomoShared titles: Hitch-Hike (1977), The Sex Machine (1975), When Women Had Tails (1970)See all 3 shared titles with Franco Di Giacomo

Producers
- Silvio ClementelliShared titles: Malizia 2000 (1991), Submission (1976), The Sex Machine (1975), Bambina (1974), Venial Sin (1974), Malicious (1973), When Women Lost Their Tails (1972), The Fifth Day of Peace (1970), When Women Had Tails (1970), The Libertine (1968)See all 10 shared titles with Silvio Clementelli
- Edmondo AmatiShared titles: The Eroticist (1972), A Lizard in a Woman's Skin (1971)See all 2 shared titles with Edmondo Amati
- Toni Di CarloShared titles: I grandi condottieri (1965), Saul e David (1964)See all 2 shared titles with Toni Di Carlo