Talbot Jennings
Writer · Died May 30, 1985, aged 90
- August 25, 1894
- May 30, 1985 (aged 90)
- Writer
- 20 on MovieCove · 24 credits in all
What are Talbot Jennings' films like?
Across their 20 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 19
Light 3 · Serious 12 · Dark 5
Grounded 7 · Stylized 10 · Heightened 3
Gentle 3 · Charged 13 · Intense 4
Steady 6 · Shifting 14 · Whiplash 0
Straight-faced 15 · Some laughs 5 · Funny 0
Slow burn 12 · Even-paced 8 · Relentless 0
Casual 15 · Engaged 5 · Full focus 0
Easy watch 7 · Affecting 9 · Heavy 4
Resolved 20 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy6
- Bittersweet11
- Tragic3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Talbot Jennings' films?
As of October 24, 2026, 5 of their 20 MovieCove titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for Talbot Jennings' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
24 credits, 20 with a MovieCove page.

The Sons of Katie Elder(1965)
Midcredits score: 86th percentile of all films
The Naked Maja(1958)
Midcredits score: 20th percentile of all films
Gunsight Ridge(1957)
Midcredits score: 53rd percentile of all films
Midcredits score: 27th percentile of all films
Escape to Burma (not in the MovieCove catalog yet)(1955)

Untamed(1955)
Midcredits score: 48th percentile of all films
Midcredits score: 49th percentile of all films
Scaramouche(1952)
Midcredits score: 92nd percentile of all films
Across the Wide Missouri(1951)
Midcredits score: 49th percentile of all films
The Black Rose(1950)
Midcredits score: 50th percentile of all films
Landfall (not in the MovieCove catalog yet)(1949)
Midcredits score: 78th percentile of all films
Frenchman's Creek (not in the MovieCove catalog yet)(1944)
Midcredits score: 48th percentile of all films
So Ends Our Night(1941)
Midcredits score: 76th percentile of all films
Edison, the Man(1940)
Midcredits score: 80th percentile of all films
Northwest Passage(1940)
Midcredits score: 79th percentile of all films
Rulers of the Sea(1939)
Midcredits score: 58th percentile of all films
Spawn of the North(1938)
Midcredits score: 66th percentile of all films
Conquest(1937)
Midcredits score: 62nd percentile of all films
The Good Earth(1937)
Midcredits score: 82nd percentile of all films
Romeo and Juliet (not in the MovieCove catalog yet)(1936)

Mutiny on the Bounty(1935)
Midcredits score: 95th percentile of all films
We Live Again(1934)
Midcredits score: 55th percentile of all films
Career shape
A full career of 22 titles from 1934 to 1965.

Biggest box office
Knights of the Round Table (1953)

Highest rated
Mutiny on the Bounty (1935)

Most popular right now
The Sons of Katie Elder (1965)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Talbot Jennings' films land?
Their typical MovieCove film has a Midcredits score in the 60th percentile, the median of all 20; across their 20 films with reception data, the typical film sits in the 62nd percentile for acclaim.
- 75th and up8
- 50th to 74th6
- 25th to 49th5
- Below 25th1
Shape of the crowd
None of their 20 titles divides audiences: 9 are Crowd Pleasers.
- Universally Loved3
- Crowd Pleaser9
- Broadly Agreed4
- Mixed4
Reviewers score the dialogue 45/100 and the plot and story 48/100 in their films, across 20 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Talbot Jennings work with?
People who share at least 2 of Talbot Jennings' MovieCove titles, grouped by what they did on them; Herbert Stothart shares the most, 5.
Directors
- Henry HathawayShared titles: The Sons of Katie Elder (1965), The Black Rose (1950), Ten Gentlemen from West Point (1942), Spawn of the North (1938)See all 4 shared titles with Henry Hathaway

- John CromwellShared titles: Anna and the King of Siam (1946), So Ends Our Night (1941)See all 2 shared titles with John Cromwell

- Clarence BrownShared titles: Edison, the Man (1940), Conquest (1937)See all 2 shared titles with Clarence Brown

- Frank LloydShared titles: Rulers of the Sea (1939), Mutiny on the Bounty (1935)See all 2 shared titles with Frank Lloyd

Writers
- Carey WilsonShared titles: Scaramouche (1952), Conquest (1937), Mutiny on the Bounty (1935)See all 3 shared titles with Carey Wilson

- Jules FurthmanShared titles: Northwest Passage (1940), Spawn of the North (1938), Mutiny on the Bounty (1935)See all 3 shared titles with Jules Furthman

- Noel LangleyShared titles: Knights of the Round Table (1953), Northwest Passage (1940)See all 2 shared titles with Noel Langley

- Frank CavettShared titles: Across the Wide Missouri (1951), Rulers of the Sea (1939)See all 2 shared titles with Frank Cavett
Actors
- Ava GardnerShared titles: The Naked Maja (1958), Knights of the Round Table (1953)See all 2 shared titles with Ava Gardner

- George ChandlerShared titles: Gunsight Ridge (1957), Across the Wide Missouri (1951)See all 2 shared titles with George Chandler

- Tyrone PowerShared titles: Untamed (1955), The Black Rose (1950)See all 2 shared titles with Tyrone Power

- Mel FerrerShared titles: Knights of the Round Table (1953), Scaramouche (1952)See all 2 shared titles with Mel Ferrer

Composers and editors
- Herbert StothartShared titles: Edison, the Man (1940), Northwest Passage (1940), Conquest (1937), The Good Earth (1937), Mutiny on the Bounty (1935)See all 5 shared titles with Herbert Stothart

- David RaksinShared titles: Gunsight Ridge (1957), Across the Wide Missouri (1951)See all 2 shared titles with David Raksin

- Ellsworth HoaglandShared titles: Gunsight Ridge (1957), Spawn of the North (1938)See all 2 shared titles with Ellsworth Hoagland
- Alfred NewmanShared titles: Ten Gentlemen from West Point (1942), We Live Again (1934)See all 2 shared titles with Alfred Newman

Producers
- Albert LewinShared titles: The Naked Maja (1958), So Ends Our Night (1941), Spawn of the North (1938), The Good Earth (1937), Mutiny on the Bounty (1935)See all 5 shared titles with Albert Lewin

- Louis D. LightonShared titles: The Black Rose (1950), Anna and the King of Siam (1946)See all 2 shared titles with Louis D. Lighton

- Irving ThalbergShared titles: The Good Earth (1937), Mutiny on the Bounty (1935)See all 2 shared titles with Irving Thalberg




